Lines 1299–1702

LXXVII

Ay, that 's the way to take with men you wish to lead,
Instruct and benefit. Small prospect you succeed
With women so! Be all that 's great and good and wise,
August, sublime--swell out your frog the right ox-size--
He 's buoyed like a balloon, to soar, not burst, you 'll see!
The more you prove yourself, less fear the prize will flee
The captor. Here you start after no pompous stag
Who condescends be snared, with toss of horn, and brag
Of bray, and ramp of hoof; you have not to subdue
The foe through letting him imagine he snares you!
'T is rather with ...

LXXVIII

Ah, thanks! quick--where the dipping disk
Shows red against the rise and fall o' the fin! there frisk
In shoal the--porpoises? Dolphins, they shall and must
Cut through the freshening clear--dolphins, my instance just!
'T is fable, therefore truth: who has to do with these,
Needs never practice trick of going hands and knees
As beasts require. Art fain the fish to captivate?
Gather thy greatness round, Arion! Stand in state,
As when the banqueting thrilled conscious--like a rose
Throughout its hundred leaves at that approach it knows
Of music in the bird--while Corinth grew one breast
A-throb for song and thee; nay, Periander pressed
The Methymnæan hand, and felt a king indeed, and guessed
How Phœbus' self might give that great mouth of the gods
Such a magnificence of song! The pillar nods,
Rocks roof, and trembles door, gigantic, post and jamb,
As harp and voice rend air--the shattering dithyramb!
So stand thou, and assume the robe that tingles yet
With triumph; strike the harp, whose every golden fret
Still smoulders with the flame, was late at fingers' end--
So, standing on the bench o' the ship, let voice expend
Thy soul, sing, unalloyed by meaner mode, thine own,
The Orthian lay; then leap from music's lofty throne
Into the lowest surge, make fearlessly thy launch!
Whatever storm may threat, some dolphin will be stanch!
Whatever roughness rage, some exquisite sea-thing
Will surely rise to save, will bear--palpitating--
One proud humility of love beneath its load--
Stem tide, part wave, till both roll on, thy jewell'd road
Of triumph, and the grim o' the gulf grow wonder-white
I' the phosphorescent wake; and still the exquisite
Sea-thing stems on, saves still, palpitatingly thus,
Lands safe at length its load of love at Tænarus,
True woman-creature!

LXXIX

Man? Ah, would you prove what power
Marks man,--what fruit his tree may yield, beyond the sour
And stinted crab, he calls love-apple, which remains
After you toil and moil your utmost,--all, love gains
By lavishing manure?--try quite the other plan!
And, to obtain the strong true product of a man,
Set him to hate a little! Leave cherishing his root,
And rather prune his branch, nip off the pettiest shoot
Superfluous on his bough! I promise, you shall learn
By what grace came the goat, of all beasts else, to earn
Such favor with the god o' the grape: 't was only he
Who, browsing on its tops, first stung fertility
Into the stock's heart, stayed much growth of tendril-twine,
Some faintish flower, perhaps, but gained the indignant wine,
Wrath of the red press! Catch the puniest of the kind--
Man-animalcule, starved body, stunted mind,
And, as you nip the blotch 'twixt thumb and finger-nail,
Admire how heaven above and earth below avail
No jot to soothe the mite, sore at God's prime offence
In making mites at all,--coax from its impotence
One virile drop of thought, or word, or deed, by strain
To propagate for once--which nature rendered vain,
Who lets first failure stay, yet cares not to record
Mistake that seems to cast opprobrium on the Lord!
Such were the gain from love's best pains! But let the elf
Be touched with hate, because some real man bears himself
Manlike in body and soul, and, since he lives, must thwart
And furify and set a-fizz this counterpart
O' the pismire that 's surprised to effervescence, if,
By chance, black bottle come in contact with chalk cliff,
Acid with alkali! Then thrice the bulk, out blows
Our insect, does its kind, and cuckoo-spits some rose!

