Fifine at the Fair · 1872
Lines 1703–2118
XCIII
And so, I somehow-nohow played
The whole o' the pretty piece; and then ... whatever weighed
My eyes down, furled the films about my wits? suppose,
The morning-bath,--the sweet monotony of those
Three keys, flat, flat and flat, never a sharp at all,--
Or else the brain's fatigue, forced even here to fall
Into the same old track, and recognize the shift
From old to new, and back to old again, and,--swift
Or slow, no matter,--still the certainty of change,
Conviction we shall find the false, where'er we range,
In art no less than nature: or what if wrist were numb,
And over-tense the muscle, abductor of the thumb,
Taxed by those tenths' and twelfths' unconscionable stretch?
Howe'er it came to pass, I soon was far to fetch--
Gone off in company with Music!
XCIV
Whither bound
Except for Venice? She it was, by instinct found
Carnival-country proper, who far below the perch
Where I was pinnacled, showed, opposite, Mark's Church,
And, underneath, Mark's Square, with those two lines of street,
Procuratié-sides, each leading to my feet--
Since from above I gazed, however I got there.
XCV
And what I gazed upon was a prodigious Fair,
Concourse immense of men and women, crowned or casqued,
Turbaned or tiar'd, wreathed, plumed, hatted or wigged, but masked--
Always masked,--only, how? No face-shape, beast or bird,
Nay, fish and reptile even, but some one had preferred,
From out its frontispiece, feathered or scaled or curled,
To make the vizard whence himself should view the world,
And where the world believed himself was manifest.
Yet when you came to look, mixed up among the rest
More funnily by far, were masks to imitate
Humanity's mishap: the wrinkled brow, bald pate,
And rheumy eyes of Age, peak'd chin and parchment chap,
Were signs of day-work done, and wage-time near,--mishap
Merely; but, Age reduced to simple greed and guile,
Worn apathetic else as some smooth slab, ere-while
A clear-cut man-at-arms i' the pavement, till foot's tread
Effaced the sculpture, left the stone you saw instead,--
Was not that terrible beyond the mere uncouth?
Well, and perhaps the next revolting you was Youth,
Stark ignorance and crude conceit, half smirk, half stare
On that frank fool-face, gay beneath its head of hair
Which covers nothing.
XCVI
These, you are to understand,
Were the mere hard and sharp distinctions. On each hand,
I soon became aware, flocked the infinitude
Of passions, loves and hates, man pampers till his mood
Becomes himself, the whole sole face we name him by,
Nor want denotement else, if age or youth supply
The rest of him: old, young,--classed creature: in the main
A love, a hate, a hope, a fear, each soul astrain
Some one way through the flesh--the face, an evidence
O' the soul at work inside; and, all the more intense,
So much the more grotesque.
XCVII
"Why should each soul be tasked
Some one way, by one love or else one hate?" I asked.
When it occurred to me, from all these sights beneath
There rose not any sound: a crowd, yet dumb as death!
XCVIII
Soon I knew why. (Propose a riddle, and 't is solved
Forthwith--in dream!) They spoke; but, since on me devolved
To see, and understand by sight,--the vulgar speech
Might be dispensed with. "He who cannot see, must reach
As best he may the truth of men by help of words
They please to speak, must fare at will of who affords
The banquet,"--so I thought. "Who sees not, hears and so
Gets to believe; myself it is that, seeing, know,
And, knowing, can dispense with voice and vanity
Of speech. What hinders then, that, drawing closer, I
Put privilege to use, see and know better still
These simulacra, taste the profit of my skill,
Down in the midst?"
XCIX
And plumb I pitched into the square--
A groundling like the rest. What think you happened there?
Precise the contrary of what one would expect!
For,--whereas, so much more monstrosities deflect
From nature and the type, as you the more approach
Their precinct,--here, I found brutality encroach
Less on the human, lie the lightlier as I looked
The nearlier on these faces that seemed but now so crook'd
And clawed away from God's prime purpose. They diverged
A little from the type, but somehow rather urged
To pity than disgust: the prominent, before,
Now dwindled into mere distinctness, nothing more.
