Italian

Francesco Petrarca (Petrarch)

1304–1374


Francesco Petrarca (1304–1374), known in English as Petrarch, was born in Arezzo to a Florentine notary exiled from his native city, and grew up in Avignon, then the seat of the papacy. He studied law at Montpellier and Bologna but gave himself to classical letters, recovering and copying Latin authors, and was crowned poet laureate on the Capitol in Rome in 1341. He spent his later years in northern Italy and died at Arquà, near Padua.

His Italian lyrics, the Rerum vulgarium fragmenta or Canzoniere, record his love for a woman named Laura, first seen in Avignon in 1327, whose death in 1348 divides the collection into poems written in her life and after her death. Their sonnet form and manner of address shaped European love poetry for centuries. The English versions here are from the 1879 Bohn volume, which prints several translations of most poems by different hands; the first version of each is given.

  1. The Triumphs — translated by Henry Boyd (1807), with Anna Hume (1644) and Macgregor (in Bohn, 1879)
  2. The Triumphs (Morley) — translated by Henry Parker, Lord Morley (c. 1555)
  1. Sonnet I (In Life): He Confesses the Vanity of His Passion
  2. Sonnet II (In Life): How He Became the Victim of Love
  3. Sonnet III (In Life): He Blames Love for Wounding Him on a Holy Day (Good Friday)
  4. Sonnet IV (In Life): He Celebrates the Birthplace of Laura
  5. Sonnet V (In Life): He Plays upon the Name Laureta or Laura
  6. Sonnet VI (In Life): Of His Foolish Passion for Laura
  7. Sonnet VII (In Life): To a Friend, Encouraging Him to Pursue Poetry
  8. Sonnet VIII (In Life): He Feigns an Address from Some Birds Which He Had Presented
  9. Sonnet IX (In Life): With a Present of Fruit in Spring
  10. Sonnet X (In Life): To Stefano Colonna the Elder, Inviting Him to the Country
  11. Ballata I (In Life): Perceiving His Passion, Laura's Severity Increases
  12. Sonnet XI (In Life): He Hopes That Time Will Render Her More Merciful
  13. Sonnet XII (In Life): The Beauty of Laura Leads Him to the Contemplation of the Supreme Good
  14. Ballata II (In Life): He Invites His Eyes to Feast Themselves on Laura
  15. Sonnet XIII (In Life): On Quitting Laura
  16. Sonnet XIV (In Life): He Compares Himself to a Pilgrim
  17. Sonnet XV (In Life): His State When Laura is Present, and When She Departs
  18. Sonnet XVI (In Life): He Flies, but Passion Pursues Him
  19. Sonnet XVII (In Life): He Compares Himself to a Moth
  20. Sonnet XVIII (In Life): The Praises of Laura Transcend His Poetic Powers
  21. Sonnet XIX (In Life): His Heart, Rejected by Laura, Will Perish, Unless She Relent
  22. Sestina I (In Life): Night Brings Him No Rest. He is the Prey of Despair
  23. Canzone I (In Life): His Sufferings Since He Became the Slave of Love
  24. Sonnet XX (In Life): To Stramazzo of Perugia, Who Invited Him to Write Poetry
  25. Sonnet XXI (In Life): He Congratulates Boccaccio on His Return to the Right Path
  26. Sonnet XXII (In Life): On the Same Subject
  27. Sonnet XXIII (In Life): On the Movement of the Emperor Against the Infidels, and the Return of the Pope to Rome
  28. Canzone II (In Life): In Support of the Proposed Crusade Against the Infidels
  29. Canzone III (In Life): Whether or Not He Should Cease to Love Laura
  30. Sestina II (In Life): Though Despairing of Pity, He Vows to Love Her Unto Death
  31. Sonnet XXIV (In Life): On Laura Dangerously Ill
  32. Sonnet XXV (In Life): He Consoles Himself That His Life is Advancing to Its Close
  33. Sonnet XXVI (In Life): Laura, Who is Ill, Appears to Him in a Dream, and Assures Him _That She Still Lives._
  34. Sonnet XXVII (In Life): He Compares Her to a Laurel, Which He Supplicates Apollo to Defend
  35. Sonnet XXVIII (In Life): He Seeks Solitude, but Love Follows Him Everywhere
  36. Sonnet XXIX (In Life): He Prays for Death, but in Vain
  37. Canzone IV (In Life): He Grieves in Absence from Laura
  38. Sonnet XXX (In Life): He Complains of the Veil and Hand of Laura, That They Deprive Him of the Sight of Her Eyes
