Act VI: Separation from Shakuntala

SCENE I.--In the street before the Palace

(Enter the chief of police, two policemen, and a man with his hands
bound behind his back.)

The two policemen (striking the man). Now, pickpocket, tell us
where you found this ring. It is the king's ring, with letters
engraved on it, and it has a magnificent great gem.

Fisherman (showing fright). Be merciful, kind gentlemen. I am not
guilty of such a crime.

First policeman. No, I suppose the king thought you were a pious
Brahman, and made you a present of it.

Fisherman. Listen, please. I am a fisherman, and I live on the
Ganges, at the spot where Indra came down.

Second policeman. You thief, we didn't ask for your address or your
social position.

Chief. Let him tell a straight story, Suchaka. Don't interrupt.

The two policemen. Yes, chief. Talk, man, talk.

Fisherman. I support my family with things you catch fish
with--nets, you know, and hooks, and things.

Chief (laughing). You have a sweet trade.

Fisherman. Don't say that, master.

You can't give up a lowdown trade
That your ancestors began;
A butcher butchers things, and yet
He's the tenderest-hearted man.

Chief. Go on. Go on.

Fisherman. Well, one day I was cutting up a carp. In its maw I see
this ring with the magnificent great gem. And then I was just trying
to sell it here when you kind gentlemen grabbed me. That is the only
way I got it. Now kill me, or find fault with me.

Chief (smelling the ring). There is no doubt about it, Januka.
It has been in a fish's maw. It has the real perfume of raw meat. Now
we have to find out how he got it. We must go to the palace.

The two policemen (to the fisherman). Move on, you cutpurse, move
on. (They walk about.)

Chief. Suchaka, wait here at the big gate until I come out of the
palace. And don't get careless.

The two policemen. Go in, chief. I hope the king will be nice to
you.

Chief. Good-bye. (Exit.)

Suchaka. Januka, the chief is taking his time.

Januka. You can't just drop in on a king.

Suchaka. Januka, my fingers are itching (indicating the fisherman)
to kill this cutpurse.

Fisherman. Don't kill a man without any reason, master.

Januka (looking ahead). There is the chief, with a written order
from the king. (To the fisherman.) Now you will see your family, or
else you will feed the crows and jackals. (Enter the chief.)

Chief. Quick! Quick! (He breaks off.)

Fisherman. Oh, oh! I'm a dead man. (He shows dejection.)

Chief. Release him, you. Release the fishnet fellow. It is all
right, his getting the ring. Our king told me so himself.

Suchaka. All right, chief. He is a dead man come back to life. (He
releases the fisherman.)

Fisherman (bowing low to the chief). Master, I owe you my life.

(He falls at his feet.)

Chief. Get up, get up! Here is a reward that the king was kind
enough to give you. It is worth as much as the ring. Take it. (He
hands the fisherman a bracelet.)

Fisherman (joyfully taking it). Much obliged.

Januka. He is much obliged to the king. Just as if he had been
taken from the stake and put on an elephant's back.

Suchaka. Chief, the reward shows that the king thought a lot of the
ring. The gem must be worth something.

Chief. No, it wasn't the fine gem that pleased the king. It was this
way.

The two policemen. Well?

Chief. I think, when the king saw it, he remembered somebody he
loves. You know how dignified he is usually. But as soon as he saw it,
he broke down for a moment.

Suchaka. You have done the king a good turn, chief.

Januka. All for the sake of this fish-killer, it seems to me. (He
looks enviously at the fisherman.)

Fisherman. Take half of it, masters, to pay for something to drink.

Januka. Fisherman, you are the biggest and best friend I've got. The
first thing we want, is all the brandy we can hold. Let's go where
they keep it. (Exeunt omnes.)

SCENE II.--In the Palace Gardens

(Enter MISHRAKESHI, flying through the air.)

Mishrakeshi. I have taken my turn in waiting upon the nymphs. And
now I will see what this good king is doing. Shakuntala is like a
second self to me, because she is the daughter of Menaka. And it was
she who asked me to do this. (She looks about.) It is the day of the
spring festival. But I see no preparations for a celebration at court.
I might learn the reason by my power of divination. But I must do as
my friend asked me. Good! I will make myself invisible and stand near
these girls who take care of the garden. I shall find out that way.

(She descends to earth. Enter a maid, gazing at a mango branch, and
behind her, a second.)

First maid.

First mango-twig, so pink, so green,
First living breath of spring,
You are sacrificed as soon as seen,
A festival offering.

