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The Satyricon · 1913

Chapters 111–120

by Petronius c. AD 27 – 66

Translated by Michael Heseltine (1913)


111 “There was a married woman in Ephesus of such famous virtue that she drew women even from the neighbouring states to gaze upon her. So when she had buried her husband, the common fashion of following the procession with loose hair, and beating the naked breast in front of the crowd, did not satisfy her. She followed the dead man even to his resting-place, and began to watch and weep night and day over the body, which was laid in an underground vault in the Greek fashion. Neither her parents nor her relations could divert her from thus torturing herself, and courting death by starvation; the officials were at last rebuffed and left her; every one mourned for her as a woman of unique character, and she was now passing her fifth day without food. A devoted maid sat by the failing woman, shed tears in sympathy with her woes, and at the same time filled up the lamp, which was placed in the tomb, whenever it sank. There was but one opinion throughout the city, every class of person admitting this was the one true and brilliant example of chastity and love. At this moment the governor of the province gave orders that some robbers should be crucified near the small building where the lady was bewailing her recent loss. So on the next night, when the soldier who was watching the crosses, to prevent anyone taking down a body for burial, observed a light shining plainly among the tombs, and heard a mourner’s groans, a very human weakness made him curious to know who it was and what he was doing. So he went down into the vault, and on seeing a very beautiful woman, at first halted in confusion, as if he had seen a portent or some ghost from the world beneath. But afterwards noticing the dead man lying there, and watching the woman’s tears and the marks of her nails on her face, he came to the correct conclusion, that she found her regret for the lost one unendurable. He therefore brought his supper into the tomb, and began to urge the mourner not to persist in useless grief, and break her heart with unprofitable sobs: for all men made the same end and found the same resting-place, and so on with the other platitudes which restore wounded spirits to health. But she took no notice of his sympathy, struck and tore her breast more violently than ever, pulled out her hair, and laid it on the dead body. Still the soldier did not retire, but tried to give the poor woman food with similar encouragements, until the maid, who was no doubt seduced by the smell of his wine, first gave in herself, and put out her hand at his kindly invitation, and then, refreshed v-ith food and drink, began to assail her mistress’s obstinacy, and say, “What will you gain by all this, if you faint away with hunger, if you bury yourself alive, if you breathe out your undoomed soul before Fate calls for it?’ “Believest thou that the ashes or the spirit of the buried dead can feel thy woe?! Will you not begin life afresh? Will you not shake off this womanish failing, and enjoy the blessings of the light so long as you are allowed? Your poor dead husband’s body here ought to persuade you to keep alive.’ People are always ready to listen when they are urged to take a meal or to keep alive. So the lady, being thirsty after several days’ abstinence, allowed her resolution to be broken down, and filled herself with food as greedily as the maid, who had been the first to yield.

112 “Well, you know which temptation generally assails aman on a full stomach. The soldier used the same insinuating phrases which had persuaded the lady to consent to live, to conduct an assault upon her virtue. Her modest eye saw in him a young man, handsome and eloquent. The maid begged her to be gracious, and then said, ‘Wilt thou fight love even when love pleases thee? Or dost thou never remember in whose lands thou art resting?’ I need hide the fact no longer. The lady ceased to hold out, and the conquering hero won her over entire. So they passed not only their wedding night together, but the next and a third, of course shutting the door of the vault, so that any friend or stranger who came to the tomb would imagine that this most virtuous lady had breathed her last over her husband’s body. Well, the soldier was delighted with the woman’s beauty, and his stolen pleasure; he bought up all the fine things his means permitted, and carried them to the tomb the moment darkness fell. So the parents of one of the crucified, seeing that the watch was ill-kept, took their man down in the dark and administered the last rite to him. The soldier was eluded while he was off duty, and next day, seeing one of the crosses without its corpse, he was in terror of punishment, and explained to the lady what had happened. He declared that he would not wait for a court-martial, but would punish his own neglect with a thrust of his sword. So she had better get ready a place for a dying man, and let the gloomy vault enclose both her husband and her lover. The lady’s heart was tender as well as pure. ‘Heaven forbid,’ she replied, ‘that I should look at the same moment on the dead bodies of two men whom I love. No, I would rather make a dead man useful, than send a live man to death.’ After this speech she ordered her husband’s body to be taken out of the coffin and fixed up on the empty cross. The soldier availed himself of this far-seeing woman’s device, and the people wondered the next day by what means the dead man had ascended the cross.”’