  39. Sonnet XXXI (In Life): He Excuses Himself for Having So Long Delayed to Visit Her
  40. Sonnet XXXII (In Life): He Asks from a Friend the Loan of the Works of St. Augustin
  41. Sonnet XXXIII (In Life): When Laura Departs, the Heavens Grow Dark with Storms
  42. Sonnet XXXIV (In Life): Her Return Gladdens the Earth and Calms the Sky
  43. Sonnet XXXV (In Life): The Grief of Phoebus at the Loss of His Love
  44. Sonnet XXXVI (In Life): Some Have Wept for Their Worst Enemies, but Laura Deigns Him Not a Single Tear
  45. Sonnet XXXVII (In Life): Laura at Her Looking-Glass
  46. Sonnet XXXVIII (In Life): He Inveighs Against Laura's Mirror, Because It Makes Her Forget Him
  47. Sonnet XXXIX (In Life): He Desires Again to Gaze on the Eyes of Laura
  48. Sonnet XL (In Life): His Heart is All in Flames, but His Tongue is Mute, in Her Presence
  49. Sonnet XLI (In Life): In Her Presence He Can Neither Speak, Weep, nor Sigh
  50. Canzone V (In Life): Night Brings Repose to Others, but Not to Him
  51. Sonnet XLII (In Life): Such Are His Sufferings That He Envies the Insensibility of Marble
  52. Madrigale I (In Life): Anything That Reminds Him of Laura Renews His Torments
  53. Canzone VI (In Life): To Rienzi, Beseeching Him to Restore to Rome Her Ancient Liberty
  54. Madrigale II (In Life): A Love Journey--Danger in the Path--He Turns Back
  55. Ballata III (In Life): He Thought Himself Free, but Finds That He is More Than Ever Enthralled by Love
  56. Sonnet XLIII (In Life): Blighted Hope
  57. Sonnet XLIV (In Life): Few Are the Sweets, but Many the Bitters of Love
  58. Sonnet XLV (In Life): To His Friend Agapito, with a Present
  59. Ballata IV (In Life): He Will Always Love Her, Though Denied the Sight of Her
  60. Sonnet XLVI (In Life): Imprecation Against the Laurel
  61. Sonnet XLVII (In Life): He Blesses All the Circumstances of His Passion
  62. Sonnet XLVIII (In Life): Conscious of His Folly, He Prays God to Turn Him to a Better Life
  63. Ballata V (In Life): Her Kind Salute Saved Him from Death
  64. Sonnet XLIX (In Life): He Entreats Laura Not to Hate the Heart from Which She Can Never Be Absent
  65. Sonnet L (In Life): He Prays Love to Kindle Also in Her the Flame by Which He is Unceasingly Tormented
  66. Sestina III (In Life): He Compares Laura to Winter, and Foresees That She Will Always Be the Same
  67. Sonnet LI (In Life): The Fall
  68. Sonnet LII (In Life): The View of Rome Prompts Him to Tear Himself from Laura, but Love Will Not Allow Him
  69. Sonnet LIII (In Life): Fleeing from Love, He Falls into the Hands of His Ministers
  70. Canzone VII (In Life): He Would Console Himself with Song, but is Constrained to Weep
  71. Canzone VIII (In Life): In Praise of Laura's Eyes: the Difficulty of His Theme
  72. Canzone IX (In Life): In Praise of Laura's Eyes: They Lead Him to Contemplate the Path of Life
  73. Canzone X (In Life): In Praise of Laura's Eyes: in Them He Finds Every Good, and He Can Never Cease to Praise Them
  74. Sonnet LIV (In Life): He Wonders at His Long Endurance of Such Toil and Suffering
  75. Sonnet LV (In Life): He is Never Weary of Praising the Eyes of Laura
  76. Sonnet LVI (In Life): Love Chains Are Still Dear to Him
  77. Sonnet LVII (In Life): On the Portrait of Laura Painted by Simon Memmi
  78. Sonnet LVIII (In Life): He Desires Only That Memmi Had Been Able to Impart Speech to His Portrait of Laura
  79. Sonnet LIX (In Life): If His Passion Still Increase, He Must Soon Die
  80. Sestina IV (In Life): He Prays God to Guide His Frail Bark to a Safe Port
  81. Sonnet LX (In Life): He Confesses His Errors, and Throws Himself on the Mercy of God
  82. Sonnet LXI (In Life): Unless Laura Relent, He is Resolved to Abandon Her
  83. Sonnet LXII (In Life): Though Not Secure Against the Wiles of Love, He Feels Strength Enough to Resist Them
  84. Sonnet LXIII (In Life): Dialogue Between the Poet and His Eyes
  85. Sonnet LXIV (In Life): He Loves, and Will Always Love, the Spot and the Hour in Which He First Became Enamoured of Laura