Still, at first sight, stood forth undoubtedly the fact
Some deviation was: in no one case there lacked
The certain sign and mark, say hint, say, trick of lip
Or twist of nose, that proved a fault in workmanship,
Change in the prime design, some hesitancy here
And there, which checked the man and let the beast appear;
But that was all.
C
All; yet enough to bid each tongue
Lie in abeyance still. They talked, themselves among,
Of themselves, to themselves: I saw the mouths at play,
The gesture that enforced, the eye that strove to say
The same thing as the voice, and seldom gained its point
--That this was so, I saw; but all seemed out of joint
I' the vocal medium 'twixt the world and me. I gained
Knowledge by notice, not by giving ear,--attained
To truth by what men seemed, not said: to me one glance
Was worth whole histories of noisy utterance,
--At least, to me in dream.
CI
And presently I found
That, just as ugliness had withered, so unwound
Itself, and perished off, repugnance to what wrong
Might linger yet i' the make of man. My will was strong
I' the matter; I could pick and choose, project my weight:
(Remember how we saw the boatman trim his freight!)
Determine to observe, or manage to escape,
Or make divergency assume another shape
By shift of point of sight in me the observer: thus
Corrected, added to, subtracted from,--discuss
Each variant quality, and brute-beast touch was turned
Into mankind's safeguard! Force, guile, were arms which earned
My praise, not blame at all: for we must learn to live,
Case-hardened at all points, not bare and sensitive,
But plated for defence, nay, furnished for attack,
With spikes at the due place, that neither front nor back
May suffer in that squeeze with nature, we find--life.
Are we not here to learn the good of peace through strife,
Of love through hate, and reach knowledge by ignorance?
Why, those are helps thereto, which late we eyed askance,
And nicknamed unaware! Just so, a sword we call
Superfluous, and cry out against, at festival:
Wear it in time of war, its clink and clatter grate
O' the ear to purpose then!
CII
I found, one must abate
One's scorn of the soul's casing, distinct from the soul's self--
Which is the centre-drop: whereas the pride in pelf,
The lust to seem the thing it cannot be, the greed
For praise, and all the rest seen outside,--these indeed
Are the hard polished cold crystal environment
Of those strange orbs unearthed i' the Druid temple, meant
For divination (so the learned please to think)
Wherein you may admire one dewdrop roll and wink,
All unaffected by--quite alien to--what sealed
And saved it long ago: though how it got congealed
I shall not give a guess, nor how, by power occult,
The solid surface-shield was outcome and result
Of simple dew at work to save itself amid
The unwatery force around; protected thus, dew slid
Safe through all opposites, impatient to absorb
Its spot of life, and last forever in the orb
We, now, from hand to hand pass with impunity.
CIII
And the delight wherewith I watch this crowd must be
Akin to that which crowns the chemist when he winds
Thread up and up, till clue be fairly clutched,--unbinds
The composite, ties fast the simple to its mate,
And, tracing each effect back to its cause, elate,
Constructs in fancy, from the fewest primitives,
The complex and complete, all diverse life, that lives
Not only in beast, bird, fish, reptile, insect, but
The very plants and earths and ores. Just so I glut
My hunger both to be and know the thing I am,
By contrast with the thing I am not; so, through sham
And outside, I arrive at inmost real, probe
And prove how the nude form obtained the checkered robe.
CIV
--Experience, I am glad to master soon or late,
Here, there, and everywhere i' the world, without debate!
Only, in Venice why? What reason for Mark's Square
Rather than Timbuctoo?
CV
And I became aware,
Scarcely the word escaped my lips, that swift ensued
In silence and by stealth, and yet with certitude,
A formidable change of the amphitheatre
Which held the Carnival; although the human stir
Continued just the same amid that shift of scene.
