Italian
Francesco Petrarca (Petrarch)
Francesco Petrarca (1304–1374), known in English as Petrarch, was born in Arezzo to a Florentine notary exiled from his native city, and grew up in Avignon, then the seat of the papacy. He studied law at Montpellier and Bologna but gave himself to classical letters, recovering and copying Latin authors, and was crowned poet laureate on the Capitol in Rome in 1341. He spent his later years in northern Italy and died at Arquà, near Padua.
His Italian lyrics, the Rerum vulgarium fragmenta or Canzoniere, record his love for a woman named Laura, first seen in Avignon in 1327, whose death in 1348 divides the collection into poems written in her life and after her death. Their sonnet form and manner of address shaped European love poetry for centuries. The English versions here are from the 1879 Bohn volume, which prints several translations of most poems by different hands; the first version of each is given.
Major Works (2)
- The Triumphs — translated by Henry Boyd (1807), with Anna Hume (1644) and Macgregor (in Bohn, 1879)
- The Triumphs (Morley) — translated by Henry Parker, Lord Morley (c. 1555)
Poems (369)
- Sonnet I (In Life): He Confesses the Vanity of His Passion
- Sonnet II (In Life): How He Became the Victim of Love
- Sonnet III (In Life): He Blames Love for Wounding Him on a Holy Day (Good Friday)
- Sonnet IV (In Life): He Celebrates the Birthplace of Laura
- Sonnet V (In Life): He Plays upon the Name Laureta or Laura
- Sonnet VI (In Life): Of His Foolish Passion for Laura
- Sonnet VII (In Life): To a Friend, Encouraging Him to Pursue Poetry
- Sonnet VIII (In Life): He Feigns an Address from Some Birds Which He Had Presented
- Sonnet IX (In Life): With a Present of Fruit in Spring
- Sonnet X (In Life): To Stefano Colonna the Elder, Inviting Him to the Country
- Ballata I (In Life): Perceiving His Passion, Laura's Severity Increases
- Sonnet XI (In Life): He Hopes That Time Will Render Her More Merciful
- Sonnet XII (In Life): The Beauty of Laura Leads Him to the Contemplation of the Supreme Good
- Ballata II (In Life): He Invites His Eyes to Feast Themselves on Laura
- Sonnet XIII (In Life): On Quitting Laura
- Sonnet XIV (In Life): He Compares Himself to a Pilgrim
- Sonnet XV (In Life): His State When Laura is Present, and When She Departs
- Sonnet XVI (In Life): He Flies, but Passion Pursues Him
- Sonnet XVII (In Life): He Compares Himself to a Moth
- Sonnet XVIII (In Life): The Praises of Laura Transcend His Poetic Powers
- Sonnet XIX (In Life): His Heart, Rejected by Laura, Will Perish, Unless She Relent
- Sestina I (In Life): Night Brings Him No Rest. He is the Prey of Despair
- Canzone I (In Life): His Sufferings Since He Became the Slave of Love
- Sonnet XX (In Life): To Stramazzo of Perugia, Who Invited Him to Write Poetry
- Sonnet XXI (In Life): He Congratulates Boccaccio on His Return to the Right Path
- Sonnet XXII (In Life): On the Same Subject
- Sonnet XXIII (In Life): On the Movement of the Emperor Against the Infidels, and the Return of the Pope to Rome
- Canzone II (In Life): In Support of the Proposed Crusade Against the Infidels
- Canzone III (In Life): Whether or Not He Should Cease to Love Laura
- Sestina II (In Life): Though Despairing of Pity, He Vows to Love Her Unto Death
- Sonnet XXIV (In Life): On Laura Dangerously Ill
- Sonnet XXV (In Life): He Consoles Himself That His Life is Advancing to Its Close
- Sonnet XXVI (In Life): Laura, Who is Ill, Appears to Him in a Dream, and Assures Him _That She Still Lives._
- Sonnet XXVII (In Life): He Compares Her to a Laurel, Which He Supplicates Apollo to Defend
- Sonnet XXVIII (In Life): He Seeks Solitude, but Love Follows Him Everywhere
- Sonnet XXIX (In Life): He Prays for Death, but in Vain
- Canzone IV (In Life): He Grieves in Absence from Laura