Second maid. What are you chirping about to yourself, little cuckoo?

First maid. Why, little bee, you know that the cuckoo goes crazy
with delight when she sees the mango-blossom.

Second maid (joyfully). Oh, has the spring really come?

First maid. Yes, little bee. And this is the time when you too buzz
about in crazy joy. Second maid. Hold me, dear, while I stand on
tiptoe and offer this blossom to Love, the divine.

First maid. If I do, you must give me half the reward of the
offering.

Second maid. That goes without saying, dear. We two are one. (She
leans on her friend and takes the mango-blossom.) Oh, see! The
mango-blossom hasn't opened, but it has broken the sheath, so it is
fragrant. (She brings her hands together.) I worship mighty Love.

O mango-twig I give to Love
As arrow for his bow,
Most sovereign of his arrows five,
Strike maiden-targets low.

(She throws the twig. Enter the chamberlain.)

Chamberlain (angrily). Stop, silly girl. The king has strictly
forbidden the spring festival. Do you dare pluck the mango-blossoms?

The two maids (frightened). Forgive us, sir. We did not know.

Chamberlain. What! You have not heard the king's command, which is
obeyed even by the trees of spring and the creatures that dwell in
them. See!

The mango branches are in bloom,
Yet pollen does not form;
The cuckoo's song sticks in his throat,
Although the days are warm;

The amaranth-bud is formed, and yet
Its power of growth is gone;
The love-god timidly puts by
The arrow he has drawn.

Mishrakeshi. There is no doubt of it. This good king has wonderful
power.

First maid. A few days ago, sir, we were sent to his Majesty by his
brother-in-law Mitravasu to decorate the garden. That is why we have
heard nothing of this affair.

Chamberlain. You must not do so again.

The two maids. But we are curious. If we girls may know about it,
pray tell us, sir. Why did his Majesty forbid the spring festival?
Mishrakeshi. Kings are fond of celebrations. There must be some good
reason.

Chamberlain (to himself). It is in everybody's mouth. Why should I
not tell it? (Aloud.) Have you heard the gossip concerning
Shakuntala's rejection?

The two maids. Yes, sir. The king's brother-in-law told us, up to
the point where the ring was recovered.

Chamberlain. There is little more to tell. When his Majesty saw the
ring, he remembered that he had indeed contracted a secret marriage
with Shakuntala, and had rejected her under a delusion. And then he
fell a prey to remorse.

He hates the things he loved; he intermits
The daily audience, nor in judgment sits;
Spends sleepless nights in tossing on his bed;
At times, when he by courtesy is led
To address a lady, speaks another name,
Then stands for minutes, sunk in helpless shame.

Mishrakeshi. I am glad to hear it.

Chamberlain. His Majesty's sorrow has forbidden the festival.

The two maids. It is only right.

A voice behind the scenes. Follow me.

Chamberlain (listening). Ah, his Majesty approaches. Go, and
attend to your duties. (Exeunt the two maids. Enter the king, wearing
a dress indicative of remorse; the clown, and the portress.)

Chamberlain (observing the king). A beautiful figure charms in
whatever state. Thus, his Majesty is pleasing even in his sorrow. For

All ornament is laid aside; he wears
One golden bracelet on his wasted arm;
His lip is scorched by sighs; and sleepless cares
Redden his eyes. Yet all can work no harm
On that magnificent beauty, wasting, but
Gaining in brilliance, like a diamond cut.

Mishrakeshi (observing the king). No wonder Shakuntala pines for
him, even though he dishonoured her by his rejection of her.

King (walks about slowly, sunk in thought).

Alas! My smitten heart, that once lay sleeping,
Heard in its dreams my fawn-eyed love's laments,
And wakened now, awakens but to weeping,
To bitter grief, and tears of penitence.

Mishrakeshi. That is the poor girl's fate.

Clown (to himself). He has got his Shakuntala-sickness again. I
wish I knew how to cure him.

Chamberlain (advancing). Victory to your Majesty. I have examined
the garden. Your Majesty may visit its retreats.

King. Vetravati, tell the minister Pishuna in my name that a
sleepless night prevents me from mounting the throne of judgment. He
is to investigate the citizens' business and send me a memorandum.

Portress. Yes, your Majesty. (Exit.)

King. And you, Parvatayana, return to your post of duty.

Chamberlain. Yes, your Majesty. (Exit.)