113 The sailors received this tale with a roar; Tryphaena blushed deeply, and laid her face caressingly on Giton’s neck. But there was no laugh from Lichas; he shook his head angrily and said: “If the governor of the province had been a just man, he should have put the dead husband back in the tomb, and hung the woman on the cross.”

No doubt he was thinking once more of Hedyle and how his ship had been pillaged on her passionate elopement. But the terms of our treaty forbade us to bear grudges, and the joy which had filled our souls left no room for wrath. Tryphaena was now lying in Giton’s lap, covering him with kisses one moment, and sometimes patting his shaven head. I was gloomy and uneasy about our new terms, and did not touch food or drink, but kept shooting angry looks askance at them both. Every kiss was a wound to me, every pleasing wile that the wanton woman conjured up. I was not yet sure whether I was more angry with the boy for taking away my mistress, or with my mistress for leading the boy astray: both of them were hateful to my sight and more depressing than the bondage I had escaped. And besides all this, Tryphaena did not address me like a friend whom she was once pleased to have for a lover, and Giton did not think fit to drink my health in the ordinary way, and would not even so much as include me in general conversation. I suppose he was afraid of reopening a tender scar just as friendly. feeling began to draw it together. My unhappiness moved me till tears overflowed my heart, and the groan I hid witha sigh almost stole my life away. . .

He tried to gain admission to share their joys, not wearing the proud look of a master, but begging him to yield as a friend. . .

“If you have a drop of honest blood in you you will think no more of her than of a common woman. Si vir fueris, non ibis ad spintriam”’ .

Nothing troubled me more than the fear that Eumolpus might have got some idea of what was going on, and might employ his powers of speech in attacking me in verse. . .

Eumolpus swore an oath in most formal language. . .

114 While we talked over this matter and others, the sea rose, clouds gathered from every quarter, and overwhelmed the day in darkness. The sailors ran to their posts in terror, and furled the sails before the storm. But the wind did not drive the waves in any one direction, and the helmsman was at a loss which way to steer. One moment the wind set towards Sicily, very often the north wind blew off the Italian coast, mastered the ship and twisted her in every direction; and what was more dangerous than any squall, such thick darkness had suddenly blotted out the light that the steersman could not even see the whole prow. Then fora wonder, as the hostile fury of the storm gathered, Lichas trembled and stretched out his hands to me imploringly, and said, “Help us in our peril, Encolpius; let the ship have the goddess’s robe again and her holy rattle.’ Be merciful, I implore you, as your way is.”

But even as he shouted the wind blew him into the water, a squall whirled him round and round repeatedly in a fierce whirlpool, and sucked him down. Tryphaena’s faithful slaves carried her off almost. by force, put her in a boat with most of her luggage, and so rescued her from certain death. . .

I embraced Giton, and wept and cried aloud: “Did we deserve this from the gods, that they should unite us only when they slay? But cruel Fate does not grant us even this. Look even now the waves will upset the boat; even now the angry sea will sunder a lover’s embrace. So if you ever really loved Encolpius, kiss him while you may, and snatch this last joy as Fate swoops down upon you.” As I spoke Giton took

“Sacred emblems of Isis which Encolpius had probably stolen.

off his clothes, and I covered him with my shirt as he put up his head to be kissed. And that no envious wave should pull us apart as we clung to each other, he put his belt round us both and tied it tight, saying,

Whatever happens to us, at least we shall be locked together a long while as the sea carries us, and if the sea has pity and will cast us up on the same shore, some one may come by and put stones over us out of ordinary human kindness, or the last work of the waves even in their wrath will be to cover us with the unconscious sand.” I let him bind me for the last time, and then waited, like a man dressed for his death-bed, for an end that had lost its bitterness. Meanwhile by Fate’s decree the storm rose to its height, and took by violence all that was left of the ship. No mast, no helm, no rope or oar remained on her. She drifted on the waves like a rough and unshapen lump of wood. . . .

Some fishermen in handy little boats put out to seize their prey. When they saw some men alive and ready to fight for their belongings, they altered their savage plans and came to the rescue. . .

115 We heard a strange noise, and a groaning like a wild beast, coming from under the master’s cabin. So we followed the noise, and found Eumolpus sitting there inscribing verses on a great parchment. We were surprised at his having time to write poetry with death close at hand, and we pulled him out, though he protested, and implored him to be sensible. But he was furious at our interruption, and cried: “Let me complete my design; the poem halts at the close.” I laid hands on the maniac, and told Giton to help me to drag the bellowing bard ashore. . .

