The Satyricon · 1913
Chapters 81–90
Translated by Michael Heseltine (1913)
81 But still I did not spend much time in weeping. I was afraid that Menelaus the tutor might increase my troubles by finding me alone in the lodgings, so I got together my bundles and took a room in a remote place right on the beach. I shut myself up there for three days; I was haunted by the thought that I was deserted and despised; I beat my breast, already worn with blows, groaned deeply and even cried aloud many times, “Could not the earth have opened and swallowed me, or the sea that shows her anger even against the innocent? I fled from justice, I cheated the ring, I killed my host, and with all these badges of courage I am left forsaken in lodgings in a Greek town, a beggar and an exile. And who condemned me to loneliness? A young man tainted by excess of every kind, deserving banishment even by his own admission, a free, yes, a free-born debauchee; his youth was wasted in gambling, and even those who supposed him to be a man treated him like a girl. And his friend? A boy who went into skirts instead of trousers, whose mother persuaded him never to grow up, who was the common sport of the slaves’ quarters, who after going bankrupt, and changing the tune of his vices, has broken the ties of an old friendship, and shamelessly sold everything in a single night’s work like a common woman. Now the lovers lie all night long in each other’s arms, and very likely laugh at my loneliness when they are tired out. But they shall suffer for it. I am no man, and no free citizen, if I do not avenge my wrongs with their hateful blood.”
82 With these words I put on my sword, and recruited my strength with a square meal to prevent my losing the battle through weakness. I rushed out of doors at once, and went round all the arcades like a madman. My face was as of one dumbfoundered with fury, I thought of nothing but blood and slaughter, and kept putting my hand to the sword-hilt which I had consecrated to the work. Then a soldier, who may have been a swindler or a footpad, noticed me, and said, “Hullo, comrade, what regiment and company do you belong to?” I lied stoutly about my captain and my regiment, and he said, “Well, do soldiers in your force walk about in white shoes?” My expression and my trembling showed that I had lied, and he ordered me to hand over my arms and look out for myself. So I was not only robbed, but my revenge was nipped in the bud. I went back to the inn, and by degrees my courage cooled, and I began to bless the footpad’s effrontery. . . .
Poor Tantalus stands in water and never drinks, nor plucks the fruit above his head: his own desires torment him. So must a rich great man look when, with everything before his eyes, he fears starvation, and digests hunger dry-mouthed. . . .
It is not much use depending upon calculation when Fate has methods of her own. . .
83 I came into a gallery hung with a wonderful collection of various pictures. I saw the works of Zeuxis not yet overcome by the defacement of time, and I studied with a certain terrified wonder the rough drawings of Protogenes, which rivalled the truth of Nature herself. But when I came to the work of Apelles the Greek which is called the One-legged, I positively worshipped it. For the outlines of his figures were defined with such subtle accuracy, that you would have declared that he had painted their souls as well. In one the eagle was carrying the Shepherd of Ida on high to heaven, and in another fair Hylas resisted a tormenting Naiad. Apollo”? passed judgement on his accursed hands, and adorned his unstrung lyre with the new-born flower. I cried out as if I were in a desert, among these faces of mere painted lovers, “So even the gods feel love. Jupiter in his heavenly home could find no object for his passion, and came down on earth to sin, yet did no one any harm. The Nymph who ravished Hylas would have restrained her passion had she believed that Hercules would come to dispute her claim. Apollo recalled the ghost of a boy into a flower, and all the stories tell of love’s embraces without a rival. But I have taken for my comrade a friend more cruel than Lycurgus himself.”
Suddenly, as I strove thus with the empty air, a white-haired old man came into the gallery. His face was troubled, but there seemed to be the promise of some great thing about him; though he was shabby in appearance, so that it was quite plain by this characteristic that he was a man of letters, of the kind that rich men hate. He came and stood by my side. .
“Tama poet,” he said, “and one, I hope, of no mean imagination, if one can reckon at all by crowns of honour, which gratitude can set even on unworthy heads. ‘Why are you so badly dressed, then?’ you-ask. For that very reason. The worship of genius never made a man rich.
“The man who trusts the sea consoles himself with high profits; the man who follows war and the camp is girded with gold; the base flatterer lies drunk on a couch of purple dye; the man who tempts young wives gets money for his sin; eloquence alone shivers in rags and cold, and calls upon a neglected art with unprofitable tongue.
84 “Yes, that is certainly true: if a man dislikes all vices, and begins to tread a straight path in life, he is hated first of all because his character is superior; for who is able to like what differs from himself? Further, those who only trouble about heaping up riches, do not want anything to be considered better than what is in their own hands. So they persecute men with a passion for learning in every possible way, to make them also look an inferior article to money. . . .
“Somehow or other poverty is own sister to good sense. . . .
“I wish he that hates me for my virtue were so guiltless that he might be mollified. As it is he is a past master of robbery, and more clever than any pimp.”