Clown. You have got rid of the vermin. Now amuse yourself in this
garden. It is delightful with the passing of the cold weather.

King (sighing). My friend, the proverb makes no mistake.
Misfortune finds the weak spot. See!

No sooner did the darkness lift
That clouded memory's power,
Than the god of love prepared his bow
And shot the mango-flower.

No sooner did the ring recall
My banished maiden dear,
No sooner do I vainly weep
For her, than spring is here.

Clown. Wait a minute, man. I will destroy Love's arrow with my
stick. (He raises his stick and strikes at the mango branch.)

King (smiling). Enough! I see your pious power. My friend, where
shall I sit now to comfort my eyes with the vines? They remind me
somehow of her.

Clown. Well, you told one of the maids, the clever painter, that
you would spend this hour in the bower of spring-creepers. And you
asked her to bring you there the picture of the lady Shakuntala which
you painted on a tablet.

King. It is my only consolation. Lead the way to the bower of
spring-creepers.

Clown. Follow me. (They walk about. MISHRAKESHI follows.) Here
is the bower of spring-creepers, with its jewelled benches. Its
loneliness seems to bid you a silent welcome. Let us go in and sit
down. (They do so.)

Mishrakeshi. I will hide among the vines and see the dear girl's
picture. Then I shall be able to tell her how deep her husband's love
is. (She hides.)

King (sighing). I remember it all now, my friend. I told you how I
first met Shakuntala. It is true, you were not with me when I rejected
her. But I had told you of her at the first. Had you forgotten, as I
did?

Mishrakeshi. This shows that a king should not be separated a single
moment from some intimate friend.

Clown. No, I didn't forget. But when you had told the whole story,
you said it was a joke and there was nothing in it. And I was fool
enough to believe you. No, this is the work of fate.

Mishrakeshi. It must be.

King (after meditating a moment). Help me, my friend.

Clown. But, man, this isn't right at all. A good man never lets
grief get the upper hand. The mountains are calm even in a tempest.

King. My friend, I am quite forlorn. I keep thinking of her pitiful
state when I rejected her. Thus:

When I denied her, then she tried
To join her people. "Stay," one cried,
Her father's representative.
She stopped, she turned, she could but give
A tear-dimmed glance to heartless me--
That arrow burns me poisonously.

Mishrakeshi. How his fault distresses him!

Clown. Well, I don't doubt it was some heavenly being that carried
her away.

King. Who else would dare to touch a faithful wife? Her friends told
me that Menaka was her mother. My heart persuades me that it was
she, or companions of hers, who carried Shakuntala away.

Mishrakeshi. His madness was wonderful, not his awakening reason.

Clown. But in that case, you ought to take heart. You will meet her
again.

King. How so?

Clown. Why, a mother or a father cannot long bear to see a daughter
separated from her husband.

King. My friend,

And was it phantom, madness, dream,
Or fatal retribution stern?
My hopes fell down a precipice
And never, never will return.

Clown. Don't talk that way. Why, the ring shows that incredible
meetings do happen.

King (looking at the ring). This ring deserves pity. It has fallen
from a heaven hard to earn.

Your virtue, ring, like mine,
Is proved to be but small;
Her pink-nailed finger sweet
You clasped. How could you fall?

Mishrakeshi. If it were worn on any other hand, it would deserve
pity. My dear girl, you are far away. I am the only one to hear these
delightful words.

Clown. Tell me how you put the ring on her finger.

Mishrakeshi. He speaks as if prompted by my curiosity.

King. Listen, my friend. When I left the pious grove for the city,
my darling wept and said: "But how long will you remember us, dear?"

Clown. And then you said----

King. Then I put this engraved ring on her finger, and said to
her----

Clown. Well, what?

King.

Count every day one letter of my name;
Before you reach the end, dear,
Will come to lead you to my palace halls
A guide whom I shall send, dear.

Then, through my madness, it fell out cruelly. Mishrakeshi. It was
too charming an agreement to be frustrated by fate.

Clown. But how did it get into a carp's mouth, as if it had been a
fish-hook?

King. While she was worshipping the Ganges at Shachitirtha, it fell.

Clown. I see.

Mishrakeshi. That is why the virtuous king doubted his marriage with
poor Shakuntala. Yet such love does not ask for a token. How could it
have been?

King. Well, I can only reproach this ring.

Clown (smiling). And I will reproach this stick of mine. Why are
you crooked when I am straight?

King (not hearing him).

How could you fail to linger
On her soft, tapering finger,
And in the water fall?

