Mythology & Folklore
Hymn to Apollo
Translated by H. W. Tytler (1793; Bohn 1856) · From Works of Callimachus (Tytler, 1793)
What force, what sudden impulse, thus can make
The laurel-branch, and all the temple shake!
Depart, ye souls profane; hence, hence! O fly
Far from this holy place! Apollo’s nigh;
He knocks with gentle foot; the Delian palm
Submissive bends, and breathes a sweeter balm:
Soft swans, high hovering, catch th’ auspicious sign,
Wave their white wings, and pour their notes divine.
Ye bolts, fly back; ye brazen doors, expand,
Leap from your hinges, Phœbus is at hand.
Begin, young men, begin the sacred song,
Wake all your lyres, and to the dances throng,
Remembering still, the Power is seen by none
Except the just and innocent alone; :
Prepare your minds, and wash the spots away,
That hinder men to view th’ all-piercing ray,
Lest ye provoke his favouring beams to bend
On happier climes, and happier skies ascend :
And lo! the Power, just opening on the sight,
Diffuses bliss, and shines with heavenly light.
Nor should the youthful choir with silent feet,
Or harps unstrung, approaching Phœbus meet,
If soon they wish to mount the nuptial bed,
To deck with sweet perfumes the hoary head,
On old foundations lofty walls to build,
Or raise new cities in some distant field.
Ye listening crowds, in awful silence hear
Apollo’s praises, and the song revere ;
Even raging seas subside, when poets sing
The bow, the harp of the Lycorean king:
Nor Thetis, wretched mother, dares deplore
Her lov’d, her lost Achilles, now no more!
But thrill’d with awe, she checks her grief and pain,
When Io Pzan sounds along the main. .
The weeping rock, once Niobe, suspends
Its tears a while, and mute attention lends;
No more she seems a monument of woe,
Nor female sighs through Phrygian marble flow.
Sound Io! Io! such the dreadful end
Of impious mortals, that with gods contend ;
Who dares high heaven’s immortal powers engage,
Against our king a rebel war would wage,
And who rebels against our sovereign’s sway -
Would brave the bright far-shooting god of day.
But rich rewards await the grateful choir
That still to Phoebus tune the living lyre;
From him all honour springs, and high above
He sits in power, at the right hand of Jove.
Beyond the day, beyond the night prolong
The sacred theme, to charm the god of song.
Let all resound his praise ; behold how bright
Apollo shines in robes of golden light ;
Gold are his quiver, harp, and Lyctian bow,
And his fair feet with golden sandals glow.
All-bright in gold appears the Power divine,
And boundless wealth adorns his Delphic shrine.
Immortal youth and heavenly beauty crown
His cheeks, unshaded by the softest down,
But his fair tresses drop ambrosial dews, ,
Distil soft oils, and healing balm diffuse :
And on what favour’d city these shall fall,
Life, health, and safety guard the sacred wall.
To great Apollo various arts belong,
The skill of archers and the powers of song;
By him the sure events of lots are given,
By him the prophet speaks the will of heaven,
And wise physicians, taught by him, delay
The stroke of fate, and turn disease away.
But we to Nomius, heavenly shepherd, cry,
Since he, for young Admetus, left the sky;
When burning with desire, he deign’d to feed
A mortal’s coursers on Amphrysus’ mead.
His herds increas’d, and overspread the ground,
Kids leapt, and sportive lambkins frisk’d around,
Where’er Apollo bent his favouring eyes,
The flocks with milk abounded, grew in size,
And pregnant ewes, that brought one lamb before,
Now dropt a double offspring on the shore.
Ere towns are built, or new foundations laid,
We still invoke the great Apollo’s aid,
And oracles explore; for with delight
He views new cities rising on the sight ;
And Phœbus’ self the deep foundations lays.
The god, but four years old, in former days,
First rais’d a structure on th’ Ortygian ground
Close by the lake that ever circles round ;
When young Diana, skill’d in hunting, laid
Unnumber’d goats, on Cynthus’ mountain, dead:
The careful goddess brought their heads away,
And gave them to the glorious god of day ;
He broke the horns, and rais’d with artful toil
A wondrous altar from the sylvan spoil,
Plac’d rows on rows, in order still dispos’d,
Which he with circling walls of horn enclos’d ;
And from this model, just in every part,
Apollo taught mankind the builder’s art.