85 “In Asiam cum a quaestore essem stipendio eductus, hospitium Pergami accepi. Ubi cum libenter habitarem non solum propter cultum aedicularum, sed etiam propter hospitis formosissimum filium, excogitavi rationem, qua non essem patri familiae suspectus amator. Quotiescunque enim in convivio de usu formosorum mentio facta est, tam vehementer excandui, tam severa tristitia violari aures meas obsceno sermone nolui, ut me mater praecipue tanquam unum ex philosophis intueretur. Iam ego coeperam ephebum in gymnasium deducere, ego studia eius ordinare, ego docere ac praecipere, ne quis praedator corporis admitteretur in domum. . .
Forte cum in triclinio iaceremus, quia dies sollemnis ludum artaverat pigritiamque recedendi imposuerat hilaritas longior, fere circa mediam noctem intellexi puerum vigilare. Itaque timidissimo murmure votum feci et ‘domina’ inquam “Venus, si ego hunc puerum basiavero, ita ut ille non sentiat, cras illi par columbarum donabo.” Audito voluptatis pretio puer stertere coepit. Itaque aggressus simulantem aliquot basiolis invasi. Contentus hoc principio bene mane surrexi electumque par columbarum attuli expectanti ac me voto exsolvi.
86 Proxima nocte cum idem liceret, mutavi optionem et ‘si hune’ inquam “tractavero improba manu, et ille non senserit, gallos gallinaceos pugnacissimos duos donabo patienti.’ Ad hoc votum ephebus ultro se admovit et, puto, vereri coepit, ne ego obdormiscerem. Indulsi ergo sollicito, totoque corpore citra summam voluptatem me ingurgitavi. Deinde ut dies venit, attuli gaudenti quicquid promiseram. Ut tertia nox licentiam dedit, consurrexi . ad aurem male dormientis ‘dii’ inquam “immortales, si ego huic dormienti abstulero coitum plenum et optabilem, pro hac felicitate cras puero asturconem Macedonicum optimum donabo, cum hac tamen exceptione, si ille non senserit.2 Nunquam altiore somno ephebus obdormivit. Itaque primum implevi lactentibus papillis manus, mox basio inhaesi, deinde in unum omnia vota coniunxi. Mane sedere in cubiculo coepit atque expectare consuetudinem meam. Scis quanto facilius sit, columbas gallosque gallinaceos emere quam asturconem, et praeter hoc etiam timebam, ne tam grande munus suspectam faceret humanitatem meam. Ego aliquot horis spatiatus in hospitium reverti nihilque aliud quam puerum basiavi. At ille circumspiciens ut cervicem meam iunxit amplexu, ‘rogo’ inquit ‘domine, ubi est asturco?”
87 Cum ob hanc offensam praeclusissem mihi aditum, quem feceram, iterum ad licentiam redii. Interpositis enim paucis diebus, cum similis casus nos in eandem fortunam rettulisset, ut intellexi stertere patrem, rogare coepi ephebum, ut reverteretur in gratiam mecum, id est ut pateretur satis fieri sibi, et cetera quae libido distenta dictat. At ille plane iratus nihil aliud dicebat nisi hoc: “aut dormi, aut ego iam dicam patri.” Nihil est tam arduum, quod non improbitas extorqueat. Dum dicit: “patrem excitabo,” irrepsi tamen et male repugnanti gaudium extorsi. At ille non indelectatus nequitia mea, postquam diu questus est deceptum se et derisum traductumque inter condiscipulos, quibus iactasset censum meum, “videris tamen” inquit “non ero tui similis. Si quid vis, fac iterum.” Ego vero deposita omni offensa cum puero in gratiam redii ususque beneficio eius in somnum delapsus sum. Sed non fuit contentus iteratione ephebus plenae maturitatis et annis ad patiendum gestientibus. Itaque excitavit me sopitum et “numquid vis?” inquit. Et non plane iam molestum erat munus. Utcunque igitur inter anhelitus sudoresque tritus, quod voluerat, accepit, rursusque in somnum decidi gaudio lassus. Interposita minus hora pungere me manu coepit et dicere: “quare non facimus?” tum ego totiens excitatus plane vehementer excandui et reddidi illi voces suas: “aut dormi, aut ego iam patri dicam’” . . .
88 Encouraged by his conversation, I began to draw on his knowledge about the age of the pictures, and about some of the stories which puzzled me, and at the same time to discuss the decadence of the age, since the fine arts had died, and painting, for instance, had left no trace of its existence behind. “Love of money began this revolution,” he replied. “In former ages virtue was still loved for her own sake, the noble arts flourished, and there were the keenest struggles among mankind to prevent anything being long undiscovered which might benefit posterity. So Democritus extracted the juice of every plant on earth, and spent his whole life in experiments to discover the virtues of stones and twigs. Eudoxos grew old on the top of a high mountain in order to trace the movements of the stars and the sky, and Chrysippus three times cleared his wits with hellebore to improve his powers of invention. If you turn to sculptors, Lysippus died of starvation as he brooded over the lines of a single statue, and Myron, who almost caught the very soul of men and beasts in bronze, left no heir behind him. But we are besotted with wine and women, and cannot rise to understand even the arts that are developed; we slander the past, and learn and teach nothing but vices. Where is dialectic now, or astronomy? Where is the exquisite way of wisdom? Who has ever been to a temple and made an offering in order to attain to eloquence, or to drink of the waters of philosophy? They do not even ask for good sense or good health, but before they even touch the threshold of the Capitol, one promises an offering if he may bury his rich neighbour, another if he may dig up a hid treasure, another if he may make thirty millions in safety. Even the Senate, the teachers of what is right and good, often promise a thousand pounds in gold to the Capitol, and decorate even Jupiter with pelf, that no one need be ashamed of praying for money. So there is nothing surprising in the decadence of painting, when all the gods and men think an ingot of gold more beautiful than anything those poor crazy Greeks, Apelles and Phidias, ever did.