And yet

Things lifeless know not beauty;
But I--I scorned my duty,
The sweetest task of all.

Mishrakeshi. He has given the answer which I had ready.

Clown. But that is no reason why I should starve to death.

King (not heeding). O my darling, my heart burns with repentance
because I abandoned you without reason. Take pity on me. Let me see
you again. (Enter a maid with a tablet.)

Maid. Your Majesty, here is the picture of our lady. (She produces
the tablet.)

King (gazing at it). It is a beautiful picture. See!

A graceful arch of brows above great eyes;
Lips bathed in darting, smiling light that flies
Reflected from white teeth; a mouth as red
As red karkandhu-fruit; love's brightness shed
O'er all her face in bursts of liquid charm--
The picture speaks, with living beauty warm.

Clown (looking at it). The sketch is full of sweet meaning. My
eyes seem to stumble over its uneven surface. What more can I say? I
expect to see it come to life, and I feel like speaking to it.

Mishrakeshi. The king is a clever painter. I seem to see the dear
girl before me.

King. My friend,

What in the picture is not fair,
Is badly done;
Yet something of her beauty there,
I feel, is won.

Mishrakeshi. This is natural, when love is increased by remorse.

King (sighing).

I treated her with scorn and loathing ever;
Now o'er her pictured charms my heart will burst:
A traveller I, who scorned the mighty river.
And seeks in the mirage to quench his thirst.

Clown. There are three figures in the picture, and they are all
beautiful. Which one is the lady Shakuntala?

Mishrakeshi. The poor fellow never saw her beauty. His eyes are
useless, for she never came before them.

King. Which one do you think?

Clown (observing closely). I think it is this one, leaning against
the creeper which she has just sprinkled. Her face is hot and the
flowers are dropping from her hair; for the ribbon is loosened. Her
arms droop like weary branches; she has loosened her girdle, and she
seems a little fatigued. This, I think, is the lady Shakuntala, the
others are her friends.

King. You are good at guessing. Besides, here are proofs of my love.

See where discolorations faint
Of loving handling tell;
And here the swelling of the paint
Shows where my sad tears fell.

Chaturika, I have not finished the background. Go, get the brushes.

Maid. Please hold the picture, Madhavya, while I am gone.

King. I will hold it. (He does so. Exit maid.)

Clown. What are you going to add?

Mishrakeshi. Surely, every spot that the dear girl loved.

King. Listen, my friend.

The stream of Malini, and on its sands
The swan-pairs resting; holy foot-hill lands
Of great Himalaya's sacred ranges, where
The yaks are seen; and under trees that bear
Bark hermit-dresses on their branches high,
A doe that on the buck's horn rubs her eye.

Clown (aside). To hear him talk, I should think he was going to
fill up the picture with heavy-bearded hermits.

King. And another ornament that Shakuntala loved I have forgotten to
paint.

Clown. What?

Mishrakeshi. Something natural for a girl living in the forest.

King.

The siris-blossom, fastened o'er her ear,
Whose stamens brush her cheek;
The lotus-chain like autumn moonlight soft
Upon her bosom meek.

Clown. But why does she cover her face with fingers lovely as the
pink water-lily? She seems frightened. (He looks more closely.) I
see. Here is a bold, bad bee. He steals honey, and so he flies to her
lotus-face.

King. Drive him away.

Clown. It is your affair to punish evil-doers.

King. True. O welcome guest of the flowering vine, why do you waste
your time in buzzing here?

Your faithful, loving queen,
Perched on a flower, athirst,
Is waiting for you still,
Nor tastes the honey first.

Mishrakeshi. A gentlemanly way to drive him off!

Clown. This kind are obstinate, even when you warn them.

King (angrily). Will you not obey my command? Then listen:

'Tis sweet as virgin blossoms on a tree,
The lip I kissed in love-feasts tenderly;
Sting that dear lip, O bee, with cruel power,
And you shall be imprisoned in a flower.

Clown. Well, he doesn't seem afraid of your dreadful punishment.
(Laughing. To himself.) The man is crazy, and I am just as bad, from
associating with him.

King. Will he not go, though I warn him?

Mishrakeshi. Love works a curious change even in a brave man.

Clown (aloud). It is only a picture, man.

King. A picture?

Mishrakeshi. I too understand it now. But to him, thoughts are real
experiences.

King. You have done an ill-natured thing.

When I was happy in the sight,
And when my heart was warm,
You brought sad memories back, and made
My love a painted form.