- Sonnet XXX (In Life): He Complains of the Veil and Hand of Laura, That They Deprive Him of the Sight of Her Eyes
- Sonnet XXXI (In Life): He Excuses Himself for Having So Long Delayed to Visit Her
- Sonnet XXXII (In Life): He Asks from a Friend the Loan of the Works of St. Augustin
- Sonnet XXXIII (In Life): When Laura Departs, the Heavens Grow Dark with Storms
- Sonnet XXXIV (In Life): Her Return Gladdens the Earth and Calms the Sky
- Sonnet XXXV (In Life): The Grief of Phoebus at the Loss of His Love
- Sonnet XXXVI (In Life): Some Have Wept for Their Worst Enemies, but Laura Deigns Him Not a Single Tear
- Sonnet XXXVII (In Life): Laura at Her Looking-Glass
- Sonnet XXXVIII (In Life): He Inveighs Against Laura's Mirror, Because It Makes Her Forget Him
- Sonnet XXXIX (In Life): He Desires Again to Gaze on the Eyes of Laura
- Sonnet XL (In Life): His Heart is All in Flames, but His Tongue is Mute, in Her Presence
- Sonnet XLI (In Life): In Her Presence He Can Neither Speak, Weep, nor Sigh
- Canzone V (In Life): Night Brings Repose to Others, but Not to Him
- Sonnet XLII (In Life): Such Are His Sufferings That He Envies the Insensibility of Marble
- Madrigale I (In Life): Anything That Reminds Him of Laura Renews His Torments
- Canzone VI (In Life): To Rienzi, Beseeching Him to Restore to Rome Her Ancient Liberty
- Madrigale II (In Life): A Love Journey--Danger in the Path--He Turns Back
- Ballata III (In Life): He Thought Himself Free, but Finds That He is More Than Ever Enthralled by Love
- Sonnet XLIII (In Life): Blighted Hope
- Sonnet XLIV (In Life): Few Are the Sweets, but Many the Bitters of Love
- Sonnet XLV (In Life): To His Friend Agapito, with a Present
- Ballata IV (In Life): He Will Always Love Her, Though Denied the Sight of Her
- Sonnet XLVI (In Life): Imprecation Against the Laurel
- Sonnet XLVII (In Life): He Blesses All the Circumstances of His Passion
- Sonnet XLVIII (In Life): Conscious of His Folly, He Prays God to Turn Him to a Better Life
- Ballata V (In Life): Her Kind Salute Saved Him from Death
- Sonnet XLIX (In Life): He Entreats Laura Not to Hate the Heart from Which She Can Never Be Absent
- Sonnet L (In Life): He Prays Love to Kindle Also in Her the Flame by Which He is Unceasingly Tormented
- Sestina III (In Life): He Compares Laura to Winter, and Foresees That She Will Always Be the Same
- Sonnet LI (In Life): The Fall
- Sonnet LII (In Life): The View of Rome Prompts Him to Tear Himself from Laura, but Love Will Not Allow Him
- Sonnet LIII (In Life): Fleeing from Love, He Falls into the Hands of His Ministers
- Canzone VII (In Life): He Would Console Himself with Song, but is Constrained to Weep
- Canzone VIII (In Life): In Praise of Laura's Eyes: the Difficulty of His Theme
- Canzone IX (In Life): In Praise of Laura's Eyes: They Lead Him to Contemplate the Path of Life
- Canzone X (In Life): In Praise of Laura's Eyes: in Them He Finds Every Good, and He Can Never Cease to Praise Them
- Sonnet LIV (In Life): He Wonders at His Long Endurance of Such Toil and Suffering
- Sonnet LV (In Life): He is Never Weary of Praising the Eyes of Laura
- Sonnet LVI (In Life): Love Chains Are Still Dear to Him
- Sonnet LVII (In Life): On the Portrait of Laura Painted by Simon Memmi
- Sonnet LVIII (In Life): He Desires Only That Memmi Had Been Able to Impart Speech to His Portrait of Laura
- Sonnet LIX (In Life): If His Passion Still Increase, He Must Soon Die
- Sestina IV (In Life): He Prays God to Guide His Frail Bark to a Safe Port
- Sonnet LX (In Life): He Confesses His Errors, and Throws Himself on the Mercy of God
- Sonnet LXI (In Life): Unless Laura Relent, He is Resolved to Abandon Her
- Sonnet LXII (In Life): Though Not Secure Against the Wiles of Love, He Feels Strength Enough to Resist Them