  86. Sonnet LXV (In Life): Better is It to Die Happy Than to Live in Pain
  87. Sonnet LXVI (In Life): He Calls the Eyes of Laura Foes, Because They Keep Him in Life Only to Torment Him
  88. Sonnet LXVII (In Life): He Counsels Lovers to Flee, Rather Than Be Consumed by the Flames of Love
  89. Sonnet LXVIII (In Life): He Longs to Return to the Captivity of Love
  90. Sonnet LXIX (In Life): He Paints the Beauties of Laura, Protesting His Unalterable Love
  91. Sonnet LXX (In Life): To His Brother Gerardo, on the Death of a Lady to Whom He Was Attached
  92. Sonnet LXXI (In Life): On the Death of Cino Da Pistoia
  93. Sonnet LXXII (In Life): He Writes What Love Bids Him
  94. Sonnet LXXIII (In Life): He Describes the State of Two Lovers, and Returns in Thought to His Own Sufferings
  95. Sonnet LXXIV (In Life): He Complains That to Him Alone is Faith Hurtful
  96. Sonnet LXXV (In Life): Having Once Surrendered Himself, He is Compelled Ever to Endure the Pangs of Love
  97. Sonnet LXXVI (In Life): He Deplores His Lost Liberty and the Unhappiness of His Present State
  98. Sonnet LXXVII (In Life): He Sympathises with His Friend Orso at His Inability to Attend a Tournament
  99. Sonnet LXXVIII (In Life): To a Friend, Counselling Him to Abandon Earthly Pleasures
  100. Sonnet LXXIX (In Life): Recollections of Love
  101. Sonnet LXXX (In Life): Though for Fourteen Years He Has Struggled Unsuccessfully, He Still Hopes to Conquer His Passion
  102. Sonnet LXXXI (In Life): The Countenance Does Not Always Truly Indicate the Heart
  103. Sonnet LXXXII (In Life): To Stefano Colonna, Counselling Him to Follow Up His Victory over the Orsini
  104. Sonnet LXXXIII (In Life): To Paudolfo Malatesta, Lord of Rimini
  105. Canzone XI (In Life): Enigmas
  106. Madrigale III (In Life): He Allegorically Describes the Origin of His Passion
  107. Sonnet LXXXIV (In Life): After Fifteen Years Her Eyes Are More Powerful Than at First
  108. Sonnet LXXXV (In Life): He Apostrophizes the Spot Where Laura First Saluted Him
  109. Sonnet LXXXVI (In Life): When Love Disturbs Him, He Calms Himself by Thinking of the Eyes and Words of Laura
  110. Sonnet LXXXVII (In Life): He is Bewildered at the Unexpected Arrival of Laura
  111. Sonnet LXXXVIII (In Life): Her Kind and Gentle Salutation Thrills His Heart with Pleasure
  112. Sonnet LXXXIX (In Life): He Relates to His Friend Sennuccio His Unhappiness, and the Varied Mood of Laura
  113. Sonnet XC (In Life): The Mere Sight of Vaucluse Makes Him Forget All the Perils of His Journey
  114. Sonnet XCI (In Life): Leaving Rome, He Desires Only Peace with Laura and Prosperity to Colonna
  115. Sonnet XCII (In Life): Laura Turning to Salute Him, the Sun, Through Jealousy, Withdrew Behind a Cloud
  116. Sonnet XCIII (In Life): Wherever He is, He Sees Only Laura
  117. Sonnet XCIV (In Life): Could He but See the House of Laura, His Sighs Might Reach Her More Quickly
  118. Sonnet XCV (In Life): Though He is Unhappy, His Love Remains Ever Unchanged
  119. Canzone XII (In Life): Glory and Virtue
  120. Madrigale IV (In Life): A Prayer to Love That He Will Take Vengeance on the Scornful Pride of Laura
  121. Sonnet XCVI (In Life): To Antonio of Ferrara, Who, in a Poem, Had Lamented Petrarch's Supposed Death
  122. Sonnet XCVII (In Life): E'en in Our Ashes Live Our Wonted Fires
  123. Sonnet XCVIII (In Life): Leave-Taking
  124. Sonnet XCIX (In Life): The Causes of His Woe
  125. Canzone XIII (In Life): He Seeks in Vain to Mitigate His Woe
  126. Canzone XIV (In Life): To the Fountain of Vauoluse--Contemplations of Death
  127. Canzone XV (In Life): He Finds Her Image Everywhere
  128. Canzone XVI (In Life): To the Princes of Italy, Exhorting Them to Set Her Free
  129. Canzone XVII (In Life): Distance and Solitude
  130. Sonnet C (In Life): Though Far from Laura, Solitary and Unhappy, Envy Still Pursues Him
  131. Sonnet CI (In Life): Reply to a Sonnet of Jacopo Da Lentino
  132. Sonnet CII (In Life): The Contradictions of Love