When this business was at last completed, we came sadly to a fisherman’s cottage, refreshed ourselves more or less with food spoilt by sea-water, and passed a very miserable night. Next morning, as we were trying to decide into what part of the country we should venture, I suddenly saw a man’s body caught in a gentle eddy and carried ashore. I stopped gloomily, and, with moist eyes, began to reflect upon the treachery of the sea. “Maybe,” I cried, “there is a wife waiting cheerfully at home for this man in a far-off land, or a son or a father, maybe, who know nothing of this storm; he is sure to have left some one behind whom he kissed before he went. So much for mortal men’s plans, and the prayers of high ambition. Look how the man floats.” I was still crying over him as a perfect stranger, when a wave turned his face towards the shore without a mark upon it, and I recognized Lichas, but a while ago so fierce and so relentless, now thrown almost under my feet. Then I could restrain my tears no longer; I beat my breast again and again, and cried, “Where is your temper and your hot head now? Behold you are a prey for -fish and savage beasts. An hour ago you boasted the strength of your command, and you have not one plank of your great ship to save you. Now let mortal men fill their hearts with proud imaginations if they will. Let misers lay out the gains they win by fraud for a thousand years. Lo this man but yesterday looked into the accounts of his family property, and even settled in his own mind the very day when he would come home again. Lord, Lord, how far he lies from his consummation! But it is not the waves of the sea alone that thus keep faith with mortal men. The warrior’s weapons fail him; another pays his vows to Heaven, and his own house falls and buries him in the act.

116 Another slips from his coach and dashes out his eager soul: the glutton chokes at dinner, the sparing man dies of want. Make a fair reckoning, and you find shipwreck everywhere. You tell me that for those the waters whelm there is no burial. As if it mattered how our perishable flesh comes to its end, by fire or water or the lapse of time! Whatever you may do, all these things achieve the same goal. But beasts will tear the body, you say, as though fire would give it a more kindly welcome! When we are angry with our slaves, we consider burning their heaviest punishment. Then what madness to take such trouble to prevent the grave from leaving aught of us behind!”’

So Lichas was burned ona pyre built by his enemy’s hands. Eumolpus proceeded to compose an epitaph on the dead man, and looked about in search of some far-fetched ideas. . .

We gladly performed this last office, and then took up our proposed way, and in a short while came sweating to a mountain top, from which we saw, not far off, a town set on a high peak. We had lost ourselves, and did not know what’ it was, until we learned from a farm-bailiff that it was Croton, a town of great age, and once the first city in Italy. When we went on to inquire particularly what men lived on such honoured soil, and what kind of business pleased them best, now that their wealth had been brought low by so many wars, the man replied, “My friends, if you are business men, change your plans and look for some other safe way of life. But if you profess to be men of a superior stamp and thorough-paced liars, you are on the direct road to wealth. In this city the pursuit of learning is not esteemed, eloquence has no place, economy and a pure life do not win their reward in honour: know that the whole of the men you see in this city are divided into two classes. They are either the prey of legacy-hunting or legacy-hunters themselves. In this city no one brings up children, because anyone who has heirs of his own stock is never invited to dinner or the theatre; he is deprived of all advantages, and lies in obscurity among the base-born. But those who have never married, and have no near relations, reach the highest positions; they alone, that is, are considered soldierly, gallant, or even good. Yes,” he went on, “you will go into a town that is like a plague-stricken plain, where there is nothing but carcasses to be devoured, and crows to devour them.”

Eumolpus was more cautious, and directed his attention to the novelty of the case, declaring that this kind of prophecy did not make him uneasy. I thought the old man was joking with the light heart of a poet, but then he said, “I only wish I had a more ample background, I mean a more gentlemanly dress, and finer ornaments, to lend colour to my strange tale; I declare I would not put off the business, I would bring you into great wealth in a moment.

117 Anyhow, I promise to do whatever my fellow-robber demands, so long as my clothes are satisfactory, and whatever we may find in Lycurgus’s house when we break in. I am sure that our mother goddess for her honour’s sake will pay up some coin to us for present needs.”