- Sonnet LXIII (In Life): Dialogue Between the Poet and His Eyes
- Sonnet LXIV (In Life): He Loves, and Will Always Love, the Spot and the Hour in Which He First Became Enamoured of Laura
- Sonnet LXV (In Life): Better is It to Die Happy Than to Live in Pain
- Sonnet LXVI (In Life): He Calls the Eyes of Laura Foes, Because They Keep Him in Life Only to Torment Him
- Sonnet LXVII (In Life): He Counsels Lovers to Flee, Rather Than Be Consumed by the Flames of Love
- Sonnet LXVIII (In Life): He Longs to Return to the Captivity of Love
- Sonnet LXIX (In Life): He Paints the Beauties of Laura, Protesting His Unalterable Love
- Sonnet LXX (In Life): To His Brother Gerardo, on the Death of a Lady to Whom He Was Attached
- Sonnet LXXI (In Life): On the Death of Cino Da Pistoia
- Sonnet LXXII (In Life): He Writes What Love Bids Him
- Sonnet LXXIII (In Life): He Describes the State of Two Lovers, and Returns in Thought to His Own Sufferings
- Sonnet LXXIV (In Life): He Complains That to Him Alone is Faith Hurtful
- Sonnet LXXV (In Life): Having Once Surrendered Himself, He is Compelled Ever to Endure the Pangs of Love
- Sonnet LXXVI (In Life): He Deplores His Lost Liberty and the Unhappiness of His Present State
- Sonnet LXXVII (In Life): He Sympathises with His Friend Orso at His Inability to Attend a Tournament
- Sonnet LXXVIII (In Life): To a Friend, Counselling Him to Abandon Earthly Pleasures
- Sonnet LXXIX (In Life): Recollections of Love
- Sonnet LXXX (In Life): Though for Fourteen Years He Has Struggled Unsuccessfully, He Still Hopes to Conquer His Passion
- Sonnet LXXXI (In Life): The Countenance Does Not Always Truly Indicate the Heart
- Sonnet LXXXII (In Life): To Stefano Colonna, Counselling Him to Follow Up His Victory over the Orsini
- Sonnet LXXXIII (In Life): To Paudolfo Malatesta, Lord of Rimini
- Canzone XI (In Life): Enigmas
- Madrigale III (In Life): He Allegorically Describes the Origin of His Passion
- Sonnet LXXXIV (In Life): After Fifteen Years Her Eyes Are More Powerful Than at First
- Sonnet LXXXV (In Life): He Apostrophizes the Spot Where Laura First Saluted Him
- Sonnet LXXXVI (In Life): When Love Disturbs Him, He Calms Himself by Thinking of the Eyes and Words of Laura
- Sonnet LXXXVII (In Life): He is Bewildered at the Unexpected Arrival of Laura
- Sonnet LXXXVIII (In Life): Her Kind and Gentle Salutation Thrills His Heart with Pleasure
- Sonnet LXXXIX (In Life): He Relates to His Friend Sennuccio His Unhappiness, and the Varied Mood of Laura
- Sonnet XC (In Life): The Mere Sight of Vaucluse Makes Him Forget All the Perils of His Journey
- Sonnet XCI (In Life): Leaving Rome, He Desires Only Peace with Laura and Prosperity to Colonna
- Sonnet XCII (In Life): Laura Turning to Salute Him, the Sun, Through Jealousy, Withdrew Behind a Cloud
- Sonnet XCIII (In Life): Wherever He is, He Sees Only Laura
- Sonnet XCIV (In Life): Could He but See the House of Laura, His Sighs Might Reach Her More Quickly
- Sonnet XCV (In Life): Though He is Unhappy, His Love Remains Ever Unchanged
- Canzone XII (In Life): Glory and Virtue
- Madrigale IV (In Life): A Prayer to Love That He Will Take Vengeance on the Scornful Pride of Laura
- Sonnet XCVI (In Life): To Antonio of Ferrara, Who, in a Poem, Had Lamented Petrarch's Supposed Death
- Sonnet XCVII (In Life): E'en in Our Ashes Live Our Wonted Fires
- Sonnet XCVIII (In Life): Leave-Taking
- Sonnet XCIX (In Life): The Causes of His Woe
- Canzone XIII (In Life): He Seeks in Vain to Mitigate His Woe
- Canzone XIV (In Life): To the Fountain of Vauoluse--Contemplations of Death
- Canzone XV (In Life): He Finds Her Image Everywhere
- Canzone XVI (In Life): To the Princes of Italy, Exhorting Them to Set Her Free
- Canzone XVII (In Life): Distance and Solitude
- Sonnet C (In Life): Though Far from Laura, Solitary and Unhappy, Envy Still Pursues Him
