Arts & Sciences

Empedocles on Etna: The Songs of Callicles

by Matthew Arnold 1822–1888

From Dramatic Poems

Arts & Sciences

The track winds down to the clear stream,
To cross the sparkling shallows; there
The cattle love to gather, on their way
To the high mountain-pastures, and to stay,
Till the rough cow-herds drive them past,
Knee-deep in the cool ford; for 'tis the last
Of all the woody, high, well-water'd dells
On Etna; and the beam
Of noon is broken there by chestnut-boughs
Down its steep verdant sides; the air
Is freshen'd by the leaping stream, which throws
Eternal showers of spray on the moss'd roots
Of trees, and veins of turf, and long dark shoots
Of ivy-plants, and fragrant hanging bells
Of hyacinths, and on late anemonies,
That muffle its wet banks; but glade,
And stream, and sward, and chestnut-trees,
End here; Etna beyond, in the broad glare
Of the hot noon, without a shade,
Slope behind slope, up to the peak, lies bare;
The peak, round which the white clouds play.

In such a glen, on such a day,
On Pelion, on the grassy ground,
Chiron, the aged Centaur lay,
The young Achilles standing by.
The Centaur taught him to explore
The mountains; where the glens are dry
And the tired Centaurs come to rest,
And where the soaking springs abound
And the straight ashes grow for spears,
And where the hill-goats come to feed,
And the sea-eagles build their nest.
He show'd him Phthia far away,
And said: O boy, I taught this lore
To Peleus, in long distant years!
He told him of the Gods, the stars,
The tides;--and then of mortal wars,
And of the life which heroes lead
Before they reach the Elysian place
And rest in the immortal mead;
And all the wisdom of his race.

* * * * *

Far, far from here,
The Adriatic breaks in a warm bay
Among the green Illyrian hills; and there
The sunshine in the happy glens is fair,
And by the sea, and in the brakes.
The grass is cool, the sea-side air
Buoyant and fresh, the mountain flowers
More virginal and sweet than ours.
And there, they say, two bright and aged snakes,
Who once were Cadmus and Harmonia,
Bask in the glens or on the warm sea-shore,
In breathless quiet, after all their ills;
Nor do they see their country, nor the place
Where the Sphinx lived among the frowning hills,
Nor the unhappy palace of their race,
Nor Thebes, nor the Ismenus, any more.

There those two live, far in the Illyrian brakes!
They had stay'd long enough to see,
In Thebes, the billow of calamity
Over their own dear children roll'd,
Curse upon curse, pang upon pang,
For years, they sitting helpless in their home,
A grey old man and woman; yet of old
The Gods had to their marriage come,
And at the banquet all the Muses sang.

Therefore they did not end their days
In sight of blood; but were rapt, far away,
To where the west-wind plays,
And murmurs of the Adriatic come
To those untrodden mountain-lawns; and there
Placed safely in changed forms, the pair
Wholly forget their first sad life, and home,
And all that Theban woe, and stray
For ever through the glens, placid and dumb.

* * * * *

The lyre's voice is lovely everywhere;
In the court of Gods, in the city of men,
And in the lonely rock-strewn mountain-glen,
In the still mountain air.

Only to Typho it sounds hatefully;
To Typho only, the rebel o'erthrown,
Through whose heart Etna drives her roots of stone
To imbed them in the sea.

Wherefore dost thou groan so loud?
Wherefore do thy nostrils flash,
Through the dark night, suddenly,
Typho, such red jets of flame?--
Is thy tortured heart still proud?
Is thy fire-scathed arm still rash?
Still alert thy stone-crush'd frame?
Doth thy fierce soul still deplore
Thine ancient rout by the Cilician hills,
And that curst treachery on the Mount of Gore?
Do thy bloodshot eyes still weep
The fight which crown'd thine ills,
Thy last mischance on this Sicilian deep?
Hast thou sworn, in thy sad lair,
Where erst the strong sea-currents suck'd thee down,
Never to cease to writhe, and try to rest,
Letting the sea-stream wander through thy hair?
That thy groans, like thunder prest,
Begin to roll, and almost drown
The sweet notes whose lulling spell
Gods and the race of mortals love so well,
When through thy caves thou hearest music swell?