Well then,” said Eumolpus, “Why shouldn’t we make up a farce? Now appoint me your master, if - you like the business.” No one dared to grumble at this harmless device. So to keep the lie safe among us all, we took an oath to obey Eumolpus;

to endure burning, bondage, flogging, death by the sword, or anything else that Eumolpus ordered. We pledged our bodies and souls to our master most solemnly, like regular gladiators. When the oath was over, we posed like slaves and saluted our master, and learned all together that Eumolpus had lost a son, a young man of great eloquence and promise, and that the poor old man had left his own country for this reason, to escape seeing his son’s dependants and friends, or the tomb which was the source of his daily tears. His grief had been increased by a recent shipwreck, in which he lost over two million sesterces: it was not the loss that troubled him, but with no servant to wait upon him he could not recognize his own importance. Besides, he had thirty millions invested in Africa in estates and bonds; such a horde of his slaves was scattered over the fields of Numidia that he could positively have sacked Carthage. Under this scheme we ordered Eumolpus to cough frequently, sometimes to be bilious, and to find fault openly with all his food; he must talk of gold and silver and his disappointing farms and the obstinate barrenness of the soil; further, he must sit over his accounts daily, and revise the sheets of his will every month. To make the setting quite complete, he was to use the wrong names whenever he tried to call one of us, so that it would clearly look as though our master had also in his mind some servants who were not present. This was all arranged; we offered a prayer to Heaven for a prosperous and happy issue, and started on our journey. But Giton was not used to a burden and could not bear it, and the slave Corax, a shirker of work, kept putting down his bundle and cursing our hurry, and declaring that he would either throw the baggage away or run off with his load. “You seem to think I am a beast of burden or a ship for carrying stones,” he cried. “You paid for the services of a man, nota horse. I am just as free as you are, although my father did leave me a poor man.” Not satisfied with curses, he kept lifting his leg up and filling the whole road with a disgusting noise and smell. Giton laughed at his impudence and matched every noise he made. . . .

118 “Yes, my young friends,” said Eumolpus, “poetry has led many astray. As soon as a man has shaped his verse in feet and woven into it a more delicate meaning with an ingenious circumlocution, he thinks that forthwith he has scaled Helicon. In this fashion people who are tired out with forensic oratory often take refuge in the calm of poetry as in some happier haven, supposing that a poem is easier to construct than a declamation adorned with quivering epigrams. But nobler souls do not love such coxcombry, and the mind cannot conceive or bring forth its fruit unless it is steeped in the vast flood of literature. One must flee away from all diction that is, so to speak, cheap, and choose words divorced from popular use, putting into practice, “I hate the common herd and hold it afar.” Besides, one must take care that the epigrams do not stand out from the body of the speech: they must shine with a brilliancy that is woven into the material. Homer proves this, and the lyric poets, and Roman Virgil, and the studied felicity of Horace. The others either did not see the path that leads to poetry, or saw it and were afraid to walk in it For instance, anyone who attemps the vast theme of the Civil War will sink under the burden unless he is full of literature. It is not a question of recording real events in verse; historians can do that far better. The free spirit of genius must plunge headlong into allusions and divine interpositions, and rack itself for epigrams coloured by mythology, so that what results seems rather the prophecies of an inspired seer than the exactitude of a statement made on oath before witnesses: the following effusion will show what I mean, if it take your fancy, though it has not yet received my final touches. . . .

119 “The conquering Roman now held the whole world, sea and land and the course of sun and moon. But he was not satisfied. Now the waters were stirred and troubled by his loaded ships; if there were any hidden bay beyond, or any land that promised a yield of yellow gold, that place was Rome’s enemy, fate stood ready for the sorrows of war, and the quest for wealth went on. There was no happiness in familiar joys, or in pleasures dulled by the common man’s use. The soldier out at sea would praise the bronze of Corinth; bright colours dug from earth rivalled the purple; here the African curses Rome, here the Chinaman plunders his marvellous silks, and the Arabian hordes have stripped their own fields bare.

‘Yet again more destruction, and peace hurt and bleeding. The wild beast is searched out in the woods at a great price, and men trouble Hammon deep in Africa to supply the beast whose teeth make him precious for slaying men; strange ravening creatures freight the fleets, and the padding tiger is wheeled in a gilded palace to drink the blood of men while the crowd applauds.

I shrink from speaking plain and betraying our destiny of ruin; boys whose childhood is hardly begun are kidnapped in the Persian way, and the powers the knife has shorn are forced to the service of lust, and in order that the passing of man’s finest age may be hedged round with delay and hold back the hurrying years, Nature seeks for herself, and finds herself not. So all take their pleasure in harlotry, and the halting steps of a feeble body, and in flowing hair and numberless clothes of new names, everything that ensnares mankind.