CVI
For as on edifice of cloud i' the gray and green
Of evening,--built about some glory of the west,
To barricade the sun's departure,--manifest,
He plays, pre-eminently gold, gilds vapor, crag and crest
Which bend in rapt suspense above the act and deed
They cluster round and keep their very own, nor heed
The world at watch; while we, breathlessly at the base
O' the castellated bulk, note momently the mace
Of night fall here, fall there, bring change with every blow,
Alike to sharpened shaft and broadened portico
I' the structure: heights and depths, beneath the leaden stress,
Crumble and melt and mix together, coalesce,
Re-form, but sadder still, subdued yet more and more
By every fresh defeat, till wearied eyes need pore
No longer on the dull impoverished decadence
Of all that pomp of pile in towering evidence
So lately:--
CVII
Even thus nor otherwise, meseemed
That if I fixed my gaze awhile on what I dreamed
Was Venice' Square, Mark's Church, the scheme was straight
unschemed,
A subtle something had its way within the heart
Of each and every house I watched, with counterpart
Of tremor through the front and outward face, until
Mutation was at end; impassive and stock-still
Stood now the ancient house, grown--new, is scarce the phrase,
Since older, in a sense,--altered to ... what i' the ways,
Ourselves are wont to see, coerced by city, town,
Or village, anywhere i' the world, pace up or down
Europe! In all the maze, no single tenement
I saw, but I could claim acquaintance with.
CVIII
There went
Conviction to my soul, that what I took of late
For Venice was the world; its Carnival--the state
Of mankind, masquerade in life-long permanence
For all time, and no one particular feast-day. Whence
'T was easy to infer what meant my late disgust
At the brute-pageant, each grotesque of greed and lust
And idle hate, and love as impotent for good--
When from my pride of place I passed the interlude
In critical review; and what, the wonder that ensued
When, from such pinnacled pre-eminence, I found
Somehow the proper goal for wisdom was the ground
And not the sky,--so, slid sagaciously betimes
Down heaven's baluster-rope, to reach the mob of mimes
And mummers; whereby came discovery there was just
Enough and not too much of hate, love, greed and lust,
Could one discerningly but hold the balance, shift
The weight from scale to scale, do justice to the drift
Of nature, and explain the glories by the shames
Mixed up in man, one stuff miscalled by different names
According to what stage i' the process turned his rough,
Even as I gazed, to smooth--only get close enough!
--What was all this except the lesson of a life?
CIX
And--consequent upon the learning how from strife
Grew peace--from evil, good--came knowledge that, to get
Acquaintance with the way o' the world, we must nor fret
Nor fume, on altitudes of self-sufficiency,
But bid a frank farewell to what--we think--should be,
And, with as good a grace, welcome what is--we find.
CX
Is--for the hour, observe! Since something to my mind
Suggested soon the fancy, nay, certitude that change,
Never suspending touch, continued to derange
What architecture, we, walled up within the cirque
O' the world, consider fixed as fate, not fairy-work.
For those were temples, sure, which tremblingly grew blank
From bright, then broke afresh in triumph,--ah, but sank
As soon, for liquid change through artery and vein
O' the very marble wound its way! And first a stain
Would startle and offend amid the glory; next,
Spot swift succeeded spot, but found me less perplexed
By portents; then, as 't were, a sleepiness soft stole
Over the stately fane, and shadow sucked the whole
Façade into itself, made uniformly earth
What was a piece of heaven; till, lo, a second birth,
And the veil broke away because of something new
Inside, that pushed to gain an outlet, paused in view
At last, and proved a growth of stone or brick or wood
Which, alien to the aim o' the Builder, somehow stood
The test, could satisfy, if not the early race
For whom he built, at least our present populace,
Who must not bear the blame for what, blamed, proves mishap
Of the Artist: his work gone, another fills the gap,
Serves the prime purpose so. Undoubtedly there spreads
Building around, above, which makes men lift their heads
To look at, or look through, or look--for aught I care--
Over: if only up, it is, not down, they stare.
"Commercing with the skies," and not the pavement in the Square.