89 “But I see your whole attention is riveted on that picture, which represents the fall of Troy. Well, I will try and explain the situation in verse:
“It was now the tenth harvest of the siege of the Trojans, who were worn with anxious fear, and the honour of Calchas the prophet stood wavering in dark dread, when at Apollo’s bidding the wooded peaks of Ida were felled and dragged down, and the sawn planks fitted to a shape that resembled a war-horse. Within it a great hollow was opened, and a hidden cave that could shelter a host. In this the warriors who chafed at a war ten years long were packed away; the baleful Greeks fill every corner, and lie waiting in their own votive offering. Ah my country we thought the thousand ships were beaten off, and the land released from strife. The inscription carved on the horse, and Sinon’s crafty bearing, and his mind ever powerful for evil, all strengthened our hope.
“Now a crowd hurries from the gate to worship, careless and free of the war. ‘Their cheeks are wet with tears, and the joy of their trembling souls brings to their eyes tears that terror had banished. Laocoon, priest of Neptune, with hair unbound, stirs the whole assembly to cry aloud. He drew back his spear and gashed the belly of the horse, but fate stayed his hand, the spear leaped back, and won us to trust the fraud. But he nerved his feeble hand a second time, and sounded the deep sides of the horse with an axe. The young soldiers shut within breathed loud, and while the sound lasted the wooden mass gasped with a terror that was not its own. The prisoned warriors went forward to make Troy prisoner, and waged all the war by a new subtlety.
“ There followed further portents; where the steep ridge of Tenedos breaks the sea, the billows rise and swell, and the shattered wave leaps back hollowing the calm, sounding like the noise of oars borne far through the silent night, when ships bear down the ocean, and the calm is stirred and splashes under the burden of the keel. We look back: the tide carries two coiling snakes towards the rocks, their swollen breasts like tall ships throwing the foam from their sides. Their tails crash through the sea, their crests move free over the open water, fierce as their eyes; a brilliant beam kindles the waves, and the waters resound with their hissing. Our heartbeats stopped. The priests stood wreathed for sacrifice with the two sons of Laocoon in Phrygian raiment. Suddenly the gleaming snakes twine their bodies round them. The boys throw up their little hands to their faces, neither helping himself, but each his brother: such was the exchange of love, and death himself slew both poor children by their unselfish fear. Then before our eyes the father, a feeble helper, laid his own body down upon his children’s. The snakes, now gorged with death, attacked the man and dragged his limbs to the ground. The priest lies a victim before his altars and beats the earth. Thus the doomed city of Troy first lost her gods by profaning their worship.
“ Now Phoebe at the full lifted up her white beam, and led forth the smaller stars with her glowing torch, and the Greeks unbarred the horse, and poured out their warriors among Priam’s sons drowned in darkness and wine. The leaders try their strength in arms, as a steed untied from the Thessalian yoke will toss his head and lofty mane as he rushes forth. They draw their swords, brandish their shields, and begin the fight. One slays Trojans heavy with drink, and prolongs their sleep to death that endeth all, another lights torches from the altars, and calls on the holy places of Troy to fight against the Trojans.’” . . .
90 Some of the people who were walking in the galleries threw stones at Eumolpus as he recited. He recognized this tribute to his genius, covered his head, and fled out of the temple. I was afraid that he would call mea poet. So I followed him in his flight, and came to the beach, and as soon as we were out of range and could stop, I said, “Tell me, cannot you get rid of your disease? You have been in my company less than two hours, and you have talked more often like a poet than like a man. I am not surprised that the crowd pursue you with stones. I shall load my pockets with stones too, and whenever you begin to forget yourself I shall let blood from your head.” His expression altered, and he said, “My dear young friend, I have been blessed like this before to-day. Whenever I go into the theatre to recite anything, the people’s way is to welcome me with this kind ot present. But I do not want to have anything to quarrel with you about, so I will keep off this food for a whole day.” ‘Well,’ said I, “if you forswear your madness for to-day, we will dine together.” . . .
I gave the house-porter orders about our supper. . . .
This translation is printed as prose in its source edition.
Cite this text
MLA
Petronius. The Satyricon, Chapters 81–90. Translated by Michael Heseltine. Poetry Codex, poetrycodex.com/work/petronius-satyricon-heseltine/8/.
Chicago
Petronius. The Satyricon, Chapters 81–90. Translated by Michael Heseltine. Poetry Codex. https://poetrycodex.com/work/petronius-satyricon-heseltine/8/.