LXXX

No--'t is ungainly work, the ruling men, at best!
The graceful instinct 's right: 't is women stand confessed
Auxiliary, the gain that never goes away,
Takes nothing and gives all: Elvire, Fifine, 't is they
Convince,--if little, much, no matter!--one degree
The more, at least, convince unreasonable me
That I am, anyhow, a truth, though all else seem
And be not: if I dream, at least I know I dream.
The falsity, beside, is fleeting: I can stand
Still, and let truth come back,--your steadying touch of hand
Assists me to remain self-centred, fixed amid
All on the move. Believe in me, at once you bid
Myself believe that, since one soul has disengaged
Mine from the shows of things, so much is fact: I waged
No foolish warfare, then, with shades, myself a shade,
Here in the world--may hope my pains will be repaid!
How false things are, I judge: how changeable, I learn:
When, where, and how it is I shall see truth return,
That I expect to know, because Fifine knows me!--
How much more, if Elvire!

LXXXI

"And why not, only she?
Since there can be for each, one Best, no more, such Best,
For body and mind of him, abolishes the rest
O' the simply Good and Better. You please select Elvire
To give you this belief in truth, dispel the fear
Yourself are, after all, as false as what surrounds;
And why not be content? When we two watched the rounds
The boatman made, 'twixt shoal and sandbank, yesterday,
As, at dead slack of tide, he chose to push his way,
With oar and pole, across the creek, and reach the isle
After a world of pains--my word provoked your smile,
Yet none the less deserved reply: ''T were wiser wait
The turn o' the tide, and find conveyance for his freight--
How easily--within the ship to purpose moored,
Managed by sails, not oars! But no,--the man 's allured
By liking for the new and hard in his exploit!
First come shall serve! He makes--courageous and adroit--
The merest willow-leaf of boat do duty, bear
His merchandise across: once over, needs he care
If folk arrive by ship, six hours hence, fresh and gay?'
No: he scorns commonplace, affects the unusual way;
And good Elvire is moored, with not a breath to flap
The yards of her, no lift of ripple to o'erlap
Keel, much less, prow. What care? since here 's a cockle-shell,
Fifine, that 's taut and crank, and carries just as well
Such seamanship as yours!"

LXXXII

Alack, our life is lent,
From first to last, the whole, for this experiment
Of proving what I say--that we ourselves are true!
I would there were one voyage, and then no more to do
But tread the firm-land, tempt the uncertain sea no more
I would we might dispense with change of shore for shore
To evidence our skill, demonstrate--in no dream
It was, we tided o'er the trouble of the stream.
I would the steady voyage, and not the fitful trip,--
Elvire, and not Fifine,--might test our seamanship.
But why expend one's breath to tell you, change of boat
Means change of tactics too? Come see the same afloat
To-morrow, all the change, new stowage fore and aft
O' the cargo; then, to cross requires new sailor-craft!
To-day, one step from stern to bow keeps boat in trim:
To-morrow, some big stone--or woe to boat and him!--
Must ballast both. That man stands for Mind, paramount
Throughout the adventure: ay, howe'er you make account,
'T is mind that navigates,--skips over, twists between
The bales i' the boat,--now gives importance to the mean,
And now abates the pride of life, accepts all fact,
Discards all fiction,--steers Fifine, and cries, i' the act,
"Thou art so bad, and yet so delicate a brown!
Wouldst tell no end of lies: I talk to smile or frown!
Wouldst rob me: do men blame a squirrel, lithe and sly,
For pilfering the nut she adds to hoard? Nor I."
Elvire is true, as truth, honesty's self, alack!
The worse! too safe the ship, the transport there and back
Too certain! one may loll and lounge and leave the helm,
Let wind and tide do work: no fear that waves o'erwhelm
The steady-going bark, as sure to feel her way
Blindfold across, reach land, next year as yesterday!
How can I but suspect, the true feat were to slip
Down side, transfer myself to cockle-shell from ship,
And try if, trusting to sea-tracklessness, I class
With those around whose breast grew oak and triple brass:
Who dreaded no degree of death, but, with dry eyes,
Surveyed the turgid main and its monstrosities--
And rendered futile so, the prudent Power's decree
Of separate earth and disassociating sea;
Since, how is it observed, if impious vessels leap
Across, and tempt a thing they should not touch--the deep?
(See Horace to the boat, wherein, for Athens bound,
When Virgil must embark--Jove keep him safe and sound!--
The poet bade his friend start on the watery road,
Much reassured by this so comfortable ode.)