(He sheds a tear.)

Mishrakeshi. Fate plays strangely with him.

King. My friend, how can I endure a grief that has no respite?

I cannot sleep at night
And meet her dreaming;
I cannot see the sketch
While tears are streaming.

Mishrakeshi. My friend, you have indeed atoned--and in her friend's
presence--for the pain you caused by rejecting dear Shakuntala.

(Enter the maid CHATURIKA.)

Maid. Your Majesty, I was coming back with the box of
paint-brushes----

King. Well?

Maid. I met Queen Vasumati with the maid Pingalika. And the queen
snatched the box from me, saying: "I will take it to the king myself."

Clown. How did you escape?

Maid. The queen's dress caught on a vine. And while her maid was
setting her free, I excused myself in a hurry. A voice behind the
scenes. Follow me, your Majesty.

Clown (listening). Man, the she-tiger of the palace is making a
spring on her prey. She means to make one mouthful of the maid.

King. My friend, the queen has come because she feels touched in her
honour. You had better take care of this picture.

Clown. "And yourself," you might add. (He takes the picture and
rises.) If you get out of the trap alive, call for me at the Cloud
Balcony. And I will hide the thing there so that nothing but a pigeon
could find it. (Exit on the run.)

Mishrakeshi. Though his heart is given to another, he is courteous
to his early flame. He is a constant friend.

(Enter the portress with a document.)

Portress. Victory to your Majesty.

King. Vetravati, did you not meet Queen Vasumati?

Portress. Yes, your Majesty. But she turned back when she saw that I
carried a document.

King. The queen knows times and seasons. She will not interrupt
business.

Portress. Your Majesty, the minister sends word that in the press of
various business he has attended to only one citizen's suit. This he
has reduced to writing for your Majesty's perusal.

King. Give me the document. (The portress does so.)

King (reads). "Be it known to his Majesty. A seafaring merchant
named Dhanavriddhi has been lost in a shipwreck. He is childless, and
his property, amounting to several millions, reverts to the crown.
Will his Majesty take action?" (Sadly.) It is dreadful to be
childless. Vetravati, he had great riches. There must be several
wives. Let inquiry be made. There may be a wife who is with child.

Portress. We have this moment heard that a merchant's daughter of
Saketa is his wife. And she is soon to become a mother.

King. The child shall receive the inheritance. Go, inform the
minister.

Portress. Yes, your Majesty. (She starts to go.)

King. Wait a moment.

Portress (turning back). Yes, your Majesty. King. After all,
what does it matter whether he have issue or not?

Let King Dushyanta be proclaimed
To every sad soul kin
That mourns a kinsman loved and lost,
Yet did not plunge in sin.

Portress. The proclamation shall be made. (She goes out and soon
returns.) Your Majesty, the royal proclamation was welcomed by the
populace as is a timely shower.

King (sighing deeply). Thus, when issue fails, wealth passes, on
the death of the head of the family, to a stranger. When I die, it
will be so with the glory of Puru's line.

Portress. Heaven avert the omen!

King. Alas! I despised the happiness that offered itself to me.

Mishrakeshi. Without doubt, he has dear Shakuntala in mind when he
thus reproaches himself.

King.

Could I forsake the virtuous wife
Who held my best, my future life
And cherished it for glorious birth,
As does the seed-receiving earth?

Mishrakeshi. She will not long be forsaken.

Maid (to the portress). Mistress, the minister's report has
doubled our lord's remorse. Go to the Cloud Balcony and bring Madhavya
to dispel his grief.

Portress. A good suggestion. (Exit.)

King. Alas! The ancestors of Dushyanta are in a doubtful case.

For I am childless, and they do not know,
When I am gone, what child of theirs will bring
The scriptural oblation; and their tears
Already mingle with my offering.

Mishrakeshi. He is screened from the light, and is in darkness.

Maid. Do not give way to grief, your Majesty. You are in the prime
of your years, and the birth of a son to one of your other wives will
make you blameless before your ancestors. (To herself.) He does not
heed me. The proper medicine is needed for any disease. King
(betraying his sorrow). Surely,

The royal line that flowed
A river pure and grand,
Dies in the childless king,
Like streams in desert sand.

(He swoons.)

Maid (in distress). Oh, sir, come to yourself.

Mishrakeshi. Shall I make him happy now? No, I heard the mother of
the gods consoling Shakuntala. She said that the gods, impatient for
the sacrifice, would soon cause him to welcome his true wife. I must
delay no longer. I will comfort dear Shakuntala with my tidings.