  133. Sonnet CIII (In Life): Love's Armoury
  134. Sonnet CIV (In Life): Love's Inconsistency
  135. Canzone XVIII (In Life): He Compares Himself to All That is Most Strange in Creation
  136. Sonnet CV (In Life): He Inveighs Against the Court of Rome
  137. Sonnet CVI (In Life): He Predicts to Rome the Arrival of Some Great Personage Who Will Bring Her Back to Her Old Virtue
  138. Sonnet CVII (In Life): He Attributes the Wickedness of the Court of Rome to Its Great Wealth
  139. Sonnet CVIII (In Life): Far from His Friends, He Flies to Them in Thought
  140. Sonnet CIX (In Life): The Courage and Timidity of Love
  141. Sonnet CX (In Life): He Likens Himself to the Insect Which, Flying into One's Eyes, Meets Its Death
  142. Sestina V (In Life): He Tells the Story of His Love, Resolving Henceforth to Devote Himself to God
  143. Sonnet CXI (In Life): To One Who Spoke to Him of Laura
  144. Sonnet CXII (In Life): The Charms of Laura When She First Met His Sight
  145. Sonnet CXIII (In Life): His Invincible Constancy
  146. Sonnet CXIV (In Life): He Celebrates Laura's Beauty and Virtue
  147. Sonnet CXV (In Life): Her Looks Both Comfort and Check Him
  148. Sonnet CXVI (In Life): He Extols the Laurel and Its Favourite Stream
  149. Ballata VI (In Life): Though She Be Less Severe, He is Still Not Contented and Tranquil at Heart
  150. Sonnet CXVII (In Life): Dialogue of the Poet with His Heart
  151. Sonnet CXVIII (In Life): He is Led by Love to Reason
  152. Sonnet CXIX (In Life): He Prays Her Either to Welcome or Dismiss Him at Once
  153. Sonnet CXX (In Life): He Implores Mercy or Death
  154. Sonnet CXXI (In Life): Laura's Unparalleled Beauty and Virtue
  155. Sonnet CXXII (In Life): Laura in Tears
  156. Sonnet CXXIII (In Life): The Effects of Her Grief
  157. Sonnet CXXIV (In Life): He Recalls Her as He Saw Her When in Tears
  158. Sonnet CXXV (In Life): Her Image is Ever in His Heart
  159. Sonnet CXXVI (In Life): He Extols the Beauty and Virtue of Laura
  160. Sonnet CXXVII (In Life): Her Every Action is Divine
  161. Sonnet CXXVIII (In Life): Every Circumstance of His Passion is a Torment to Him
  162. Sonnet CXXIX (In Life): He Envies Every Spot That She Frequents
  163. Sonnet CXXX (In Life): He Cares Not for Sufferings, So That He Displease Not Laura
  164. Sonnet CXXXI (In Life): Night Brings Peace to All Save Him
  165. Sonnet CXXXII (In Life): Her Walk, Looks, Words, and Air
  166. Sonnet CXXXIII (In Life): To One Who Desired Latin Verse of Him
  167. Sonnet CXXXIV (In Life): Laura Sings
  168. Sonnet CXXXV (In Life): Life Will Fail Him Before Hope
  169. Sonnet CXXXVI (In Life): His Tongue is Tied by Excess of Passion
  170. Sonnet CXXXVII (In Life): Love Unmans His Resolution
  171. Sonnet CXXXVIII (In Life): He Cannot End Her Cruelty, nor She His Hope
  172. Sonnet CXXXIX (In Life): Envy May Disturb, but Cannot Destroy His Hope
  173. Sonnet CXL (In Life): The Sweets and Bitters of Love
  174. Sonnet CXLI (In Life): To Pine for Her is Better Than to Enjoy Happiness with Any Other
  175. Sonnet CXLII (In Life): Recollections of Early Love
  176. Sonnet CXLIII (In Life): Ever Thinking on Her, He Passes Fearless and Safe Through the Forest of Ardennes
  177. Sonnet CXLIV (In Life): To Be Near Her Recompenses Him for All the Perils of the Way
  178. Sonnet CXLV (In Life): He Hears the Voice of Reason, but Cannot Obey
  179. Sonnet CXLVI (In Life): He Appeases Her by Humility, and Exhorts a Friend to Do Likewise
  180. Sonnet CXLVII (In Life): To the River Po, on Quitting Laura
  181. Sonnet CXLVIII (In Life): He Compares Himself to a Bird Caught in a Net
  182. Sonnet CXLIX (In Life): Love and Jealousy
  183. Sonnet CL (In Life): He is Continually in Fear of Displeasing Her
  184. Sonnet CLI (In Life): During a Serious Illness of Laura
  185. Sonnet CLII (In Life): He Compares Her to the Phoenix
  186. Sonnet CLIII (In Life): The Most Famous Poets of Antiquity Would Have Sung Her Only, Had They Seen Her
  187. Sonnet CLIV (In Life): He Fears That He is Incapable of Worthily Celebrating Her