LXXXIII

Then, never grudge my poor Fifine her compliment!
The rakish craft could slip her moorings in the tent,
And, hoisting every stitch of spangled canvas, steer
Through divers rocks and shoals,--in fine, deposit here
Your Virgil of a spouse, in Attica: yea, thrid
The mob of men, select the special virtue hid
In him, forsooth, and say--or rather, smile so sweet,
"Of all the multitude, you--I prefer to cheat!
Are you for Athens bound? I can perform the trip,
Shove little pinnace off, while yon superior ship,
The Elvire, refits in port!" So, off we push from beach
Of Pornic town, and lo, ere eye can wink, we reach
The Long Walls, and I prove that Athens is no dream,
For there the temples rise! they are, they nowise seem!
Earth is not all one lie, this truth attests me true!
Thanks therefore to Fifine! Elvire, I 'm back with you!
Share in the memories! Embark I trust we shall
Together some fine day, and so, for good and all,
Bid Pornic Town adieu,--then, just the strait to cross,
And we reach harbor, safe, in Iostephanos!

LXXXIV

How quickly night comes! Lo, already 't is the land
Turns sea-like; overcrept by gray, the plains expand,
Assume significance; while ocean dwindles, shrinks
Into a pettier bound: its plash and plaint, methinks,
Six steps away, how both retire, as if their part
Were played, another force were free to prove her art,
Protagonist in turn! Are you unterrified?
All false, all fleeting too! And nowhere things abide,
And everywhere we strain that things should stay,--the one
Truth, that ourselves are true!

LXXXV

A word, and I have done.
Is it not just our hate of falsehood, fleetingness,
And the mere part, things play, that constitutes express
The inmost charm of this Fifine and all her tribe?
Actors! We also act, but only they inscribe
Their style and title so, and preface, only they,
Performance with "A lie is all we do or say."
Wherein but there can be the attraction, Falsehood's bribe,
That wins so surely o'er to Fifine and her tribe
The liking, nay the love of who hate Falsehood most,
Except that these alone of mankind make their boast
"Frankly, we simulate!" To feign, means--to have grace
And so get gratitude! This ruler of the race,
Crowned, sceptred, stoled to suit,--'t is not that you detect
The cobbler in the king, but that he makes effect
By seeming the reverse of what you know to be
The man, the mind, whole form, fashion, and quality.
Mistake his false for true, one minute,--there 's an end
Of the admiration! Truth, we grieve at or rejoice:
'T is only falsehood, plain in gesture, look and voice,
That brings the praise desired, since profit comes thereby.
The histrionic truth is in the natural lie.
Because the man who wept the tears was, all the time,
Happy enough; because the other man, a-grime
With guilt was, at the least, as white as I and you;
Because the timid type of bashful maidhood, who
Starts at her own pure shade, already numbers seven
Born babes and, in a month, will turn their odd to even;
Because the saucy prince would prove, could you unfurl
Some yards of wrap, a meek and meritorious girl--
Precisely as you see success attained by each
O' the mimes, do you approve, not foolishly impeach
The falsehood!

LXXXVI

That 's the first o' the truths found: all things, slow
Or quick i' the passage, come at last to that, you know!
Each has a false outside, whereby a truth is forced
To issue from within: truth, falsehood, are divorced
By the excepted eye, at the rare season, for
The happy moment. Life means--learning to abhor
The false, and love the true, truth treasured snatch by snatch,
Waifs counted at their worth. And when with strays they match
I' the particolored world,--when, under foul, shines fair,
And truth, displayed i' the point, flashes forth everywhere
I' the circle, manifest to soul, though hid from sense,
And no obstruction more affects this confidence,--
When faith is ripe for sight,--why, reasonably, then
Comes the great clearing-up. Wait threescore years and ten!