But an awful pleasure bland
Spreading o'er the Thunderer's face,
When the sound climbs near his seat,
The Olympian council sees;
As he lets his lax right hand,
Which the lightnings doth embrace,
Sink upon his mighty knees.
And the eagle, at the beck
Of the appeasing, gracious harmony,
Droops all his sheeny, brown, deep-feather'd neck,
Nestling nearer to Jove's feet;
While o'er his sovran eye
The curtains of the blue films slowly meet
And the white Olympus-peaks
Rosily brighten, and the soothed Gods smile
At one another from their golden chairs,
And no one round the charmed circle speaks.
Only the loved Hebe bears
The cup about, whose draughts beguile
Pain and care, with a dark store
Of fresh-pull'd violets wreathed and nodding o'er;
And her flush'd feet glow on the marble floor.

* * * * *

As the sky-brightening south-wind clears the day,
And makes the mass'd clouds roll,
The music of the lyre blows away
The clouds which wrap the soul.

Oh! that Fate had let me see
That triumph of the sweet persuasive lyre,
That famous, final victory,
When jealous Pan with Marsyas did conspire;

When, from far Parnassus' side,
Young Apollo, all the pride
Of the Phrygian flutes to tame,
To the Phrygian highlands came;
Where the long green reed-beds sway
In the rippled waters grey
Of that solitary lake
Where Maeander's springs are born;
Whence the ridged pine-wooded roots
Of Messogis westward break,
Mounting westward, high and higher.
There was held the famous strife;
There the Phrygian brought his flutes,
And Apollo brought his lyre;
And, when now the westering sun
Touch'd the hills, the strife was done,
And the attentive Muses said:
"Marsyas, thou art vanquished!"
Then Apollo's minister
Hang'd upon a branching fir
Marsyas, that unhappy Faun,
And began to whet his knife.
But the Maenads, who were there,
Left their friend, and with robes flowing
In the wind, and loose dark hair
O'er their polish'd bosoms blowing,
Each her ribbon'd tambourine
Flinging on the mountain-sod,
With a lovely frighten'd mien
Came about the youthful God.
But he turn'd his beauteous face
Haughtily another way,
From the grassy sun-warm'd place
Where in proud repose he lay,
With one arm over his head,
Watching how the whetting sped.

But aloof, on the lake-strand,
Did the young Olympus stand,
Weeping at his master's end;
For the Faun had been his friend.
For he taught him how to sing,
And he taught him flute-playing.
Many a morning had they gone
To the glimmering mountain-lakes,
And had torn up by the roots
The tall crested water-reeds
With long plumes and soft brown seeds,
And had carved them into flutes,
Sitting on a tabled stone
Where the shoreward ripple breaks.
And he taught him how to please
The red-snooded Phrygian girls,
Whom the summer evening sees
Flashing in the dance's whirls
Underneath the starlit trees
In the mountain-villages.
Therefore now Olympus stands,
At his master's piteous cries
Pressing fast with both his hands
His white garment to his eyes,
Not to see Apollo's scorn;--
Ah, poor Faun, poor Faun! ah, poor Faun!

* * * * *

Through the black, rushing smoke-bursts,
Thick breaks the red flame;
All Etna heaves fiercely
Her forest-clothed frame.

Not here, O Apollo!
Are haunts meet for thee.
But, where Helicon breaks down
In cliff to the sea,

Where the moon-silver'd inlets
Send far their light voice
Up the still vale of Thisbe,
O speed, and rejoice!

On the sward at the cliff-top
Lie strewn the white flocks,
On the cliff-side the pigeons
Roost deep in the rocks.

In the moonlight the shepherds,
Soft lull'd by the rills,
Lie wrapt in their blankets
Asleep on the hills.

--What forms are these coming
So white through the gloom?
What garments out-glistening
The gold-flower'd broom?

What sweet-breathing presence
Out-perfumes the thyme?
What voices enrapture
The night's balmy prime?--

'Tis Apollo comes leading
His choir, the Nine.
--The leader is fairest,
But all are divine.

They are lost in the hollows!
They stream up again!
What seeks on this mountain
The glorified train?--

They bathe on this mountain,
In the spring by their road;
Then on to Olympus,
Their endless abode.

--Whose praise do they mention?
Of what is it told?--
What will be for ever;
What was from of old.

First hymn they the Father
Of all things; and then,
The rest of immortals,
The action of men.

The day in his hotness,
The strife with the palm;
The night in her silence,
The stars in their calm.

✦ ✦ ✦

Poetical Works of Matthew Arnold (Macmillan, 1891)

MLA

Arnold, Matthew. “Empedocles on Etna: The Songs of Callicles.” Poetry Codex, poetrycodex.com/poem/arnold/110/.

Chicago

Arnold, Matthew. “Empedocles on Etna: The Songs of Callicles.” Poetry Codex. https://poetrycodex.com/poem/arnold/110/.

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