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The Bridal of Triermain · 1813

Introduction to Canto Third

by Sir Walter Scott 1771–1832


Long loved, long woo'd, and lately won,
My life's best hope, and now mine own!
Doth not this rude and Alpine glen
Recall our favourite haunts agen?
A wild resemblance we can trace,
Though reft of every softer grace,
As the rough warrior's brow may bear
A likeness to a sister fair.
Full well advised our Highland host,
That this wild pass on foot be cross d,
While round Ben-Cruach's mighty base
Wheel the slow steeds and lingering chaise.
The keen old carle, with Scottish pride,
He praised his glen and mountains wide;
An eye he bears for Nature's face,
Ay, and for woman's lovely grace.
Even in such mean degree we find
The subtle Scot's observing mind;
For, nor the chariot nor the train
Could gape of vulgar wonder gain,
But when old Allan would expound
Of Beal-na-paish the Celtic sound,
His bonnet doff'd, and bow, applied
His legend to my bonny bride;
While Lucy blush'd beneath his eye,
Courteous and cautious, shrewd and sly.

Enough of him. Now, ere we lose,
Plunged in the vale, the distant views,
Turn thee, my love! look back once more
To the blue lake's retiring shore.
On its smooth breast the shadows seem
Like objects in a morning dream,
What time the slumberer is aware
He sleeps, and all the vision's air:
Even so, on yonder liquid lawn,
In hues of bright reflection drawn,
Distinct the shaggy mountains lie,
Distinct the rocks, distinct the sky:
The summer-clouds so plain we note
That we might count each dappled spot:
We gaze and we admire, yet know
The scene is all delusive show.
Such dreams of bliss would Arthur draw
When first his Lucy's form he saw;
Yet sigh'd and sicken'd as he drew,
Despairing they could e'er prove true!
But, Lucy, turn thee now, to view
Up the fair glen, our destined way:
The fairy path that we pursue,
Distinguish'd but by greener hue,
Winds round the purple brae,
While Alpine flowers of varied dye
For carpet serve, or tapestry.
See how the little runnels leap,
In threads of silver, down the steep,
To swell the brooklet's moan!
Seems that the Highland Naiad grieves,
Fantastic while her crown she weaves,
Of rowan, birch, and alder leaves,
So lovely, and so lone.
There's no illusion there; these flowers,
That wailing brook, these lovely bowers,
Are, Lucy, all our own;
And since thine Arthur call'd thee wife,
Such seems the prospect of his life,
A lovely path, on-winding still,
By gurgling brook and sloping hill.
'Tis true, that mortals cannot tell
What waits them in the distant dell;
But be it hap, or be it harm,
We tread the pathway arm in arm.

And now, my Lucy, wot'st thou why
I could thy bidding twice deny,
When twice you pray'd I would again
Resume the legendary strain
Of the bold Knight of Triermain?
At length yon peevish vow you swore,
That you would sue to me no more,
Until the minstrel fit drew near,
And made me prize a listening ear.
But, loveliest, when thou first didst pray
Continuance of the knightly lay,
Was it not on the happy day
That made thy hand mine own?
When, dizzied with mine ecstasy,
Nought past, or present, or to be,
Could I or think on, hear, or see,
Save, Lucy, thee alone!
A giddy draught my rapture was,
As ever chemist's magic gas.

Again the summons I denied
In yon fair capital of Clyde:
My Harp — or let me rather choose
The good old classic form — my Muse,
(For Harp's an over-scutched phrase,
Worn out by bards of modern days)
My Muse, then — seldom will she wake,
Save by dim wood and silent lake;
She is the wild and rustic Maid,
Whose foot unsandall'd loves to tread
Where the soft greensward is inlaid
With varied moss and thyme;
And, lest the simple lily-braid
That coronets her temples fade,
She hides her still in greenwood shade
To meditate her rhyme.

And now she comes. The murmur dear
Of the wild brook hath caught her ear,
The glade hath won her eye;
She longs to join with each blithe rill
That dances down the Highland hill
Her blither melody.
And now, my Lucy's way to cheer,
She bids Ben-Cruach's echoes hear
How closed the tale my love whilere
Loved for its chivalry.
List how she tells, in notes of flame,
'Childe Roland to the dark tower came!'

MLA

Scott, Walter. The Bridal of Triermain, Introduction to Canto Third. Poetry Codex, poetrycodex.com/work/bridal-of-triermain/3/.

Chicago

Scott, Walter. The Bridal of Triermain, Introduction to Canto Third. Poetry Codex. https://poetrycodex.com/work/bridal-of-triermain/3/.

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