Tudor & Elizabethan
Anonymous (Elizabethan miscellanies)
"Ignoto", Italian for "the unknown", is the signature England's Helicon (1600) prints under many of its poems. The anthology, first published in 1600 by the stationer John Flasket and enlarged in 1614, was edited under the initials "A. B."; the poems it prints are credited, in this archive, to the poets whose signatures they bear, and Anthony Munday's "Shepherd Tony" is not identified here, since A. H. Bullen argues that Munday was not that poet.
This page gathers the poems of Bullen's 1887 edition that carry no usable name: those signed "Ignoto" or "Anonymous", the poems signed with initials Bullen does not identify (T. B., W. H., I. F., I. G.), the signature "M. N. Howell", of whom Bullen says nothing is known, the "Shepherd Tony" poems, two poems signed with the Earl of Surrey's name that first appeared among the Uncertain Authors of Tottel's Miscellany (1557), and the madrigal and song-book pieces printed without a name. Each note gives the signature as printed.
Poems (138)
- To Colin Clout
- Harpalus' Complaint on Phyllida's Love bestowed on Corin, who loved her not and denied him that loved her
- Another of the same subject, but made as it were in answer
- The Complaint of Thestilis the forsaken Shepherd
- Wodenfride's Song in praise of Amargana
- Another of the same
- An excellent Pastoral Ditty
- Phyllida's Love-call to her Corydon and his Replying
- The Shepherd's Description of Love
- Corydon's Hymn in praise of Amaryllis
- The Shepherd's Praise of his sacred Diana
- Montana the Shepherd his love to Aminta
- The Shepherd's Sorrow for his Phoebe's Disdain
- Old Meliboeus' Song, courting his Nymph
- Ceres' Song in Emulation of Cynthia
- A Nymph's Disdain of Love
- Apollo's Love-Song for fair Daphne
- Another Song before her Majesty at Oxford, sung by a comely Shepherd attended on by sundry other Shepherds and Nymphs
- Philistus' Farewell to false Clorinda
- The Shepherd to the Flowers
- Of Phyllida
- Lycoris the Nymph her sad Song
- To his Flocks
- [Another of his Cynthia]
- Another to his Cynthia
- The Countess of Pembroke's Pastoral
- An Invective against Love
- Fair Phyllis and her Shepherd
- Thyrsis the Shepherd his Death-Song
- Another Stanza added after
- Another Sonnet thence taken
- The Shepherd's Slumber
- Dispraise of Love and Lovers' Follies
- Of Disdainful Daphne
- Another of the same nature made since
- The Woodman's Walk
- Thyrsis the Shepherd to his Pipe
- An Heroical Poem
- The lover's absence kills me, her presence cures me
- The Shepherd's Sun
- Love the only price of Love
- The Shepherd's Consort
- A Fiction How Cupid Made a Nymph Wound Herself with His Arrows
- A Dialogue between Two Shepherds, Thenot and Piers, in Praise of Astrea
- Eclogue Entitled Cuddy
- Cuddy's Emblem
- An Eclogue upon the Death of Sir Philip Sidney
- Eclogue (Shepherd and Herdman)
- Eclogue Concerning Old Age
- A Sonnet of the Sun
- A Sonnet of the Moon
- Some men, they say, are poets born by kind
- What moved me then? say, Love, for thou canst tell
- Thus am I free from laws that other bind
- To Her Eyes
- The More Favour He Obtains, the More He Desires
- His Heart Arraigned of Theft, and Acquitted
- Madrigal I: Thine Eyes So Bright
- Phaleuciack I
- Deadly Sweetness
- Madrigal II: Verbal Love
- Love's Contrarieties
- Ode III: Desire and Hope
- Madrigal III: Her Praise Is in Her Want
- Her Outward Gesture Deceiving His Inward Hope
- Phaleuciack II
- L'Envoy, in Rhyming Phaleuciacks
- Desire Hath Conquered Revenge
- That He Is Unchangeable
- To His Eyes
- Ode IV: Upon Visiting His Lady by Moonlight
- Upon Her Absence
- Ode V: Petition to Have Her Leave to Die
- Ode VI: The Kind Lover's Complaint in Finding Nothing but Folly for His Faithfulness
- Ode VII: Unhappy Eyes
- Cupid Shoots Light, but Wounds Sore
- A True Description of Love
- Fair Face and Hard Heart
- Ode VIII: Disdain at Variance with Desire
- Upon His Lady's Buying Strings for Her Lute
- Care Will Not Let Him Live, nor Hope Let Him Die
- Ode IX: Cupid's Marriage with Dissimulation
- In Praise of the Sun
- Ode XI: To His Muse
- Death in Love
- Break, Heavy Heart
- Desire's Government
- Love's Properties
- A Living Death
- The Passionate Prisoner
- Hopeless Desire Soon Withers and Dies
- Ode XII: To His Heart
- Phaleuciacks III
- Being Scorned and Disdained, He Inveighs against His Lady
- Ode XIV: The Tomb of Dead Desire
- An Altar and Sacrifice to Disdain, for Freeing Him from Love
- Anacreon: Ode I
- Anacreon: Ode II (A Comparison betwixt the Strength of Beasts, the Wisdom of Man, and the Beauty of a Woman's Face)
- Anacreon: Ode III
- Anacreon's Second Ode, Otherwise
- An Answer to the First Staff: That Love Is Unlike in Beggars and in Kings
- A Song in Praise of a Beggar's Life
- Upon Beginning without Making an End
- An Epigram to Sir Philip Sidney, in Elegiacal Verse, Translated out of Jodelle
- Hexameters upon the Never-Enough Praised Sir Philip Sidney
- Another upon the Same
- Others upon the Same
- To Time
- A Meditation upon the Frailty of This Life
- A Dialogue between the Soul and the Body
- Sapphics, upon the Passion of Christ
- A Dialogue between the Lover and His Lady
- Her Answer
- Madrigal: In Praise of Two
- To His Lady's Garden, Being Absent Far from Her
- Upon His Lady's Sickness of the Small-Pox
- A Sonnet in the Grace of Wit, of Tongue, of Face
- Only, sweet Love, afford me but thy heart
- The True Love's Knot
- Best pleased she is when love is most exprest
- When a weak child is sick and out of quiet
- My love in her attire doth show her wit
- The poets feign that when the world began
- An Invective against Women
- Of Cynthia
- Of Love Gift
- If Wrong by Force Had Justice Put to Flight
- A Poem in the Nature of an Epitaph of a Friend
- Love's Contentment
- A Repentant Poem
- An Epitaph on Henry the Fourth, the Last French King
- An Epitaph on Queen Elizabeth
- Union's Jewel
- A Panegyrick to My Sovereign Lord the King
- To My Lord the Prince
- To the Excellent Lady Elizabeth, Her Grace
- Of the Fall of Man in Adam
- Of the Restoring of Man by Christ
See Anonymous (Elizabethan miscellanies) in the full archive →