- Sonnet CI (In Life): Reply to a Sonnet of Jacopo Da Lentino
- Sonnet CII (In Life): The Contradictions of Love
- Sonnet CIII (In Life): Love's Armoury
- Sonnet CIV (In Life): Love's Inconsistency
- Canzone XVIII (In Life): He Compares Himself to All That is Most Strange in Creation
- Sonnet CV (In Life): He Inveighs Against the Court of Rome
- Sonnet CVI (In Life): He Predicts to Rome the Arrival of Some Great Personage Who Will Bring Her Back to Her Old Virtue
- Sonnet CVII (In Life): He Attributes the Wickedness of the Court of Rome to Its Great Wealth
- Sonnet CVIII (In Life): Far from His Friends, He Flies to Them in Thought
- Sonnet CIX (In Life): The Courage and Timidity of Love
- Sonnet CX (In Life): He Likens Himself to the Insect Which, Flying into One's Eyes, Meets Its Death
- Sestina V (In Life): He Tells the Story of His Love, Resolving Henceforth to Devote Himself to God
- Sonnet CXI (In Life): To One Who Spoke to Him of Laura
- Sonnet CXII (In Life): The Charms of Laura When She First Met His Sight
- Sonnet CXIII (In Life): His Invincible Constancy
- Sonnet CXIV (In Life): He Celebrates Laura's Beauty and Virtue
- Sonnet CXV (In Life): Her Looks Both Comfort and Check Him
- Sonnet CXVI (In Life): He Extols the Laurel and Its Favourite Stream
- Ballata VI (In Life): Though She Be Less Severe, He is Still Not Contented and Tranquil at Heart
- Sonnet CXVII (In Life): Dialogue of the Poet with His Heart
- Sonnet CXVIII (In Life): He is Led by Love to Reason
- Sonnet CXIX (In Life): He Prays Her Either to Welcome or Dismiss Him at Once
- Sonnet CXX (In Life): He Implores Mercy or Death
- Sonnet CXXI (In Life): Laura's Unparalleled Beauty and Virtue
- Sonnet CXXII (In Life): Laura in Tears
- Sonnet CXXIII (In Life): The Effects of Her Grief
- Sonnet CXXIV (In Life): He Recalls Her as He Saw Her When in Tears
- Sonnet CXXV (In Life): Her Image is Ever in His Heart
- Sonnet CXXVI (In Life): He Extols the Beauty and Virtue of Laura
- Sonnet CXXVII (In Life): Her Every Action is Divine
- Sonnet CXXVIII (In Life): Every Circumstance of His Passion is a Torment to Him
- Sonnet CXXIX (In Life): He Envies Every Spot That She Frequents
- Sonnet CXXX (In Life): He Cares Not for Sufferings, So That He Displease Not Laura
- Sonnet CXXXI (In Life): Night Brings Peace to All Save Him
- Sonnet CXXXII (In Life): Her Walk, Looks, Words, and Air
- Sonnet CXXXIII (In Life): To One Who Desired Latin Verse of Him
- Sonnet CXXXIV (In Life): Laura Sings
- Sonnet CXXXV (In Life): Life Will Fail Him Before Hope
- Sonnet CXXXVI (In Life): His Tongue is Tied by Excess of Passion
- Sonnet CXXXVII (In Life): Love Unmans His Resolution
- Sonnet CXXXVIII (In Life): He Cannot End Her Cruelty, nor She His Hope
- Sonnet CXXXIX (In Life): Envy May Disturb, but Cannot Destroy His Hope
- Sonnet CXL (In Life): The Sweets and Bitters of Love
- Sonnet CXLI (In Life): To Pine for Her is Better Than to Enjoy Happiness with Any Other
- Sonnet CXLII (In Life): Recollections of Early Love
- Sonnet CXLIII (In Life): Ever Thinking on Her, He Passes Fearless and Safe Through the Forest of Ardennes
- Sonnet CXLIV (In Life): To Be Near Her Recompenses Him for All the Perils of the Way
- Sonnet CXLV (In Life): He Hears the Voice of Reason, but Cannot Obey
- Sonnet CXLVI (In Life): He Appeases Her by Humility, and Exhorts a Friend to Do Likewise
- Sonnet CXLVII (In Life): To the River Po, on Quitting Laura
- Sonnet CXLVIII (In Life): He Compares Himself to a Bird Caught in a Net
- Sonnet CXLIX (In Life): Love and Jealousy
- Sonnet CL (In Life): He is Continually in Fear of Displeasing Her
- Sonnet CLI (In Life): During a Serious Illness of Laura
- Sonnet CLII (In Life): He Compares Her to the Phoenix
- Sonnet CLIII (In Life): The Most Famous Poets of Antiquity Would Have Sung Her Only, Had They Seen Her