  188. Sonnet CLV (In Life): To the Sun, Whose Setting Hid Laura's Dwelling from His View
  189. Sonnet CLVI (In Life): Under the Figure of a Tempest-Tossed Vessel, He Describes His Own Sad State
  190. Sonnet CLVII (In Life): The Vision of the Fawn
  191. Sonnet CLVIII (In Life): All His Happiness is in Gazing upon Her
  192. Sonnet CLIX (In Life): To Love, on Laura Walking Abroad
  193. Sonnet CLX (In Life): To See and Hear Her is His Greatest Bliss
  194. Sonnet CLXI (In Life): Journeying to Visit Laura, He Feels Renewed Ardour as He Approaches
  195. Sonnet CLXII (In Life): His Wounds Can Be Healed Only by Pity or Death
  196. Sonnet CLXIII (In Life): The Gentle Breeze (L' Aura) Recalls to Him the Time When He First Saw Her
  197. Sonnet CLXIV (In Life): Her Hair and Eyes
  198. Sonnet CLXV (In Life): His Heart Lies Tangled in Her Hair
  199. Sonnet CLXVI (In Life): The Stolen Glove
  200. Sonnet CLXVII (In Life): He Returns the Glove, Bewailing the Effect of Her Beauty
  201. Sonnet CLXVIII (In Life): He Regrets Having Returned Her Glove
  202. Sonnet CLXIX (In Life): Though Racked by Agony, He Does Not Complain of Her
  203. Sonnet CLXX (In Life): Posterity Will Accord to Him the Pity Which Laura Refuses
  204. Sonnet CLXXI (In Life): He Rejoices at Being on Earth with Her, as He is Thereby Enabled Better to Imitate Her Virtues
  205. Sonnet CLXXII (In Life): He Consoles Himself with the Thought That He Will Be Envied by Posterity
  206. Canzone XIX (In Life): He Vehemently Rebuts the Charge of Loving Another
  207. Canzone XX (In Life): He Cannot Live Without Seeing Her, but Would Not Die That He May Still Love Her
  208. Sonnet CLXXIII (In Life): Journeying Along the Rhone to Avignon, Petrarch Bids the River Kiss Laura's Hand, as It Will Arrive at Her Dwelling Before Him
  209. Sonnet CLXXIV (In Life): He Leaves Vaucluse, but His Spirit Remains There with Laura
  210. Sonnet CLXXV (In Life): His Woes Are Unexampled
  211. Sonnet CLXXVI (In Life): He Describes His State, Specifying the Date of His Attachment
  212. Sonnet CLXXVII (In Life): Though So Long Love's Faithful Servant, His Only Reward Has Been Tears
  213. Sonnet CLXXVIII (In Life): The Enchantments That Enthrall Him
  214. Sestina VI (In Life): The History of His Love; and Prayer for Help
  215. Sonnet CLXXIX (In Life): She Unites in Herself the Highest Excellences of Virtue and Beauty
  216. Sonnet CLXXX (In Life): Her Cruelty Renders Life Worse Than Death to Him
  217. Sonnet CLXXXI (In Life): He Lives Destitute of All Hope Save That of Rendering Her Immortal
  218. Sonnet CLXXXII (In Life): All Nature Would Be in Darkness Were She, Its Sun, to Perish
  219. Sonnet CLXXXIII (In Life): Morning
  220. Sonnet CLXXXIV (In Life): The Charms of Her Countenance and Voice
  221. Sonnet CLXXXV (In Life): Though Her Eyes Destroy Him, He Cannot Tear Himself Away
  222. Sonnet CLXXXVI (In Life): Not Finding Her with Her Friends, He Asks Them Why She is Absent
  223. Sonnet CLXXXVII (In Life): His Nights Are, Like His Days, Passed in Torment
  224. Sonnet CLXXXVIII (In Life): The Misery of His Love
  225. Sonnet CLXXXIX (In Life): Happy Who Steered the Boat, or Drove the Car, Wherein She Sat and Sang
  226. Sonnet CXC (In Life): Far from His Beloved, Life is Miserable by Night as by Day
  227. Sonnet CXCI (In Life): He Envies the Breeze Which Sports with Her, the Stream That Flows Towards Her
  228. Sonnet CXCII (In Life): Under the Figure of a Laurel, He Relates the Growth of His Love
  229. Sonnet CXCIII (In Life): Though in the Midst of Pain, He Deems Himself the Happiest of Men
  230. Sonnet CXCIV (In Life): At Her Return, His Sorrows Vanish
  231. Sonnet CXCV (In Life): He Fears That an Illness Which Has Attacked the Eyes of Laura May Deprive Him of Their Sight
  232. Sonnet CXCVI (In Life): The Evil Results of Unrestrained Anger
  233. Sonnet CXCVII (In Life): He Rejoices at Participating in Her Sufferings
  234. Sonnet CXCVIII (In Life): He No Longer Finds Relief in Solitude