LXXXVII

Therefore I prize stage-play, the honest cheating; thence
The impulse pricked, when fife and drum bade Fair commence,
To bid you trip and skip, link arm in arm with me,
Like husband and like wife, and so together see
The tumbling-troop arrayed, the strollers on their stage
Drawn up and under arms, and ready to engage.
And if I started thence upon abstruser themes ...
Well, 't was a dream, pricked too!

LXXXVIII

A poet never dreams:
We prose-folk always do: we miss the proper duct
For thoughts on things unseen, which stagnate and obstruct
The system, therefore; mind, sound in a body sane,
Keeps thoughts apart from facts, and to one flowing vein
Confines its sense of that which is not, but might be,
And leaves the rest alone. What ghosts do poets see?
What demons fear? what man or thing misapprehend?
Unchecked, the channel 's flush, the fancy 's free to spend
Its special self aright in manner, time and place.
Never believe that who create the busy race
O' the brain, bring poetry to birth, such act performed,
Feel trouble them, the same, such residue as warmed
My prosy blood, this morn,--intrusive fancies, meant
For outbreak and escape by quite another vent!
Whence follows that, asleep, my dreamings oft exceed
The bound. But you shall hear.

LXXXIX

I smoked. The webs o' the weed,
With many a break i' the mesh, were floating to re-form
Cupola-wise above: chased thither by soft warm
Inflow of air without; since I--of mind to muse, to clench
The gain of soul and body, got by their noonday drench
In sun and sea--had flung both frames o' the window wide,
To soak my body still and let soul soar beside.
In came the country sounds and sights and smells--that fine
Sharp needle in the nose from our fermenting wine!
In came a dragon-fly with whir and stir, then out,
Off and away: in came,--kept coming, rather,--pout
Succeeding smile, and take-away still close on give,--
One loose long creeper-branch, tremblingly sensitive
To risks, which blooms and leaves,--each leaf tongue-broad, each
bloom
Midfinger-deep,--must run by prying in the room
Of one who loves and grasps and spoils and speculates.
All so far plain enough to sight and sense: but, weights,
Measures and numbers,--ah, could one apply such test
To other visitants that came at no request
Of who kept open house,--to fancies manifold
From this four-cornered world, the memories new and old,
The antenatal prime experience--what know I?--
The initiatory love preparing us to die--
Such were a crowd to count, a sight to see, a prize
To turn to profit, were but fleshly ears and eyes
Able to cope with those o' the spirit!

XC

Therefore,--since
Thought hankers after speech, while no speech may evince
Feeling like music,--mine, o'erburdened with each gift
From every visitant, at last resolved to shift
Its burden to the back of some musician dead
And gone, who feeling once what I feel now, instead
Of words, sought sounds, and saved forever, in the same,
Truth that escapes prose,--nay, puts poetry to shame.
I read the note, I strike the key, I bid record
The instrument,--thanks greet the veritable word!
And not in vain I urge: "O dead and gone away,
Assist who struggles yet, thy strength become my stay,
Thy record serve as well to register--I felt
And knew thus much of truth! With me, must knowledge melt
Into surmise and doubt and disbelief, unless
Thy music reassure--I gave no idle guess,
But gained a certitude, I yet may hardly keep!
What care? since round is piled a monumental heap
Of music that conserves the assurance, thou as well
Wast certain of the same! thou, master of the spell,
Mad'st moonbeams marble, didst record what other men
Feel only to forget!" Who was it helped me, then?
What master's work first came responsive to my call,
Found my eye, fixed my choice?

