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Lancelot, or the Knight of the Cart · 1914

Lines 4651–4754

by Chrétien de Troyes fl. c. 1160–1190

Translated by W. W. Comfort (Everyman's Library, 1914)


Then the Queen retires, and he prepares to loosen the window. Seizing the bars, he pulls and wrenches them until he makes them bend and drags them from their places. But the iron was so sharp that the end of his little finger was cut to the nerve, and the first joint of the next finger was torn; but he who is intent upon something else paid no heed to any of his wounds or to the blood which trickled down. Though the window is not low, Lancelot gets through it quickly and easily. First he finds Kay asleep in his bed, then he comes to the bed of the Queen, whom he adores and before whom he kneels, holding her more dear than the relic of any saint. And the Queen extends her arms to him and, embracing him, presses him tightly against her bosom, drawing him into the bed beside her and showing him every possible satisfaction; her love and her heart go out to him. It is love that prompts her to treat him so; and if she feels great love for him, he feels a hundred thousand times as much for her. For there is no love at all in other hearts compared with what there is in his; in his heart love was so completely embodied that it was niggardly toward all other hearts. Now Lancelot possesses all he wants, when the Queen voluntarily seeks his company and love, and when he holds her in his arms, and she holds him in hers. Their sport is so agreeable and sweet, as they kiss and fondle each other, that in truth such a marvellous joy comes over them as was never heard or known. But their joy will not be revealed by me, for in a story, it has no place. Yet, the most choice and delightful satisfaction was precisely that of which our story must not speak. That night Lancelot's joy and pleasure were very great. But, to his sorrow, day comes when he must leave his mistress' side. It cost him such pain to leave her that he suffered a real martyr's agony. His heart now stays where the Queen remains; he has not the power to lead it away, for it finds such pleasure in the Queen that it has no desire to leave her: so his body goes, and his heart remains. But enough of his body stays behind to spot and stain the sheets with the blood which has fallen from his fingers. Full of sighs and tears, Lancelot leaves in great distress. He grieves that no time is fixed for another meeting, but it cannot be. Regretfully he leaves by the window through which he had entered so happily. He was so badly wounded in the fingers that they were in sorry, state; yet he straightened the bars and set them in their place again, so that from neither side, either before or behind, was it evident that any one had drawn out or bent any of the bars. When he leaves the room, he bows and acts precisely as if he were before a shrine; then he goes with a heavy heart, and reaches his lodgings without being recognised by any one. He throws himself naked upon his bed without awaking any one, and then for the first time he is surprised to notice the cuts in his fingers; but he is not at all concerned, for he is very sure that the wound was caused by dragging the window bars from the wall. Therefore he was not at all worried, for he would rather have had both arms dragged from his body than not enter through the window. But he would have been very angry and distressed, if he had thus injured and wounded himself under any other circumstances.

This translation is printed as prose in its source edition.

MLA

Troyes, Chrétien de. Lancelot, or the Knight of the Cart, Lines 4651–4754. Translated by W. W. Comfort. Poetry Codex, poetrycodex.com/work/lancelot-comfort/36/.

Chicago

Troyes, Chrétien de. Lancelot, or the Knight of the Cart, Lines 4651–4754. Translated by W. W. Comfort. Poetry Codex. https://poetrycodex.com/work/lancelot-comfort/36/.

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