  235. Sonnet CXCIX (In Life): He Excuses Himself for Visiting Laura Too Often, and Loving Her Too Much
  236. Sonnet CC (In Life): He Prays Love, Who is the Cause of His Offences, to Obtain Pardon for Him
  237. Sestina VII (In Life): He Despairs of Escape from the Torments by Which He is Surrounded
  238. Sestina VIII (In Life): She is Moved Neither by His Verses nor His Tears
  239. Sonnet CCI (In Life): On the Kiss of Honour Given by Charles of Luxemburg to Laura at a Banquet
  240. Sonnet CCII (In Life): He Pleads the Excess of His Passion in Palliation of His Fault
  241. Sonnet CCIII (In Life): His Sorrow for the Illness of Laura Increases, Not Lessens, His Flame
  242. Sonnet CCIV (In Life): He Bids His Heart Return to Laura, Not Perceiving That It Had Never Left Her
  243. Sonnet CCV (In Life): He Congratulates His Heart on Its Remaining with Her
  244. Sonnet CCVI (In Life): To a Friend, in Love Like Himself, He Can Give No Advice but to Raise His Soul to God
  245. Sonnet CCVII (In Life): The Two Roses
  246. Sonnet CCVIII (In Life): He Prays That He May Die Before Laura
  247. Sonnet CCIX (In Life): He Invites Those to Whom His Praises Seem Excessive to Behold the Object of Them
  248. Sonnet CCX (In Life): Whoever Beholds Her Must Admit That His Praises Cannot Reach Her Perfection
  249. Sonnet CCXI (In Life): Melancholy Recollections and Presages
  250. Sonnet CCXII (In Life): She Announces to Him, in a Vision, That He Will Never See Her More
  251. Sonnet CCXIII (In Life): He Cannot Believe in Her Death, but If True, He Prays God to Take Him Also from Life
  252. Sonnet CCXIV (In Life): To His Longing to See Her Again is Now Added the Fear of Seeing Her No More
  253. Sonnet CCXV (In Life): He Sighs for Those Glances from Which, to His Grief, Fortune Ever Delights to Withdraw Him
  254. Sonnet CCXVI (In Life): Hearing No Tidings of Her, He Begins to Despair
  255. Sonnet CCXVII (In Life): Contrary to the Wont of Lovers, He Prefers Morn to Eve
  256. Sonnet CCXVIII (In Life): His Soul Visits Her in Sleep
  257. Sonnet CCXIX (In Life): On Laura Putting Her Hand Before Her Eyes While He Was Gazing on Her
  258. Sonnet CCXX (In Life): A Smiling Welcome, Which Laura Gave Him Unexpectedly, Almost Kills Him with Joy
  259. Sonnet CCXXI (In Life): Thinking Always of Laura, It Pains Him to Remember Where She is Left
  260. Sonnet CCXXII (In Life): The Beauty of Laura is Peerless
  261. Sonnet CCXXIII (In Life): The Eyes of Laura Are the School of Virtue
  262. Sonnet CCXXIV (In Life): Honour to Be Preferred to Life
  263. Sonnet CCXXV (In Life): He Extols the Virtue of Laura
  264. Canzone XXI (In Life): Self-Conflict
  265. Sonnet CCXXVI (In Life): Hope Alone Supports Him in His Misery
  266. Sonnet CCXXVII (In Life): He Laments His Absence from Laura and Colonna, the Only Objects of His Affection
  267. Sonnet I (In Death): On the Announcement of the Death of Laura
  268. Canzone I (In Death): He Asks Counsel of Love, Whether He Should Follow Laura, or Still Endure Existence
  269. Sonnet II (In Death): He Bewails His Double Loss in the Deaths of Laura, and of Colonna
  270. Canzone II (In Death): Unless Love Can Restore Her to Life, He Will Never Again Be His Slave
  271. Sonnet III (In Death): On the Death of Another Lady
  272. Sonnet IV (In Death): Past, Present, and Future Are Now Alike Painful to Him
  273. Sonnet V (In Death): He Encourages His Soul to Lift Itself to God, and to Abandon the Vanities of Earth
  274. Sonnet VI (In Death): He Compares Himself to a Besieged City, and Accuses His Own Heart of Treason
  275. Sonnet VII (In Death): He Endeavours to Find Peace in the Thought That She is in Heaven
  276. Sonnet VIII (In Death): With Her, His Only Solace, is Taken Away All His Desire of Life
  277. Sonnet IX (In Death): He Describes His Sad State
  278. Sonnet X (In Death): He Desires to Die, That His Soul May Be with Her, as His Thoughts Already Are
  279. Sonnet XI (In Death): She is Ever Present to Him
  280. Sonnet XII (In Death): Vaucluse