CXI
But are they only temples that subdivide, collapse,
And tower again, transformed? Academies, perhaps!
Domes where dwells Learning, seats of Science, bower and hall
Which house Philosophy--do these, too, rise and fall,
Based though foundations be on steadfast mother-earth,
With no chimeric claim to supermundane birth,
No boast that, dropped from cloud, they did not grow from ground?
Why, these fare worst of all! these vanish and are found
Nowhere, by who tasks eye some twice within his term
Of threescore years and ten, for tidings what each germ
Has burgeoned out into, whereof the promise stunned
His ear with such acclaim,--praise-payment to refund
The praisers, never doubt, some twice before they die
Whose days are long i' the land.
CXII
Alack, Philosophy!
Despite the chop and change, diminished or increased,
Patched-up and plastered-o'er, Religion stands at least
I' the temple-type. But thou? Here gape I, all agog
These thirty years, to learn how tadpole turns to frog;
And thrice at least have gazed with mild astonishment,
As, skyward up and up, some fire-new fabric sent
Its challenge to mankind, that, clustered underneath
To hear the word, they straight believe, ay, in the teeth
O' the Past, clap hands, and hail triumphant Truth's outbreak--
Tadpole-frog-theory propounded past mistake!
In vain! A something ails the edifice, it bends,
It bows, it buries ... Haste! cry "Heads below" to friends--
But have no fear they find, when smother shall subside,
Some substitution perk with unabated pride
I' the predecessor's place!
CXIII
No,--the one voice which failed
Never, the preachment's coign of vantage nothing ailed,--
That had the luck to lodge i' the house not made with hands!
And all it preached was this: "Truth builds upon the sands,
Though stationed on a rock: and so her work decays,
And so she builds afresh, with like result. Naught stays
But just the fact that Truth not only is, but fain
Would have men know she needs must be, by each so plain
Attempt to visibly inhabit where they dwell."
Her works are work, while she is she; that work does well
Which lasts mankind their lifetime through, and lets believe
One generation more, that, though sand run through sieve,
Yet earth now reached is rock, and what we moderns find
Erected here is Truth, who, 'stablished to her mind
I' the fulness of the days, will never change in show
More than in substance erst: men thought they knew; we know!
CXIV
Do you, my generation? Well, let the blocks prove mist
I' the main enclosure,--church and college, if they list,
Be something for a time, and everything anon,
And anything awhile, as fit is off or on,
Till they grow nothing, soon to reappear no less
As something,--shape reshaped, till out of shapelessness
Come shape again as sure! no doubt, or round or square
Or polygon its front, some building will be there,
Do duty in that nook o' the wall o' the world where once
The Architect saw fit precisely to ensconce
College or church, and bid such bulwark guard the line
O' the barrier round about, humanity's confine.
CXV
Leave watching change at work i' the greater scale, on these
The main supports, and turn to their interstices
Filled up by fabrics too, less costly and less rare,
Yet of importance, yet essential to the Fair
They help to circumscribe, instruct, and regulate!
See, where each booth-front boasts, in letters small or great,
Its speciality, proclaims its privilege to stop
A breach, beside the best!
CXVI
Here History keeps shop,
Tells how past deeds were done, so and not otherwise:
"Man! hold truth evermore! forget the early lies!"
There sits Morality, demure behind her stall,
Dealing out life and death: "This is the thing to call
Right, and this other, wrong; thus think, thus do, thus say,
Thus joy, thus suffer!--not to-day as yesterday--
Yesterday's doctrine dead, this only shall endure!
Obey its voice and live!"--enjoins the dame demure.
While Art gives flag to breeze, bids drum beat, trumpet blow,
Inviting eye and ear to yonder raree-show.
Up goes the canvas, hauled to height of pole. I think,
We know the way--long lost, late learned--to paint! A wink
Of eye, and lo, the pose! the statue on its plinth!
How could we moderns miss the heart o' the labyrinth
Perversely all these years, permit the Greek seclude
His secret till to-day? And here 's another feud
Now happily composed: inspect this quartet-score!