“Tables of citron-wood are dug out of the soil of Africa and set up, the spots on them resembling gold which is cheaper than they, their polish reflecting hordes of slaves and purple clothes, to lure the senses. Round this barren and low-born wood there gathers a crowd drowned in drink, and the soldier of fortune gorges the whole spoils of the world while his weapons rust.

“Gluttony is a fine art. The wrasse is brought alive to table in sea-water from Sicily, and the oysters torn from the banks of the Lucrine lake make a dinner famous, in order to renew men’s hunger by their extravagance. All the birds are now gone from the waters of Phasis; the shore is quiet; only the empty air breathes on the lonely boughs.

“The same madness is in public life, the true-born Roman is bought, and changes his vote for plunder and the cry of gain. The people are corrupt, the house of senators is corrupt, their support hangs on a price. The freedom and virtue of the old men had decayed, their power was swayed by largesse, even their dignity was stained by money and trodden in the dust.

“Cato is beaten and driven out by the mob; his conqueror is more unhappy than he, and is ashamed to have torn the rods of office from Cato. For the shame of the nation and the fall of their character lay in this, that here was not only one man’s defeat. In his person the power and glory of Rome was humbled. So Rome in her deep disgrace was herself both price and prize, and despoiled herself without an avenger. Moreover filthy usury and the handling of money had caught the common people in a double whirlpool, and destroyed them. Not a house is safe, not a man but is mortgaged; the madness spreads through their limbs, and trouble bays and hounds them down like some disease sown in the dumb flesh. In despair they turn to violence, and bloodshed restores the good things lost by luxury. A beggar can risk everything in safety. Could the spell of healthful reason stir Rome from the filth where she rolled in heavy sleep, or only madness and war and the lust wakened by the sword?

120 Fortune brought forth three generals, and the goddess of War and Death buried them all, each beneath a pile of arms. The Parthian has Crassus in keeping,? Pompey the Great lies by the Libyan water,” Julius stained ungrateful Rome with his blood; and as though the earth could not endure the burden of so many graves, she has separated their ashes. These are the wages paid by fame.

“Between Parthenope and the fields of the great town of Dicarchis there lies a spot plunged deep in a cloven chasm, wet with the water of Cocytus: for the air that rushes furiously outward is laden with that baleful spray. The ground here is never green in autumn, the field does not prosper or nurture herbage on its turf, the soft thickets never ring nor are loud in springtime with the songs of rival birds, but chaos is there, and gloomy rocks of black pumice-stone lie happy in the gloom of the cypresses that mound them about. From this place the father of Dis lifted his head, lit with funeral flames and flecked with white ashes, and provoked winged Fortune with these words:

Disposer of life in earth and heaven, Chance, always angry against power too firmly seated, everlasting lover of change and quick forsaker of thy conquests, dost not thou feel thy spirit crushed under the weight of Rome, and that thou canst not further raise up the mass that is doomed to fall? The youth of Rome contemns its own strength, and groans under the wealth its own hands have heaped up. See, everywhere they squander their spoils, and the mad use of wealth brings their destruction. They have buildings of gold and thrones raised to the stars, they drive out the waters with their piers, the sea springs forth amid the fields: rebellious man turns creation’s order upside down. Aye, they grasp even at my kingdom. The earth is hewn through for their madmen’s foundations and gapes wide, now the mountains are hollowed out until the caves groan, and while men turn precious stones to their empty purposes, the ghosts of hell declare their hopes of winning heaven. Arise, then, Chance, change thy looks of peace to war, harry the Roman, and let my kingdom have the dead. It is long now since my lips were wet with blood, and never has my loved Tisiphone bathed her thirsty limbs since the sword of Sulla drank deep, and the earth stood thick with corn fattened on blood and thrust up to the sun.’

This translation is printed as prose in its source edition.

MLA

Petronius. The Satyricon, Chapters 111–120. Translated by Michael Heseltine. Poetry Codex, poetrycodex.com/work/petronius-satyricon-heseltine/11/.

Chicago

Petronius. The Satyricon, Chapters 111–120. Translated by Michael Heseltine. Poetry Codex. https://poetrycodex.com/work/petronius-satyricon-heseltine/11/.

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