  281. Sonnet XIII (In Death): Her Form Still Haunts Him in Solitude
  282. Sonnet XIV (In Death): He Thanks Her That from Time to Time She Returns to Console Him with Her Presence
  283. Sonnet XV (In Death): Her Presence in Visions is His Only Consolation
  284. Sonnet XVI (In Death): The Remembrance of Her Chases Sadness from His Heart
  285. Sonnet XVII (In Death): Her Counsel Alone Affords Him Relief
  286. Sonnet XVIII (In Death): She Returns in Pity to Comfort Him with Her Advice
  287. Sonnet XIX (In Death): On the Death of His Friend Sennuccio
  288. Sonnet XX (In Death): Vaucluse Has Become to Him a Scene of Pain
  289. Sonnet XXI (In Death): He Acknowledges the Wisdom of Her Past Coldness to Him
  290. Sonnet XXII (In Death): He Blesses Laura for Her Virtue
  291. Sonnet XXIII (In Death): Morn Renders His Grief More Poignant
  292. Sonnet XXIV (In Death): His Lyre is Now Attuned Only to Woe
  293. Sonnet XXV (In Death): His Poems Were Written Only to Soothe His Own Grief: Otherwise He Would Have Laboured to Make Them More Deserving of the Fame They Have Acquired
  294. Sonnet XXVI (In Death): Since Her Death, Nothing is Left to Him but Grief
  295. Sonnet XXVII (In Death): He Comforts Himself with the Hope That She Hears Him
  296. Sonnet XXVIII (In Death): He Glories in His Love
  297. Sonnet XXIX (In Death): The Union of Beauty and Virtue is Dissolved by Her Death
  298. Sonnet XXX (In Death): The Remembrance of the Past Enhances His Misery
  299. Sonnet XXXI (In Death): He Enumerates and Eulogises the Graces of Laura
  300. Sonnet XXXII (In Death): He Envies Earth, Heaven, and Death Their Possession of His Treasure
  301. Sonnet XXXIII (In Death): On His Return to Vaucluse After Laura's Death
  302. Sonnet XXXIV (In Death): Soaring in Imagination to Heaven, He Meets Laura, and is Happy
  303. Sonnet XXXV (In Death): He Vents His Sorrow to All Who Witnessed His Former Felicity
  304. Sonnet XXXVI (In Death): Had She Not Died So Early, He Would Have Learned to Praise Her More Worthily
  305. Sonnet XXXVII (In Death): He Prays Laura to Look Down upon Him from Heaven
  306. Sonnet XXXVIII (In Death): Love and He Seek Laura, but Find No Traces of Her Except in the Sky
  307. Sonnet XXXIX (In Death): Unworthy to Have Looked upon Her, He is Still More So to Attempt Her Praises
  308. Sonnet XL (In Death): He Attempts to Paint Her Beauties, but Not Her Virtues
  309. Sonnet XLI (In Death): It is Impossible for Him to Describe Her Excellences
  310. Sonnet XLII (In Death): Returning Spring Brings to Him Only Increase of Grief
  311. Sonnet XLIII (In Death): The Song of the Nightingale Reminds Him of His Unhappy Lot
  312. Sonnet XLIV (In Death): Nothing That Nature Offers Can Afford Him Consolation
  313. Sonnet XLV (In Death): His Only Desire is Again to Be with Her
  314. Sonnet XLVI (In Death): He Recalls with Grief Their Last Meeting
  315. Sonnet XLVII (In Death): Just When He Might Fairly Hope Some Return of Affection, Envious Death Carries Her Off
  316. Sonnet XLVIII (In Death): He Consoles Himself with the Belief That She Now at Last Sympathises with Him
  317. Sonnet XLIX (In Death): Death Has Robbed Him in One Moment of the Fruit of His Life
  318. Sonnet L (In Death): Under the Allegory of a Laurel He Again Deplores Her Death
  319. Sonnet LI (In Death): His Passion Finds Its Only Consolation in Contemplating Her in Heaven
  320. Sonnet LII (In Death): He Revisits Vaucluse
  321. Sonnet LIII (In Death): The Sight of Laura's House Reminds Him of His Misery
  322. Sonnet LIV (In Death): To the Memory of Giacomo Colonna, Who Died Before Petrarch Could Reply to a Letter of His
  323. Canzone III (In Death): Under Various Allegories He Paints the Virtue, Beauty, and Untimely Death of Laura
  324. Ballata I (In Death): His Grief at Surviving Her is Mitigated by the Consciousness That She Now Knows His Heart
  325. Canzone IV (In Death): He Recalls Her Many Graces
  326. Sonnet LV (In Death): Death May Deprive Him of the Sight of Her Beauties, but Not of the Memory of Her Virtues