(Exit through the air.)

A voice behind the scenes. Help, help!

King (comes to himself and listens). It sounds as if Madhavya were
in distress.

Maid. Your Majesty, I hope that Pingalika and the other maids did
not catch poor Madhavya with the picture in his hands.

King. Go, Chaturika. Reprove the queen in my name for not
controlling her servants.

Maid. Yes, your Majesty. (Exit.)

The voice. Help, help!

King. The Brahman's voice seems really changed by fear. Who waits
without? (Enter the chamberlain.)

Chamberlain. Your Majesty commands?

King. See why poor Madhavya is screaming so.

Chamberlain. I will see. (He goes out, and returns trembling.)

King. Parvatayana, I hope it is nothing very dreadful.

Chamberlain. I hope not.

King. Then why do you tremble so? For

Why should the trembling, born
Of age, increasing, seize
Your limbs and bid them shake
Like fig-leaves in the breeze?

Chamberlain. Save your friend, O King!

King. From what?

Chamberlain. From great danger.

King. Speak plainly, man.

Chamberlain. On the Cloud Balcony, open to the four winds of
heaven--

King. What has happened there?

Chamberlain.

While he was resting on its height,
Which palace peacocks in their flight
Can hardly reach, he seemed to be
Snatched up--by what, we could not see.

King (rising quickly). My very palace is invaded by evil
creatures. To be a king, is to be a disappointed man.

The moral stumblings of mine own,
The daily slips, are scarcely known;
Who then that rules a kingdom, can
Guide every deed of every man?

The voice. Hurry, hurry!

King (hears the voice and quickens his steps). Have no fear, my
friend.

The voice. Have no fear! When something has got me by the back of
the neck, and is trying to break my bones like a piece of sugar-cane!

King (looks about). A bow! a bow! (Enter a Greek woman with a
bow.)

Greek woman. A bow and arrows, your Majesty. And here are the
finger-guards. (The king takes the bow and arrows.)

Another voice behind the scenes.

Writhe, while I drink the red blood flowing clear
And kill you, as a tiger kills a deer;
Let King Dushyanta grasp his bow; but how
Can all his kingly valour save you now?

King (angrily). He scorns me, too! In one moment, miserable demon,
you shall die. (Stringing his bow.) Where is the stairway,
Parvatayana?

Chamberlain. Here, your Majesty. (All make haste.)

King (Looking about). There is no one here.

The Clown's voice. Save me, save me! I see you, if you can't see me.
I am a mouse in the claws of the cat. I am done for. King. You are
proud of your invisibility. But shall not my arrow see you? Stand
still. Do not hope to escape by clinging to my friend.

My arrow, flying when the bow is bent,
Shall slay the wretch and spare the innocent;
When milk is mixed with water in a cup,
Swans leave the water, and the milk drink up.

(He takes aim. Enter MATALI and the clown.)

Matali. O King, as Indra, king of the gods, commands,

Seek foes among the evil powers alone;
For them your bow should bend;
Not cruel shafts, but glances soft and kind
Should fall upon a friend.

King (hastily withdrawing the arrow). It is Matali. Welcome to the
charioteer of heaven's king.

Clown. Well! He came within an inch of butchering me. And you
welcome him.

Matali (smiling). Hear, O King, for what purpose Indra sends me to
you.

King. I am all attention.

Matali. There is a host of demons who call themselves
Invincible--the brood of Kalanemi.

King. So Narada has told me.

Matali.

Heaven's king is powerless; you shall smite
His foes in battle soon;
Darkness that overcomes the day,
Is scattered by the moon.

Take your bow at once, enter my heavenly chariot, and set forth for
victory.

King. I am grateful for the honour which Indra shows me. But why did
you act thus toward Madhavya?

Matali. I will tell you. I saw that you were overpowered by some
inner sorrow, and acted thus to rouse you. For

The spurnèd snake will swell his hood;
Fire blazes when 'tis stirred;
Brave men are roused to fighting mood
By some insulting word.
King. Friend Madhavya, I must obey the bidding of heaven's king. Go,
acquaint the minister Pishuna with the matter, and add these words of
mine:

Your wisdom only shall control
The kingdom for a time;
My bow is strung; a distant goal
Calls me, and tasks sublime.

Clown. Very well. (Exit.)

Matali. Enter the chariot. (The king does so. Exeunt omnes.)