- Sonnet CLIV (In Life): He Fears That He is Incapable of Worthily Celebrating Her
- Sonnet CLV (In Life): To the Sun, Whose Setting Hid Laura's Dwelling from His View
- Sonnet CLVI (In Life): Under the Figure of a Tempest-Tossed Vessel, He Describes His Own Sad State
- Sonnet CLVII (In Life): The Vision of the Fawn
- Sonnet CLVIII (In Life): All His Happiness is in Gazing upon Her
- Sonnet CLIX (In Life): To Love, on Laura Walking Abroad
- Sonnet CLX (In Life): To See and Hear Her is His Greatest Bliss
- Sonnet CLXI (In Life): Journeying to Visit Laura, He Feels Renewed Ardour as He Approaches
- Sonnet CLXII (In Life): His Wounds Can Be Healed Only by Pity or Death
- Sonnet CLXIII (In Life): The Gentle Breeze (L' Aura) Recalls to Him the Time When He First Saw Her
- Sonnet CLXIV (In Life): Her Hair and Eyes
- Sonnet CLXV (In Life): His Heart Lies Tangled in Her Hair
- Sonnet CLXVI (In Life): The Stolen Glove
- Sonnet CLXVII (In Life): He Returns the Glove, Bewailing the Effect of Her Beauty
- Sonnet CLXVIII (In Life): He Regrets Having Returned Her Glove
- Sonnet CLXIX (In Life): Though Racked by Agony, He Does Not Complain of Her
- Sonnet CLXX (In Life): Posterity Will Accord to Him the Pity Which Laura Refuses
- Sonnet CLXXI (In Life): He Rejoices at Being on Earth with Her, as He is Thereby Enabled Better to Imitate Her Virtues
- Sonnet CLXXII (In Life): He Consoles Himself with the Thought That He Will Be Envied by Posterity
- Canzone XIX (In Life): He Vehemently Rebuts the Charge of Loving Another
- Canzone XX (In Life): He Cannot Live Without Seeing Her, but Would Not Die That He May Still Love Her
- Sonnet CLXXIII (In Life): Journeying Along the Rhone to Avignon, Petrarch Bids the River Kiss Laura's Hand, as It Will Arrive at Her Dwelling Before Him
- Sonnet CLXXIV (In Life): He Leaves Vaucluse, but His Spirit Remains There with Laura
- Sonnet CLXXV (In Life): His Woes Are Unexampled
- Sonnet CLXXVI (In Life): He Describes His State, Specifying the Date of His Attachment
- Sonnet CLXXVII (In Life): Though So Long Love's Faithful Servant, His Only Reward Has Been Tears
- Sonnet CLXXVIII (In Life): The Enchantments That Enthrall Him
- Sestina VI (In Life): The History of His Love; and Prayer for Help
- Sonnet CLXXIX (In Life): She Unites in Herself the Highest Excellences of Virtue and Beauty
- Sonnet CLXXX (In Life): Her Cruelty Renders Life Worse Than Death to Him
- Sonnet CLXXXI (In Life): He Lives Destitute of All Hope Save That of Rendering Her Immortal
- Sonnet CLXXXII (In Life): All Nature Would Be in Darkness Were She, Its Sun, to Perish
- Sonnet CLXXXIII (In Life): Morning
- Sonnet CLXXXIV (In Life): The Charms of Her Countenance and Voice
- Sonnet CLXXXV (In Life): Though Her Eyes Destroy Him, He Cannot Tear Himself Away
- Sonnet CLXXXVI (In Life): Not Finding Her with Her Friends, He Asks Them Why She is Absent
- Sonnet CLXXXVII (In Life): His Nights Are, Like His Days, Passed in Torment
- Sonnet CLXXXVIII (In Life): The Misery of His Love
- Sonnet CLXXXIX (In Life): Happy Who Steered the Boat, or Drove the Car, Wherein She Sat and Sang
- Sonnet CXC (In Life): Far from His Beloved, Life is Miserable by Night as by Day
- Sonnet CXCI (In Life): He Envies the Breeze Which Sports with Her, the Stream That Flows Towards Her
- Sonnet CXCII (In Life): Under the Figure of a Laurel, He Relates the Growth of His Love
- Sonnet CXCIII (In Life): Though in the Midst of Pain, He Deems Himself the Happiest of Men
- Sonnet CXCIV (In Life): At Her Return, His Sorrows Vanish
- Sonnet CXCV (In Life): He Fears That an Illness Which Has Attacked the Eyes of Laura May Deprive Him of Their Sight
- Sonnet CXCVI (In Life): The Evil Results of Unrestrained Anger
- Sonnet CXCVII (In Life): He Rejoices at Participating in Her Sufferings