  327. Sonnet LVI (In Death): Her Own Virtues Immortalise Her in Heaven, and His Praises on Earth
  328. Sonnet LVII (In Death): He Reverts to Their Last Meeting
  329. Sonnet LVIII (In Death): He Mourns His Want of Perception at That Meeting
  330. Sonnet LIX (In Death): He Should Have Foreseen His Loss in the Unusual Lustre of Her Eyes
  331. Canzone V (In Death): Memory is His Only Solace and Support
  332. Sestina I (In Death): In His Misery He Desires Death the More He Remembers His Past Contentment and Comfort
  333. Sonnet LX (In Death): He Prays That She Will Be Near Him at His Death, Which He Feels Approaching
  334. Sonnet LXI (In Death): He Prays That, in Reward for His Long and Virtuous Attachment, She Will Visit Him in Death
  335. Sonnet LXII (In Death): Beauty Showed Itself in, and Disappeared with, Laura
  336. Sonnet LXIII (In Death): She is So Fixed in His Heart That at Times He Believes Her Still Alive, and is Forced to Recall the Date of Her Death
  337. Sonnet LXIV (In Death): Nature Displayed in Her Every Charm, but Soon Withdrew Her from Sight
  338. Sonnet LXV (In Death): He No Longer Contemplates the Mortal, but the Immortal Beauties of Laura
  339. Sonnet LXVI (In Death): The Laurel, in Whom He Placed All His Joy Has Been Taken from Him to Adorn Heaven
  340. Sonnet LXVII (In Death): Her True Worth Was Known Only to Him and to Heaven
  341. Sonnet LXVIII (In Death): Her Praises Are, Compared with Her Deserts, but as a Drop to the Ocean
  342. Sonnet LXIX (In Death): He Prays Her to Appear Before Him in a Vision
  343. Sonnet LXX (In Death): His Prayer is Heard
  344. Sonnet LXXI (In Death): He Describes the Apparition of Laura
  345. Sonnet LXXII (In Death): He Would Die of Grief Were She Not Sometimes to Console Him by Her Presence
  346. Sonnet LXXIII (In Death): He Complains of His Sufferings, Which Admit of No Relief
  347. Sonnet LXXIV (In Death): Reflecting That Laura is in Heaven, He Repents His Excessive Grief, and is Consoled
  348. Sonnet LXXV (In Death): He Directs All His Thoughts to Heaven, Where Laura Awaits and Beckons Him
  349. Sonnet LXXVI (In Death): He Conjures Laura, by the Pure Love He Ever Bore Her, to Obtain for Him a Speedy Admission to Her in Heaven
  350. Sonnet LXXVII (In Death): His Only Comfort is the Expectation of Meeting Her Again in Heaven
  351. Sonnet LXXVIII (In Death): He Feels That the Day of Their Reunion is at Hand
  352. Sonnet LXXIX (In Death): He Tells Her in Sleep of His Sufferings, and, Overcome by Her Sympathy, Awakes
  353. Sonnet LXXX (In Death): Far from Fearing, He Prays for Death
  354. Sonnet LXXXI (In Death): Since Her Death He Has Ceased to Live
  355. Canzone VI (In Death): She Appears to Him, and, with More Than Wonted Affection, Endeavours to Console Him
  356. Canzone VII (In Death): Love, Summoned by the Poet to the Tribunal of Reason, Passes a Splendid Eulogium on Laura
  357. Sonnet LXXXII (In Death): He Awakes to a Conviction of the Near Approach of Death
  358. Sonnet LXXXIII (In Death): He Seems to Be with Her in Heaven
  359. Sonnet LXXXIV (In Death): Weary of Life, Now That She is No Longer with Him, He Devotes Himself to God
  360. Sonnet LXXXV (In Death): He Confesses and Regrets His Sins, and Prays God to Save Him from Eternal Death
  361. Sonnet LXXXVI (In Death): He Humbly Confesses the Errors of His Past Life, and Prays for Divine Grace
  362. Sonnet LXXXVII (In Death): He Owes His Own Salvation to the Virtuous Conduct of Laura
  363. Sonnet LXXXVIII (In Death): Beholding in Fancy the Shade of Laura, He Tells Her the Loss That the World Sustained in Her Departure
  364. Sonnet LXXXIX (In Death): He Begs Love to Assist Him, That He May Worthily Celebrate Her
  365. Sonnet XC (In Death): The Plaintive Song of a Bird Recalls to Him His Own Keener Sorrow
  366. Canzone VIII (In Death): To the Virgin Mary
  367. The Visions of Petrarch
  368. Sonnet LIX (Part I)
  369. Sonnet LXXV (Part II)

See Francesco Petrarca (Petrarch) in the full archive →