Ancient Greek & Roman
Ovid
Publius Ovidius Naso, known as Ovid, was one of the leading poets of Augustan Rome, admired in his lifetime for his wit and technical fluency in Latin verse.
His masterwork, the Metamorphoses, is a sprawling narrative poem in fifteen books that retells hundreds of Greek and Roman myths of transformation, from the creation of the world to the deification of Julius Caesar. In AD 8 Augustus banished Ovid to Tomis on the Black Sea for reasons that remain unclear; he died there without returning to Rome.
This archive presents the Metamorphoses in Henry T. Riley’s 1851 prose translation, long a standard English rendering of the poem, and the Heroides and Amores in Grant Showerman’s 1914 Loeb prose translation. J. H. Mozley's Loeb translation of the Art of Love and other poems (1929) is also included.
Major Works (7)
- The Pontic Epistles — translated by Henry T. Riley (1851)
- The Fasti — translated by Henry T. Riley (1851)
- Metamorphoses — translated by Henry T. Riley (1851)
- Metamorphoses (Golding) — translated by Arthur Golding (1567)
- Metamorphoses (Howard) — translated by J. J. Howard (1807)
- Metamorphoses (More) — translated by Brookes More (1922)
- The Tristia — translated by Henry T. Riley (1851)
Poems (155)
- Heroides I: Penelope to Ulysses
- Heroides II: Phyllis to Demophoön
- Heroides III: Briseis to Achilles
- Heroides IV: Phaedra to Hippolytus
- Heroides V: Oenone to Paris
- Heroides VI: Hypsipyle to Jason
- Heroides VII: Dido to Aeneas
- Heroides VIII: Hermione to Orestes
- Heroides IX: Deianira to Hercules
- Heroides X: Ariadne to Theseus
- Heroides XI: Canace to Macareus
- Heroides XII: Medea to Jason
- Heroides XIII: Laodamia to Protesilaus
- Heroides XIV: Hypermnestra to Lynceus
- Heroides XV: Sappho to Phaon
- Heroides XVI: Paris to Helen
- Heroides XVII: Helen to Paris
- Heroides XVIII: Leander to Hero
- Heroides XIX: Hero to Leander
- Heroides XX: Acontius to Cydippe
- Heroides XXI: Cydippe to Acontius
- Amores: Epigram of the Poet Himself
- Amores I.1
- Amores I.2
- Amores I.3
- Amores I.4
- Amores I.5
- Amores I.6
- Amores I.7
- Amores I.8
- Amores I.9
- Amores I.10
- Amores I.11
- Amores I.12
- Amores I.13
- Amores I.14
- Amores I.15
- Amores II.1
- Amores II.2
- Amores II.3
- Amores II.4
- Amores II.5
- Amores II.6
- Amores II.7
- Amores II.8
- Amores II.9
- Amores II.10
- Amores II.11
- Amores II.12
- Amores II.13
- Amores II.14
- Amores II.15
- Amores II.16
- Amores II.17
- Amores II.18
- Amores II.19
- Amores III.1
- Amores III.2
- Amores III.3
- Amores III.4
- Amores III.5
- Amores III.6
- Amores III.8
- Amores III.9
- Amores III.10
- Amores III.11
- Amores III.12
- Amores III.13
- Amores III.14
- Amores III.15
- Amores, Epigram on the Amours (Riley)
- Amores I.1 (Riley)
- Amores I.2 (Riley)
- Amores I.3 (Riley)
- Amores I.4 (Riley)
- Amores I.5 (Riley)
- Amores I.6 (Riley)
- Amores I.7 (Riley)
- Amores I.8 (Riley)
- Amores I.9 (Riley)
- Amores I.10 (Riley)
- Amores I.11 (Riley)
- Amores I.12 (Riley)
- Amores I.13 (Riley)
- Amores I.14 (Riley)
- Amores I.15 (Riley)
- Amores II.1 (Riley)
- Amores II.2 (Riley)
- Amores II.3 (Riley)
- Amores II.4 (Riley)
- Amores II.5 (Riley)
- Amores II.6 (Riley)
- Amores II.7 (Riley)
- Amores II.8 (Riley)
- Amores II.9 (Riley)
- Amores II.10 (Riley)
- Amores II.11 (Riley)
- Amores II.12 (Riley)
- Amores II.13 (Riley)
- Amores II.14 (Riley)
- Amores II.15 (Riley)
- Amores II.16 (Riley)
- Amores II.17 (Riley)
- Amores II.18 (Riley)
- Amores II.19 (Riley)
- Amores III.1 (Riley)
- Amores III.2 (Riley)
- Amores III.3 (Riley)
- Amores III.4 (Riley)
- Amores III.5 (Riley)
- Amores III.6 (Riley)
- Amores III.8 (Riley)
- Amores III.9 (Riley)
- Amores III.10 (Riley)
- Amores III.11 (Riley)
- Amores III.12 (Riley)
- Amores III.13 (Riley)
- Amores III.14 (Riley)
- Amores III.15 (Riley)
- The Art of Love, Book I (Riley)
- The Art of Love, Book II (Riley)
- The Art of Love, Book III (Riley)
- The Remedy of Love (Riley)
- Heroides XI: Canace to Macareus (Dryden)
- Heroides XVII: Helen to Paris (Dryden)
- Heroides VII: Dido to Aeneas (Dryden)
- Metamorphoses I (Dryden)
- Metamorphoses VIII: Meleager and Atalanta (Dryden)
- Metamorphoses VIII: Baucis and Philemon (Dryden)
- Metamorphoses IX: Iphis and Ianthe (Dryden)
- Metamorphoses X: Pygmalion and the Statue (Dryden)
- Metamorphoses X: Cinyras and Myrrha (Dryden)
- Metamorphoses XI: Ceyx and Alcyone (Dryden)
- Metamorphoses XI: Aesacus Transformed into a Cormorant (Dryden)
- Metamorphoses XII (Dryden)
- Metamorphoses XIII: The Speeches of Ajax and Ulysses (Dryden)
- Metamorphoses XIII: Acis, Polyphemus, and Galatea (Dryden)
- Metamorphoses XV: Of the Pythagorean Philosophy (Dryden)
- Ars Amatoria I: The First Book of the Art of Love (Dryden)
- Amores I.1 (Dryden)
- Amores I.4 (Dryden)
- Tristia V.3: To his Fellow Poets at Rome, upon the Birthday of Bacchus
- Ex Ponto III.7: To his Friends, after his Many Solicitations, Refusing to Petition Caesar for his Releasement
- Ex Ponto IV.3: To his Inconstant Friend, Translated for the Use of all the Judases of this Touchstone Age
- Tristia III.3: To his Wife at Rome, when he was Sick
- On Painting the Face (Medicamina Faciei) (Mozley)
- The Art of Love, Book I (Mozley)
- The Art of Love, Book II (Mozley)
- The Art of Love, Book III (Mozley)
- The Remedies of Love (Mozley)
- Ibis (Mozley)
- On Sea-Fishing (Halieutica) (Mozley)
- A Poem of Consolation (Consolatio ad Liviam) (Mozley)
- Ibis (Riley)
- Halieuticon (Riley)