- Sonnet CXCVIII (In Life): He No Longer Finds Relief in Solitude
- Sonnet CXCIX (In Life): He Excuses Himself for Visiting Laura Too Often, and Loving Her Too Much
- Sonnet CC (In Life): He Prays Love, Who is the Cause of His Offences, to Obtain Pardon for Him
- Sestina VII (In Life): He Despairs of Escape from the Torments by Which He is Surrounded
- Sestina VIII (In Life): She is Moved Neither by His Verses nor His Tears
- Sonnet CCI (In Life): On the Kiss of Honour Given by Charles of Luxemburg to Laura at a Banquet
- Sonnet CCII (In Life): He Pleads the Excess of His Passion in Palliation of His Fault
- Sonnet CCIII (In Life): His Sorrow for the Illness of Laura Increases, Not Lessens, His Flame
- Sonnet CCIV (In Life): He Bids His Heart Return to Laura, Not Perceiving That It Had Never Left Her
- Sonnet CCV (In Life): He Congratulates His Heart on Its Remaining with Her
- Sonnet CCVI (In Life): To a Friend, in Love Like Himself, He Can Give No Advice but to Raise His Soul to God
- Sonnet CCVII (In Life): The Two Roses
- Sonnet CCVIII (In Life): He Prays That He May Die Before Laura
- Sonnet CCIX (In Life): He Invites Those to Whom His Praises Seem Excessive to Behold the Object of Them
- Sonnet CCX (In Life): Whoever Beholds Her Must Admit That His Praises Cannot Reach Her Perfection
- Sonnet CCXI (In Life): Melancholy Recollections and Presages
- Sonnet CCXII (In Life): She Announces to Him, in a Vision, That He Will Never See Her More
- Sonnet CCXIII (In Life): He Cannot Believe in Her Death, but If True, He Prays God to Take Him Also from Life
- Sonnet CCXIV (In Life): To His Longing to See Her Again is Now Added the Fear of Seeing Her No More
- Sonnet CCXV (In Life): He Sighs for Those Glances from Which, to His Grief, Fortune Ever Delights to Withdraw Him
- Sonnet CCXVI (In Life): Hearing No Tidings of Her, He Begins to Despair
- Sonnet CCXVII (In Life): Contrary to the Wont of Lovers, He Prefers Morn to Eve
- Sonnet CCXVIII (In Life): His Soul Visits Her in Sleep
- Sonnet CCXIX (In Life): On Laura Putting Her Hand Before Her Eyes While He Was Gazing on Her
- Sonnet CCXX (In Life): A Smiling Welcome, Which Laura Gave Him Unexpectedly, Almost Kills Him with Joy
- Sonnet CCXXI (In Life): Thinking Always of Laura, It Pains Him to Remember Where She is Left
- Sonnet CCXXII (In Life): The Beauty of Laura is Peerless
- Sonnet CCXXIII (In Life): The Eyes of Laura Are the School of Virtue
- Sonnet CCXXIV (In Life): Honour to Be Preferred to Life
- Sonnet CCXXV (In Life): He Extols the Virtue of Laura
- Canzone XXI (In Life): Self-Conflict
- Sonnet CCXXVI (In Life): Hope Alone Supports Him in His Misery
- Sonnet CCXXVII (In Life): He Laments His Absence from Laura and Colonna, the Only Objects of His Affection
- Sonnet I (In Death): On the Announcement of the Death of Laura
- Canzone I (In Death): He Asks Counsel of Love, Whether He Should Follow Laura, or Still Endure Existence
- Sonnet II (In Death): He Bewails His Double Loss in the Deaths of Laura, and of Colonna
- Canzone II (In Death): Unless Love Can Restore Her to Life, He Will Never Again Be His Slave
- Sonnet III (In Death): On the Death of Another Lady
- Sonnet IV (In Death): Past, Present, and Future Are Now Alike Painful to Him
- Sonnet V (In Death): He Encourages His Soul to Lift Itself to God, and to Abandon the Vanities of Earth
- Sonnet VI (In Death): He Compares Himself to a Besieged City, and Accuses His Own Heart of Treason
- Sonnet VII (In Death): He Endeavours to Find Peace in the Thought That She is in Heaven
- Sonnet VIII (In Death): With Her, His Only Solace, is Taken Away All His Desire of Life
- Sonnet IX (In Death): He Describes His Sad State
- Sonnet X (In Death): He Desires to Die, That His Soul May Be with Her, as His Thoughts Already Are