Got long past melody, no word has Music more
To say to mortal man! But is the bard to be
Behindhand? Here 's his book, and now perhaps you see
At length what poetry can do!
CXVII
Why, that 's stability
Itself, that change on change we sorrowfully saw
Creep o'er the prouder piles! We acquiesced in law
When the fine gold grew dim i' the temple, when the brass
Which pillared that so brave abode where Knowledge was,
Bowed and resigned the trust; but, bear all this caprice,
Harlequinade where swift to birth succeeds decease
Of hue at every turn o' the tinsel-flag which flames
While Art holds booth in Fair? Such glories chased by shames
Like these, distract beyond the solemn and august
Procedure to decay, evanishment in dust,
Of those marmoreal domes,--above vicissitude,
We used to hope!
CXVIII
"So, all is change, in fine," pursued
The preachment to a pause. When--"All is permanence!"
Returned a voice. Within? without? No matter whence
The explanation came: for, understand, I ought
To simply say--"I saw," each thing I say "I thought."
Since ever, as, unrolled, the strange scene-picture grew
Before me, sight flashed first, though mental comment too
Would follow in a trice, come hobblingly to halt.
CXIX
So, what did I see next but,--much as when the vault
I' the west,--wherein we watch the vapory, manifold
Transfiguration,--tired turns blaze to black,--behold,
Peak reconciled to base, dark ending feud with bright,
The multiform subsides, becomes the definite.
Contrasting life and strife, where battle they i' the blank
Severity of peace in death, for which we thank
One wind that conies to quell the concourse, drive at last
Things to a shape which suits the close of things, and cast
Palpably o'er vexed earth heaven's mantle of repose?
CXX
Just so, in Venice' Square, that things were at the close
Was signalled to my sense; for I perceived arrest
O' the change all round about. As if some impulse pressed
Each gently into each, what was distinctness, late,
Grew vague, and, line from line no longer separate,
No matter what its style, edifice ... shall I say,
Died into edifice? I find no simpler way
Of saying how, without or dash or shock or trace
Of violence, I found unity in the place
Of temple, tower,--nay, hall and house and hut,--one blank
Severity of peace in death; to which they sank
Resigned enough, till ... ah, conjecture, I beseech,
What special blank did they agree to, all and each?
What common shape was that wherein they mutely merged
Likes and dislikes of form, so plain before?
CXXI
I urged
Your step this way, prolonged our path of enterprise
To where we stand at last, in order that your eyes
Might see the very thing, and save my tongue describe
The Druid monument which fronts you. Could I bribe
Nature to come in aid, illustrate what I mean,
What wants there she should lend to solemnize the scene?
CXXII
How does it strike you, this construction gaunt and gray--
Sole object, these piled stones, that gleam unground-away
By twilight's hungry jaw, which champs fine all beside
I' the solitary waste we grope through? Oh, no guide
Need we to grope our way and reach the monstrous door
Of granite! Take my word, the deeper you explore
That caverned passage, filled with fancies to the brim,
The less will you approve the adventure! such a grim
Bar-sinister soon blocks abrupt your path, and ends
All with a cold dread shape,--shape whereon Learning spends
Labor, and leaves the test obscurer for the gloss,
While Ignorance reads right--recoiling from that Cross!
Whence came the mass and mass, strange quality of stone
Unquarried anywhere i' the region round? Unknown!
Just as unknown, how such enormity could be
Conveyed by land, or else transported over sea,
And laid in order, so, precisely each on each,
As you and I would build a grotto where the beach
Sheds shell--to last an hour: this building lasts from age
To age the same. But why?
Cite this text
MLA
Browning, Robert. Fifine at the Fair, Lines 1703–2118. Poetry Codex, poetrycodex.com/work/fifine-at-the-fair/5/.
Chicago
Browning, Robert. Fifine at the Fair, Lines 1703–2118. Poetry Codex. https://poetrycodex.com/work/fifine-at-the-fair/5/.