Besides Apollo show’d my native place
To Battus, and the fam’d Therzan race,
A crow propitious sent, that flew before,
And led the wanderers to the Libyan shore.
Apollo, marking from unclouded skies,
Beheld Cyrene’s lofty towers arise,
And faithful swore, that Egypt’s king should gain
The new-built city and the fertile plain.
To tuneful Phœbus, sacred god of song,
In various nations, various names belong ;
Some Boédromius, Clarius some implore,
But nam’d Carneiis on my native shore.
Thee, great Carneiis! Sparta first possess’d,
Next Thera’s isle was with thy presence bless’d ;
And then resided in Cyrené’s towers.
The sixth from Œdipus convey’d the god
From Lacedzemon o’er the watery road
To Thera’s isle; but brought from Thera’s strand
By blameless Battus to Asbystis’ land.
He rais’d a temple to record thy praise,
Appointed annual feasts, on solemn days,
In fair Cyrené ; sacred hymns resound,
The vows to thee, and on thine altars lay
Green herbs and painted flowers, when genial spring
Diffuses sweetness from Favonius’ wing ;
But when stern winter his dark power displays
With yellow crocus feed the rising blaze:
So flames unceasing deck thy hallow’d shrine,
And breathe sweet odours to thy power divine.
With transport Phœbus views the warlike dance,
When fierce Bellona’s sons in arms advance,
And, with brown Libyan virgins, tread the ground,
When annual the Carnean feast comes round,
Nor yet Alcides’ sons had Cyrne seen,
Her crystal fountain and extended green,
But through Azilis’ woods the wanderers stray’d,
And hid their heads within the dusky shade,
When Phœbus standing on the horned hill
Beheld the forest and the murmuring rill,
And show’d the warriors to his lovely bride,
Cyrené fair attending at his side,
Who kill’d the lion on Myrtusa’s rocks,
That tore the good Eurypylus’s flocks.
Apollo saw not from the realms above :
A city more deserving of his love ;
No rising town, no mighty state obtain’d
Such gifts from Phœbus as Cyrené gain’d,
In dear remembrance of the ravish’d dame,
That crown’d his love, and gave the city’s name.
Nor were her sons ungrateful, but bestow’d
Superior honours on their guardian god.
Now Io! Io Pan! rings around
As first from Delphi rose the sacred sound,
When Phœbus swift descending deign’d to show
His heavenly skill to draw the golden bow.
For when no mortal weapons could repel
Enormous Python horrible and fell,
From his bright bow incessant arrows flew,
And, as he rose, the hissing serpent slew.
Whilst Io! Io Pean! numbers cry,
Haste launch thy darts, for surely from the sky
Thou cam’st the great preserver of mankind, ,
As thy fair mother at thy birth design’d. '
An equal foe, pale Envy, late drew near,
And thus suggested in Apollo’s ear ;
I hate the bard who pours not forth his song
In swelling numbers, loud, sublime, and strong ;
No lofty lay should in low murmurs glide,
But wild as waves, and sounding as the tide.
Fierce with his foot indignant Phoebus spurn’d
Th’ invidious monster, and in wrath return’d.
Wide rolls Euphrates’ wave, but soil’d with mud,
And dust and slime pollute the swelling flood :
For Ceres still the fair Melisse bring
The purest water from the smallest spring,
That softly murmuring creeps along the plain,
And falls with gentle cadence to the main.
Propitious Phœbus! thus thy power extend,
And soon shall Envy to the shades descend.
Cite this poem
MLA
Callimachus. “Hymn to Apollo.” Translated by H. W. Tytler. Poetry Codex, poetrycodex.com/poem/callimachus/90/.
Chicago
Callimachus. “Hymn to Apollo.” Translated by H. W. Tytler. Poetry Codex. https://poetrycodex.com/poem/callimachus/90/.
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