- Sonnet XI (In Death): She is Ever Present to Him
- Sonnet XII (In Death): Vaucluse
- Sonnet XIII (In Death): Her Form Still Haunts Him in Solitude
- Sonnet XIV (In Death): He Thanks Her That from Time to Time She Returns to Console Him with Her Presence
- Sonnet XV (In Death): Her Presence in Visions is His Only Consolation
- Sonnet XVI (In Death): The Remembrance of Her Chases Sadness from His Heart
- Sonnet XVII (In Death): Her Counsel Alone Affords Him Relief
- Sonnet XVIII (In Death): She Returns in Pity to Comfort Him with Her Advice
- Sonnet XIX (In Death): On the Death of His Friend Sennuccio
- Sonnet XX (In Death): Vaucluse Has Become to Him a Scene of Pain
- Sonnet XXI (In Death): He Acknowledges the Wisdom of Her Past Coldness to Him
- Sonnet XXII (In Death): He Blesses Laura for Her Virtue
- Sonnet XXIII (In Death): Morn Renders His Grief More Poignant
- Sonnet XXIV (In Death): His Lyre is Now Attuned Only to Woe
- Sonnet XXV (In Death): His Poems Were Written Only to Soothe His Own Grief: Otherwise He Would Have Laboured to Make Them More Deserving of the Fame They Have Acquired
- Sonnet XXVI (In Death): Since Her Death, Nothing is Left to Him but Grief
- Sonnet XXVII (In Death): He Comforts Himself with the Hope That She Hears Him
- Sonnet XXVIII (In Death): He Glories in His Love
- Sonnet XXIX (In Death): The Union of Beauty and Virtue is Dissolved by Her Death
- Sonnet XXX (In Death): The Remembrance of the Past Enhances His Misery
- Sonnet XXXI (In Death): He Enumerates and Eulogises the Graces of Laura
- Sonnet XXXII (In Death): He Envies Earth, Heaven, and Death Their Possession of His Treasure
- Sonnet XXXIII (In Death): On His Return to Vaucluse After Laura's Death
- Sonnet XXXIV (In Death): Soaring in Imagination to Heaven, He Meets Laura, and is Happy
- Sonnet XXXV (In Death): He Vents His Sorrow to All Who Witnessed His Former Felicity
- Sonnet XXXVI (In Death): Had She Not Died So Early, He Would Have Learned to Praise Her More Worthily
- Sonnet XXXVII (In Death): He Prays Laura to Look Down upon Him from Heaven
- Sonnet XXXVIII (In Death): Love and He Seek Laura, but Find No Traces of Her Except in the Sky
- Sonnet XXXIX (In Death): Unworthy to Have Looked upon Her, He is Still More So to Attempt Her Praises
- Sonnet XL (In Death): He Attempts to Paint Her Beauties, but Not Her Virtues
- Sonnet XLI (In Death): It is Impossible for Him to Describe Her Excellences
- Sonnet XLII (In Death): Returning Spring Brings to Him Only Increase of Grief
- Sonnet XLIII (In Death): The Song of the Nightingale Reminds Him of His Unhappy Lot
- Sonnet XLIV (In Death): Nothing That Nature Offers Can Afford Him Consolation
- Sonnet XLV (In Death): His Only Desire is Again to Be with Her
- Sonnet XLVI (In Death): He Recalls with Grief Their Last Meeting
- Sonnet XLVII (In Death): Just When He Might Fairly Hope Some Return of Affection, Envious Death Carries Her Off
- Sonnet XLVIII (In Death): He Consoles Himself with the Belief That She Now at Last Sympathises with Him
- Sonnet XLIX (In Death): Death Has Robbed Him in One Moment of the Fruit of His Life
- Sonnet L (In Death): Under the Allegory of a Laurel He Again Deplores Her Death
- Sonnet LI (In Death): His Passion Finds Its Only Consolation in Contemplating Her in Heaven
- Sonnet LII (In Death): He Revisits Vaucluse
- Sonnet LIII (In Death): The Sight of Laura's House Reminds Him of His Misery
- Sonnet LIV (In Death): To the Memory of Giacomo Colonna, Who Died Before Petrarch Could Reply to a Letter of His
- Canzone III (In Death): Under Various Allegories He Paints the Virtue, Beauty, and Untimely Death of Laura
- Ballata I (In Death): His Grief at Surviving Her is Mitigated by the Consciousness That She Now Knows His Heart
- Canzone IV (In Death): He Recalls Her Many Graces