XCI

Why, Schumann's "Carnival"!
My choice chimed in, you see, exactly with the sounds
And sights of yestereve, when, going on my rounds,
Where both roads join the bridge, I heard across the dusk
Creak a slow caravan, and saw arrive the husk
O' the spice-nut, which peeled off this morning, and displayed,
'Twixt tree and tree, a tent whence the red pennon made
Its vivid reach for home and ocean-idleness--
And where, my heart surmised, at that same moment,--yes,--
Tugging her tricot on--yet tenderly, lest stitch
Announce the crack of doom, reveal disaster which
Our Pornic's modest stock of merceries in vain
Were ransacked to retrieve,--there, cautiously a-strain,
(My heart surmised) must crouch in that tent's corner, curved
Like Spring-month's russet moon, some girl by fate reserved
To give me once again the electric snap and spark
Which prove, when finger finds out finger in the dark
O' the world, there 's fire and life and truth there, link but hands
And pass the secret on. Lo, link by link, expands
The circle, lengthens out the chain, till one embrace
Of high with low is found uniting the whole race,
Not simply you and me and our Fifine, but all
The world: the Fair expands into the Carnival,
And Carnival again to ... ah, but that 's my dream!

XCII

I somehow played the piece: remarked on each old theme
I' the new dress; saw how food o' the soul, the stuff that 's made
To furnish man with thought and feeling, is purveyed
Substantially the same from age to age, with change
Of the outside only for successive feasters, Range
The banquet-room o' the world, from the dim farthest head
O' the table, to its foot, for you and me bespread,
This merry morn, we find sufficient fare, I trow.
But, novel? Scrape away the sauce; and taste, below,
The verity o' the viand,--you shall perceive there went
To board-head just the dish which other condiment
Makes palatable now: guests came, sat down, fell-to,
Rose up, wiped mouth, went way,--lived, died,--and never knew
That generations yet should, seeking sustenance,
Still find the selfsame fare, with somewhat to enhance
Its flavor, in the kind of cooking. As with hates
And loves and fears and hopes, so with what emulates
The same, expresses hates, loves, fears, and hopes in Art:
The forms, the themes--no one without its counterpart
Ages ago; no one but, mumbled the due time
I' the mouth of the eater, needs be cooked again in rhyme,
Dished up anew in paint, sauce-smothered fresh in sound,
To suit the wisdom-tooth, just cut, of the age, that 's found
With gums obtuse to gust and smack which relished so
The meat o' the meal folk made some fifty years ago.
But don't suppose the new was able to efface
The old without a struggle, a pang! The commonplace
Still clung about his heart, long after all the rest
O' the natural man, at eye and ear, was caught, confessed
The charm of change, although wry lip and wrinkled nose
Owned ancient virtue more conducive to repose
Than modern nothings roused to somethings by some shred
Of pungency, perchance garlic in amber's stead.
And so on, till one day, another age, by due
Rotation, pries, sniffs, smacks, discovers old is new,
And sauce, our sires pronounced insipid, proves again
Sole piquant, may resume its titillating reign--
With music, most of all the arts, since change is there
The law, and not the lapse: the precious means the rare,
And not the absolute in all good save surprise.
So I remarked upon our Schumann's victories
Over the commonplace, how faded phrase grew fine,
And palled perfection--piqued, up-startled by that brine,
His pickle--bit the mouth and burnt the tongue aright,
Beyond the merely good no longer exquisite:
Then took things as I found, and thanked without demur
The pretty piece--played through that movement, you prefer
Where dance and shuffle past,--he scolding while she pouts,
She canting while he calms,--in those eternal bouts
Of age, the dog--with youth, the cat--by rose-festoon
Tied teasingly enough--Columbine, Pantaloon:
She, toe-tips and staccato,--legato, shakes his poll
And shambles in pursuit, the senior. Fi la folle!
Lie to him! get his gold and pay its price! begin
Your trade betimes, nor wait till you 've wed Harlequin
And need, at the week's end, to play the duteous wife,
And swear you still love slaps and leapings more than life!
Pretty! I say.