- Sonnet LV (In Death): Death May Deprive Him of the Sight of Her Beauties, but Not of the Memory of Her Virtues
- Sonnet LVI (In Death): Her Own Virtues Immortalise Her in Heaven, and His Praises on Earth
- Sonnet LVII (In Death): He Reverts to Their Last Meeting
- Sonnet LVIII (In Death): He Mourns His Want of Perception at That Meeting
- Sonnet LIX (In Death): He Should Have Foreseen His Loss in the Unusual Lustre of Her Eyes
- Canzone V (In Death): Memory is His Only Solace and Support
- Sestina I (In Death): In His Misery He Desires Death the More He Remembers His Past Contentment and Comfort
- Sonnet LX (In Death): He Prays That She Will Be Near Him at His Death, Which He Feels Approaching
- Sonnet LXI (In Death): He Prays That, in Reward for His Long and Virtuous Attachment, She Will Visit Him in Death
- Sonnet LXII (In Death): Beauty Showed Itself in, and Disappeared with, Laura
- Sonnet LXIII (In Death): She is So Fixed in His Heart That at Times He Believes Her Still Alive, and is Forced to Recall the Date of Her Death
- Sonnet LXIV (In Death): Nature Displayed in Her Every Charm, but Soon Withdrew Her from Sight
- Sonnet LXV (In Death): He No Longer Contemplates the Mortal, but the Immortal Beauties of Laura
- Sonnet LXVI (In Death): The Laurel, in Whom He Placed All His Joy Has Been Taken from Him to Adorn Heaven
- Sonnet LXVII (In Death): Her True Worth Was Known Only to Him and to Heaven
- Sonnet LXVIII (In Death): Her Praises Are, Compared with Her Deserts, but as a Drop to the Ocean
- Sonnet LXIX (In Death): He Prays Her to Appear Before Him in a Vision
- Sonnet LXX (In Death): His Prayer is Heard
- Sonnet LXXI (In Death): He Describes the Apparition of Laura
- Sonnet LXXII (In Death): He Would Die of Grief Were She Not Sometimes to Console Him by Her Presence
- Sonnet LXXIII (In Death): He Complains of His Sufferings, Which Admit of No Relief
- Sonnet LXXIV (In Death): Reflecting That Laura is in Heaven, He Repents His Excessive Grief, and is Consoled
- Sonnet LXXV (In Death): He Directs All His Thoughts to Heaven, Where Laura Awaits and Beckons Him
- Sonnet LXXVI (In Death): He Conjures Laura, by the Pure Love He Ever Bore Her, to Obtain for Him a Speedy Admission to Her in Heaven
- Sonnet LXXVII (In Death): His Only Comfort is the Expectation of Meeting Her Again in Heaven
- Sonnet LXXVIII (In Death): He Feels That the Day of Their Reunion is at Hand
- Sonnet LXXIX (In Death): He Tells Her in Sleep of His Sufferings, and, Overcome by Her Sympathy, Awakes
- Sonnet LXXX (In Death): Far from Fearing, He Prays for Death
- Sonnet LXXXI (In Death): Since Her Death He Has Ceased to Live
- Canzone VI (In Death): She Appears to Him, and, with More Than Wonted Affection, Endeavours to Console Him
- Canzone VII (In Death): Love, Summoned by the Poet to the Tribunal of Reason, Passes a Splendid Eulogium on Laura
- Sonnet LXXXII (In Death): He Awakes to a Conviction of the Near Approach of Death
- Sonnet LXXXIII (In Death): He Seems to Be with Her in Heaven
- Sonnet LXXXIV (In Death): Weary of Life, Now That She is No Longer with Him, He Devotes Himself to God
- Sonnet LXXXV (In Death): He Confesses and Regrets His Sins, and Prays God to Save Him from Eternal Death
- Sonnet LXXXVI (In Death): He Humbly Confesses the Errors of His Past Life, and Prays for Divine Grace
- Sonnet LXXXVII (In Death): He Owes His Own Salvation to the Virtuous Conduct of Laura
- Sonnet LXXXVIII (In Death): Beholding in Fancy the Shade of Laura, He Tells Her the Loss That the World Sustained in Her Departure
- Sonnet LXXXIX (In Death): He Begs Love to Assist Him, That He May Worthily Celebrate Her
- Sonnet XC (In Death): The Plaintive Song of a Bird Recalls to Him His Own Keener Sorrow
- Canzone VIII (In Death): To the Virgin Mary
- The Visions of Petrarch
- Sonnet LIX (Part I)
- Sonnet LXXV (Part II)